Barbata laura anderson (16 resultados)

Hardcover. Condición: Good.

Fine and bright glossy colorful large stiff wraps with excellent square spine and crisp bright text throughout. Nicely illustrated in color with full page size color paintings. With informative text.

Hardcover. Condición: New. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. Large heavy hardcover is UNREAD in shrinkwrap. There is some bumping to the bottom cover edges and corners (not significant). Otherwise, handling wear only.

Soft cover. Condición: As New. 1st Edition. Softcover, French fold wraps. 122 pages, 7 1/4 x 9 3/8, perfect-bound, 4-color throughout, vellum sheets front and back. Terra Incognita: Proyecto Intervenciones Sociales captures in static images a sense of the dynamic, visual, tactile, auditory and even olfactory experience of Barbata's multimedia pieces while expressing the cultural layering at the heart of her work, which is inspired through her extended contact with the Yanomami and Ye'kuana tribes of Venezuela.…

Softcover, 100+ pages, in English and Spanish; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 160 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Softcover exhibition catalog, 48 pages, in English; very good condition, no internal marks, clean and crisp.

Softcover, 48 pages, in English and Spanish; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condición: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Condición: Very Good. Modest wear to cover, no jacket as issued. Clean pages and sound binding.

Encuadernación de tapa dura. Condición: Nuevo. 1ª Edición. - Esta monografía celebra la alianza de la artista con zanqueros tradicionales de las Antillas y México -Moko Jumbies y zancudos- para quienes crea, en colaboración con miembros de la comunidad y artesanos tradicionales, disfraces a modo de esculturas. -Las obras resultantes desafían las nociones de arte comunitario, arte público, performance, escultura y tradición. Transcomunalidad examina el inicio de este proyecto en Trinidad y Tobago, y pone de relieve la forma en que Anderson Barbata ha integrado en su obra el trabajo de The Brooklyn Jumbies, un grupo de zanqueros de las Indias occidentales y África occidental que viven en Brooklyn y, más recientemente, en colaboración con Los zancudos de Zaachila de Oaxaca, México. Al unir estas dos tradiciones vivas y trabajando junto a ellos, la artista crea puentes entre continentes, culturas y comunidades elaborando un trabajo asombroso que fusiona arte contemporáneo con prácticas de patrimonio cultural.…

1. Aufl. Transcommunality examines the beginning of the project in Trinidad and Tobago, and highlights the way Anderson Barbata has integrated into her work The Brooklyn Jumbies, a group of stilt dancers from the West Indies and West Africa living in Brooklyn and more recently collaborating with Los Zancudos de Zaachila from Oaxaca, Mexico. By uniting these two living traditions and working alongside them, Anderson Barbata bridges continents, cultures and communities creating astonishing work that melds contemporary art and cultural heritage practices. (Sehr gut erhalten - neu / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 2400 ill. OLeinen / Hardcover (cloth).…

230 p 26 Ã 34.5 Encuadernación editorial en tela impresa. Fotos en color.

Hardcover. Condición: New.

ill., + 1 printed card (10 x 10 cm.) in a linen-covered clamshell box 37 cm. Illustrated folktale of the brothers who taught the Yanomami how to build a house. Block printed book on handmade paper sewn with thread to a split stick spine; first and last leaves serve as covers. Tissue paper guard sheets loosely inserted./ Date "1996" in cut on back cover; each of the last three numbers is inverted./ "This is . a limited edition of 50. Made in the Yanomami Community of Platanal in the state of Amazonas of Venezuela in November of 2000 . the result of a community effort and collaboration involving the elders, scholars and youth working in the self-development project Yanomami Owe Mamotima . signed by the leader of this project"--Printed card laid in./ "The paper is hand made using abaca, the thread is kurathasi, and the pigment on the spine is onoto. The cover is a blend of shiki with abaca. The plates are rubber and printed using a water based ink"--Printed card laid in./ Accompanied by: "Yanomami Owë Mamotima Paper" = "Papel Yanomami Owë Mamotima" (1 sheet ; 22 x 28 cm.); "Traducción del texto del libro Shapono" = "Translation of the text from the book Shapono" (1 sheet : col. ill., ports ; 22 x 28 cm.); flier advertising Shapono and the Amazon paper project, including the Best Book of the Year Award bestowed on it in 1999 by the Venezuelan Ministry of Education (1 sheet : ill. (some col.), ports. ; 22 x 28 cm.). Text in Yanomami language. Publication information on accompanying card in English. The ink shades can vary, most of the covers are the darker color and inside sheets have the lighter color red. All spines are sewn and in some cases the stitches vary as well as the thickness and look of the spine. All spines are made from discarded arrows that are not used because they have broken. s. Signed.…