Bann simon (24 resultados)

Condición: Very Good. Hardcover Ed. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Softcover, 200 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Used: Very Good. [FIRST EDITION] Baltimore: Walters Art Museum, 2007. Hardcover in illustrated dust jacket. 4to., 200 pages, illustrated throughout in color and b/w. A catalogue from the exhibition, includes contributions by Stephen Bann, Simon Kelly, Richard Shiff, Charles Stuckey & Jeffrey Weiss. Very good overall condition, no marks, NOT EX-LIBRARY. (lr).…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Unused copy.

Original Wraps. Condición: Near Fine. No Jacket as issued. 1st Edition. Touching upon the work of Stuart Mills, Simon Cutts and Ian Hamilton Finlay. Slight crease to the Ian Gardner 'Bath Mat: A Constructivist Flag' cover. An unusually nice copy. A putative edition of about 350 copies. This copy is not one of the signed numbered issue of 100 copies.…

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Original Wraps. Condición: Very Good. No Jacket as issued. 1st Edition. Published on the occasion of the exhibition 7th November 1989 to 14th January 1990. Comprehensive survey of the Coracle Press in London. Copiously illustrated and documented. French fold wrappers Slightly used.

Condición: Very Good +. 170 x 240 mm. Printed black and white in green and white printed dustjacket. Some colour plates with fold-out pages. Contributions by Stephen Bann, Christophe Bayle, Phillipe Boudon, Lucius Burkhardt, Michel Conan, Simon Cutts John Dixon Hunt, Peter Jacobs, Philippe Poullaouec-Gonidec, Robert B. Riley, Alain Roger. Text in French and English. Condition: some rubbing to dustjacket cover, crease to internal fold, slightly soiled, VG+.…

Paperback. Condición: Good. Staple bound paperback in good condition. Published on the occasion of the Tarasque Press Exhibition 'Metaphor and Motif' at the Midland Group Gallery, Nottingham, 1972. Covers are slightly marked and scuffed. Inside covers and page edges are tanned. Binding is sound and pages are otherwise clear. LW. Used.…

Condición: Good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Spotting, handling and wear to covers and some pages. As seen, first four pages have heavy crease top right corner. No tears or writing. reference copy only. Good.…

Condición: Very good+/Near fine. Folded invitation card. The Weather House and other works, Coracle Press Exhibition 1975, Midland Group Gallery, Nottingham, 1975. 76 x 54 mm. Printed black and white, folded card. Unnumbered, unsigned, no edition size given. Text on verso reads: 'You are invited to the opening by David Brown of the exhibition on Friday July 4th at 8.00 p.m. A reading of poems by Stuart Mills and Simon Cutts will take place on this occasion'. The Weather House group show included the following artists and poets: Simon Cutts, Karl Torok, Martin Fidler, Stephen Skidmore, David Willetts, Ian Gardner, Stephen Duncalf, Kay Roberts, Stuart Mills, Stephen Bann, Edward Lucie Smith.Condition: very minor toning, otherwise fine. Overall: Very good+/Near fine.…

Original Wraps. Condición: Fine. No Jacket as issued. 1st Edition. Number 65 of a limited edition of 100 copies. Signed by Ian Gardner and Simon Cutts. Cover ' Bath Mat: A Constructivist Flag' by Ian Gardner reproduced on the private view invitation card loosely enclosed. A fine copy with the transparent endpapers as called for. Signed by Author(s).…

Paperback. Condición: Very Good. First Edition. Wraps. 4to. pp 28. Original publishers stapled covers, lettered black. Concrete poems. Cover: 'Bath Mat; A constructivist Flag': Ian Gardner. Includes essays by Robert Kennedy, Stuart Mills, and Simon Cutts. Very good.

Paperback. Condición: Near fine. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 57 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page. Condition: very minor rubbing to covers, otherwise fine. Overall: Near fine. …

Condición: Very Good+. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Some light toning to covers, Internally and overall Very Good+.…

Paperback. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 85 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page, and is also accompanied by a small invitation card to the exhibition that replicates Gardner's cover design for the book. Condition: Fine.…

Original Wraps. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Midland Group Gallery, Nottingham July 5th - 26th. Featuring the work of Ian Gardner, Karl Torok, Martin Fidler, David Willetts, Stephen Duncalf, Stephen Skidmore, Bob Evans, Kay Roberts, Stuart Mills, Simon Cutts. Small 4to. A firm, clean copy.…

Paperback. Condición: Very Good + / Near Fine. 1st Edition. FORM MAGAZINE. Complete set: Issues 1-10. (Summer) 1966- (October )1969.The most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, architecture, avant-garde magazines et al. Interest in FORM itself has grown in recent years: while studying for his Ph.D. the Portuguese architect Joaquim Moreno made a particular study of the magazine, contending that it is essentially a magazine about little magazines of the avant-garde. Moreno was part of the research group that produced 'Clip Stamp Fold' (M + M books, Princeton, 2011), which features interviews with Bann and Steadman. Issues often include a Great Little Magazines section. Each issue is about 9.5 inches square, illustrated, with 32pp (apart from one issue with 36pp). Number 1: Contents includes Film as Pure form by Theo Van Doesburg (first translation of 1929 essay), The Activity of Structuralism by Roland Barthes, Experimental Aesthetics by Carlyn Cumming, essay on Fernand Leger, Great Little Magazines No.1 : Secession with work by William Carlos Williams, Hans Arp Yvor Winters / Number 2: Contents includes Le Parc and The Group Problem by Frank Popper; A Little Night Music by Charles Tomlinson; Articles by Gillo Dorfles; Poem by Charles Tomlinson; William Carlos Williams on Emanuel Romano. Great Little Magazines No.2: Blues with work by Gertrude Stein, Sidney Hunt, Parker Tyler, Kenneth Rexroth, Charles Henri Ford./ Number 3: Contents includes Poems by Ian Hamilton Finlay, Ernst Jandl, Paul de Vree, Kenneth Robinson. Articles on and by Charles Biederman and 'The Electrical -Mechanical Spectacle' by El Lissitzky. Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi./ Number 4: Contents includes: Brighton Concrete Poetry Exhibition , notes, map & full review (exhibition organised by Form's editors), Black Mountain College, Albers 'Graphic Tectonics', 'What is Kentetism' ? Two essays by Charles Biederman, Poems by Anselm Hollo. Review of Mecano magazine in Great Little Magazines No.4 (therefore discussion of Van Doesburg) - which includes translation of Van Doesburg text. / Number 5: Contains Hans Jaffes - De Stijl and Architecture, features on Bernard Lassus and Raul Hausmann, and in the Black Mountain Series John A. Rice, George Zabriskie and designs for college buildings by Walter Gropius and Marcel Breuer. Great Little Magazines No.5 'RAY' with work by Sidney Hunt, I. K. Bonset ( Theo Van Doesburg) and Kurt Schwitters./ Number 6: The contents include essays on Russian unofficial art, and on the work of Laszlo Moholy Nagy; John Evarts and Jean Charlot writing on Black Mountain; and poems by David Chaloner. Great Little Magazines No.6 'De Stijl' (Part 1). / Number 7: March / 1968. Contents include Kinetic Art in Czechoslovakia, Cinema and Semiology, by Peter Wollen, new American Photography, Abraham Moles on Vasarely. Airfields by Simon Cutts. Great Little Magazines No.6 'De Stijl' (author index part 2). / Number 8: The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. / Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana./ Number 10: The Aesthetic of Ian Hamilton Finlay by Simon Cutts. Art in Crisis by Charles Biederman, Structuralism & Literary Criticism by Gerard Genette. Great Little Magazines : LEF by Richard Sherwood & articles from LEF by Brik, Arvatov, Mayokovsky. Together with printed letter from the editor, Philip Steadman, sent to contributors when the magazine finished & flier for Form subs.…

Paperback. Condición: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.…

Condición: Very good. Simon Cutts, A Coracle no. 1-12, Coracle Press, Camberwell, London, January-December 1975. Together, these monthly broadsheets are the first things published by Coracle Press. 12 issues in 11 A4 sheets, printed black on cream stock. The issues are as follows: no. 1 statement of intent by Simon Cutts, no. 2 various quotations and offer of the earliest publications, no. 3 Stephen Duncalf, no. 4 juxtaposition of two images of cafe signs, no. 5 homage to Eric Mendelsohn, no. 6 quotation from Stephen Bann and invitation to The Weather House and other works exhibition, no.7/8 Thumb poem (by Cutts?), no.9 Medley 2 consisting of quotations including 'Don't blame me if your cheese-on-toast is leathery' unknown, no. 10 a cartoon, no.11/12 i. statement by Simon Cutts, no. 11/12 ii. printed on card with glue patch to centre, missing the plastic sliding letter puzzle that would have been affixed but nearly always falls off. Condition: all folded with the exception of no. 1 and nos. 11/12 i. and ii., no. 3 slight foxing to edge, no. 6 to no. minor toning to edge, no. 10 toning and foxmarks, no. 11/12 i. some foxing and childlike pink felt-tip pen mark and no. 11/12 ii. light foxing and spotting, glue mark to centre. Condition: very good.…

Near Fine set of Broadsides on A4 sheets in original mailing envelope with ' Karl' on Coracle Printed Label to front of envelope. The First items published by the Press, exceptional condition with the plastic sliding letter puzzle still in situ on Issue 11 /12.Karl Torok's Set, Close collaborator and Long Term friend of Simon Cutts.…

No Binding. Condición: Near fine. 1st Edition. Edited by Simon Cutts and Stuart Mills, Private Tutor, Issues 1-12 (complete set), Tarasque Press, The Trent Book Shop, Trent Bridge, Nottingham, August 1967 September 1970. 260 x 200 mm. Letterpress printed (black and red on white stock) broadside periodical (A4 verso only) that features rules, statements and questions on poetry, in the playful and polemical mode of Tarasque Press. Edition of 100 (unnumbered).Number 1 opens with the mission statement, 'Assuming from the onset that the reader has little or no grounding in literature we will commence and continue in a very direct manner.' Number 3 declares, 'The true concern of the poet should be the avoidance of ugliness. Art exists by the tolerance of others. It might be argued therefore that a poet using his craft as a vehicle for politics will ultimately find his readership amongst politicians, the more sensitive finding this misuse of poetry irksome and a deceit. In this country today a large percentage of poetry written by younger poets avoids the integral beauty exemplified by the fusion of form language and motif.' Number 5 presents Edwin Morgan's 'Making a Poem'. Number 7, printed in orange, involves a series of questions by Stephen Bann. In issue 9, Cutts asks the question 'Are earthquakes weather?' Number 10 features Mills' poem 'Skylines/Sea-lanes'. Ian Hamilton Finlay is featured in three issues: issue 8 (printed in green), 'Arcady ABC.' (some questions on the poem); issue 11, 'The Weed Boat Masters Ticket Preliminary Test (Part One); issue 12, 'Boats of Letters'.Condition: near fine.…