baltz william (16 resultados)

Condición: Fine. Used book that is in almost brand-new condition.

Paperback. William Eggleston Ilustrador. The Fall 1984 issue of Aperture magazine, No. 96, focusing on color photography, with: portfolios of photographs by William Eggleston (unpublished Berlin Series) with writings by Peter Schneider, Joel Sternfeld (social landscapes), William Christenberry (Klan Room), Luis Medina (Chicago's painted walls), Patrick D. Pagnano (street photography), Jan Staller (city streets at night), and Len Jenshel (the natural world); Mark Holborn essay on Graceland by William Eggleston and the art of Cindy Sherman; Peter Plagens on Lucas Samaras; Danny Lyon reviews El Salvador and A Vanishing World; a long essay by Lewis Baltz titled "Konsumerterror: Late-Industrial Alienation;" and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine paperback with light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. The Spring 1987 issue of Aperture magazine, No. 106, with: portfolios of work by Lewis Baltz, Catherine Wagner, Lynne Cohen, Daniel Faust, Reagan Louie, David T. Hanson, Robert Cumming, and Kira Perov; texts by Mark Haworth-Booth, Larry Frascella, William Ewing, Dan Cameron, Louie, Hanson, Cumming, and others; articles on Robert Smithson, Nancy Burson, Kenneth Snelson, and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Laid-in are various promotional items. Condition: Near Fine paperback showing only light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 175 Pp. Black Boards Stamped In Blind. 12 1/4"X 9 1/4". No Addional Printing Noted. Fine, No Marks Or Wear. Dust Jacket With Bumping Along Top Edges And Tiny Loss At Top Of Front Flap Fold.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Signed by William Peterson and Nicole Blaisdell Ivey. Hardcover. Black laminated cloth with title stamped in green on spine; with photographically illustrated dust jacket. Essays, fiction and correspondence by Gus Blaisdell selected and edited by William Peterson and co-edited by Nicole Blaisdell Ivey. Includes some of Blaisdell's most brilliant writings on artists and photographers including Lewis Baltz, John Gossage, Joel-Peter Witkin and others. Foreword by Stanley Cavell. Preface by William Peterson. Introduction by David B. Morris. Envoi by Ira Jaffe. Includes a chronology and a bibliography. Designed by Melissa Tandysh. 382 pp., with numerous halftone illustrations. 9-1/4 x 6-1/2 inches. New in New dust jacket, enclosed in a clear archival Brodart protective cover (opened only for signatures). From the publisher: "From the moment he arrived in New Mexico in 1964, Gus Blaisdell (1935-2003) was a legendary presence. Famous in Albuquerque as a writer, teacher, publisher, editor, and especially as the proprietor of the Living Batch bookstore, Blaisdell was also a brilliant critic whose essays influenced readers throughout the country and across the Atlantic. This long-awaited collection of Blaisdell's critical writings includes essays on literature, art, and film, along with moving tributes by some of the distinguished writers who numbered Blaisdell among their friends. Introductory essays by philosopher Stanley Cavell and literary critic David Morris join colleague Ira Jaffe's poignant memoir to provide perspectives on the man by friends who knew him well. Glimpses of Blaisdell's vivid personality can be had from the many photographs included, and the diligently researched chronology compiled by Nicole Blaisdell Ivey tracks the course of her father's complicated life." Signed by Author.

First edition and first printing. Hardcover. 175 pages. A collection of photographs from 8 well known photographers. Includes images from Robert Adams, Lewis Baltz, Harry Callahan, Paul Caponigro, Hamish Fulton, William Garnett, Eliot Porter, Art Sinsabaugh, George Tice, and Brett Weston. A very good copy with some faint foxing to the page edges and in a very good dust jacket with some minor wear and some slight foxing.

Pamphlet. 48p., stapled wraps, 10x8 inches landscape format, illus., very good catalog for an exhibition of contemporary photography featuring works by Baltz, DeLappa, and Labrot.

First edition and first printing. Hardcover. 175 pages. A collection of photographs from 8 well known photographers. Includes images from Robert Adams, Lewis Baltz, Harry Callahan, Paul Caponigro, Hamish Fulton, William Garnett, Eliot Porter, Art Sinsabaugh, George Tice, and Brett Weston. A clean very near fine copy and in a very near fine dust jacket with some very minute wear. A nicer than usual copy.

Paperback. Condición: Very Good-. First ed. 0 pages.

Condición: New. Print on Demand.

Hardcover. Condición: Coll - U7 - Good. Very Good hardcover with scuffing to black cloth boards. Acceptable dust jacket (in a Mylar cover) with significant edgewear, especially at the top and a missing chip at the head of the spine.

Printed Wrappers. Condición: Good +. (Ex-Library). First Edition 1/2500. 48pp, 24 b&w and 3 color illustrations. With an exhibition checklist, and a biography, exhibition history and bibliography for each photographer. In a protective clear acetate dustwrapper. This is the catalogue of the landmark 1975 George Eastman House "New Topographics" exhibition - the show that first defined the newly burgeoning photographic documentation of the contemporary urban landscape. It features a prescient essay by assistant curator William Jenkins, brief texts by Robert Adams, Lewis Baltz, Nicholas Nixon and Jorge Luis Borges as well as three full-page images each for Adams, Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr. A most presentable example of this uncommon, historically highly-significant document (cited on page 11 of "From Fair to Fine 2") showing some light overall wear and patination to its white wrappers along with a thin horizontal adhesive ghost with two small surface abrasions from a removed label wrapping around the spine. Inside are two institutional library bookplates - one from Los Angeles' Otis Art Institute, and more interestingly from the UCLA Art Library's Robert Heinecken collection that bears a "Discarded" stamp in black ink. There are additionally discreet "Discard" stamps on the edges of the tetblock. It has been priced accordingly. Exhibition Catalog.

Soft cover. Condición: Fine. 1st Edition. 1976-1983. First edition, first printing. 27 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin catalogue which has creasing to the rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24-November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24-November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19-September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978-February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21-September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10-December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979-February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982-January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4-July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7-November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9-March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980-January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21-June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4-December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15-June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3-March 26, 1978. 27) Janica Yoder, 1979. 16 pp., with 10 black-and-white plates. Exhibition dates: February 29-April 22, 1979.

Condición: Good. Initially, monthly newsletter of The Friends of Photography. Publication name changed in January 1987 to "re:view". Frequency of publication also changed throughout the time published, as noted below. Volume 1, Numbers 1-12, January - December 1978 Volume 2, Numbers 1-12, January - December 1979 Volume 3, Numbers 1-12, January - December 1980 and Workshop Edition Volume 4, Numbers 1-12, January - December 1981 and Workshop Edition Volume 5, Numbers 1-12, January - December 1982 and Workshop Edition Volume 6, Numbers 1-5, 7-9, 11-12, January - December 1983 and Workshop Edition Volume 7, Numbers 1-3, Special May Edition, 5-6, 8, 10, 12, 1984 Volume 8, Numbers 1-7, 8-9, 12, 1985 and Workshop Edition Volume 9, Numbers 1-12, January - December 1986 and Workshop Edition Volume 10, Numbers 1-12, January - December 1987 and Workshop Edition Volume 11, Numbers 1-12, January - December 1988 and Workshop Edition Volume 12, Numbers 1-10, January - December 1989 and Workshop Edition [September/October and November/December issues combined] Volume 13, Numbers 1-6, January - December 1990 [Published 6 time per year] Volume 14, Numbers 1-6, January - December 1991 and Workshop brochure Volume 15, Numbers 1, 3-6, January - December 1992 Volume 16, Numbers 1-6, January - December 1993 and Workshop brochure Volume 17, Numbers 1-6, January - December 1994 Volume 18, Numbers 1-4, January - December 1994 [Issued Quarterly] Volume 19, Numbers 1, 3, Winter and Fall 1995.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Paperback. Seeking relief from Chicago's hectic pace, William Baltz purchased a small lake house in the serene countryside of southwest Michigan. His neighbor-an artist in the process of beautifying the sanctuary of a large Catholic parish-related to him that five nearby spiritual centers proved critical to his complete recovery from a serious illness. Intrigued, William set out to learn about these places for himself. Nestled in a tranquil area of wild-flower fields, lakes and woods not far from his cottage, he discovered that these retreat centers-which form what many call a spiritual nexus-quietly attract people from around the country and all walks of life who seek self-discovery, rest and healing. In order of their founding they are: St. Gregory's Abbey, a Benedictine monastery; Apple Farm Community, established by Helen Luke and three other women inspired by the teachings of psychologist Carl Jung; the Hermitage, founded by a man whose life-long dream was to build a place in the country where people could rest, pray and enjoy nature in silence; GilChrist, a contemplative retreat that welcomes all faiths and beliefs; and the EarthSong Peace Chamber, inspired by Native-American mystic Jospeh Rael. How did these beautiful, peaceful and comfortable retreats-all within a two-mile radius of each other-come to be on the outskirts of a small Midwestern town? Who runs and stays at them, and why? What began as an investigation by a writer on the trail of another story turned into a personal journey of enlightenment. Join William Allen Baltz as he explores the Spiritual Nexus of Three Rivers, Michigan, and meet the warm, friendly and fascinating people who make it a truly special place. Watch his story on the PBS television program Religion & Ethics NewsWeekly. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.