Banham mary (59 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condición: Used - Very Good. Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham (1922-1988). Born and trained in England and a resident of the United States starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architects Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in his appreciations of Santa Monica Pier, the J. Paul Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. 'Reyner Banham's special skill was to take objects that we otherwise might take for granted and to open our eyes and minds to their visual and cultural associates. Unlike many historians he had an 'eye' and this came through in his writings. He was also a popularizer--ahead of his time. These perspectives are every bit as relevant now as they were in the past.'--Sir Norman Foster, Foster Associates 'Banham's stubborn insistence on the proper terms by which to measure the contemporary predicament reveals the depth and the breadth of his contribution to architectural history and theory. The modern, for Banham and for us, simply refuses to go away.'--Anthony Vidler, author of 'The Architectural Uncanny'.…

Trade Paperback. Condición: Very Good. First Edition. A Very Good copy of the First Edition with light shelfwear; no markings to the text.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight.

Soft cover. Condición: Very Good. 1st Edition.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Full cloth-covered boards, in dustjacket. xv, 351 p., [20] p. of plates. Includes bibliographical references (p. 301-339) and index. A solid and attractive copy with firm binding, intact hinges and spine very slightly off square. Pencil marks front flyleaf and first page, but no marks to text. Mild bumping to lower corners, else not much cover wear. Unclipped, unrubbed dustjacket has a little wear to extremities, but no chips or tears. B&W photos (ilustrador).…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. NF/NF, 4to, 1st edn, 351pps w/index, ill.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. NF/NF, 4to, 1st edn, 351pps w/index, ill.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0520088557. …

Condición: New. 1999. First Edition, (A Centennial Book). Paperback. Born and trained in England and a US resident starting in 1976, Reyner Banham wrote incisively about American and European buildings and culture. This title presents a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. Editor(s): Barker, Paul; Lyall, Sutherland; Price, Cedric. Num Pages: 366 pages, 32 b/w illustrations. BIC Classification: AC; AK; AM; DNF. Category: (G) General (US: Trade). Dimension: 247 x 190 x 21. Weight in Grams: 758. . . . . .…

Paperback. Condición: New. First Edition, (A Centennial Book). Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies.Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. First Edition, (A Centennial Book). Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies.Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.…

Condición: New. 1999. First Edition, (A Centennial Book). Paperback. Born and trained in England and a US resident starting in 1976, Reyner Banham wrote incisively about American and European buildings and culture. This title presents a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. Editor(s): Barker, Paul; Lyall, Sutherland; Price, Cedric. Num Pages: 366 pages, 32 b/w illustrations. BIC Classification: AC; AK; AM; DNF. Category: (G) General (US: Trade). Dimension: 247 x 190 x 21. Weight in Grams: 758. . . . . . Books ship from the US and Ireland.…

Hardcover. Condición: fine/fine. First edition. Quarto. 10 1/2' x 7". 351pp including index. A Cenntennial Book.