baltermants (17 resultados)

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. There is an inscription and a single signature, I believ that it is from the author, but I cannot confirm. The pages are clean and unmarked. The binding is tight.

Condición: new.

Hardcover. Condición: As New. First edition. ISBN 1555912621. Oversized, Heavy, Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. 4to - over 9¾" - 12" tall. Signed by Tatiana Baltermants in black ink on title page recto (in Cyrillic characters; transliterated 'T Balt ts') First Printing with a complete numberline. 262pp., with b/w photos throughout. Documentation from the rise of the Bolsheviks through the Gorbachev era by Baltermants (1912-90), the preeminent photojournalist of the Soviet era, known for his work at 'Ogonyok' magazine; with an introduction by his widow Tatiana. Includes bibliographical references and index. Light shelfwear, else Near Fine in a Near Fine jacket.

Soft cover. Condición: Very Good. 1st Edition. Includes works by Dmitriy Baltermants ; Richard and Robert D'Amore ; Fredrich Cantor ; Marco Misani. Paginated pages 73-108, illustrations. Slight shelf wear to edges, staples starting to rust, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: near fine(-). Octavo in faux-vellum like silver gilt ornamented boards; 291 pages: chiefly illustrations, folded map; 17 cm. In Russian. Uncommon. Heavily illustrated in b&w and color photo reproductions. Intersting photos of Tashkent and vicinity fomr the 1970s. Travel; Central Asia. Guidebooks. Pictorial works. Samarqand (Uzbekistan) -- Guidebooks. Samarqand (Uzbekistan) -- Pictorial works. Uzbekistan -- Samarqand. Marakanda; Maracanda. Spine very slightly cocked; else near fine to near fine(-) overall. Please see photos.

TEXT IN RUSSIAN, ENGLISH & GERMAN, square super octavo, beige illus glossy boards, black lettering to cover, illus eps, 127pp, illus / photo, VG+ (slight chafing to boards, light bruising to spine, slight separation of plastic outer layer from cover, light tanning & foxing/soiling to page edges/prelims, sporadic light foxing & soiling to pages).

Condición: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Hardcover. Condición: Very Good. Dust Jacket Included. 4to. pp. xviii, 262. profusely illus. in b/w. index. cloth. dw.

Condición: Good. 4to. [16] pp. Soft Cover. Stapled binding. B&W plates throughout. Very Good, minor shelf wear.

Hardcover/Hardback. Condición: Very Good. In zeer goede staat. Hardcover met stofomslag. Rijkelijk geà llustreerd. Groot boek.

Condición: fine. Photo non contractuelle. Envoi rapide et soigné.

Gebundene Ausgabe. Condición: Gut. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 450.

No Binding. Condición: Very Good. World War II photograph by Dimitri Baltermants entitled "Carrying Away The Dead" from the series "That's How It Was" Russian photograph of grieving women collecting the frozen dead from a battlefield and loading them into a cart. The title of this work is: "It was like this: Carrying Away the Dead 1942". This evocative photograph is worth a thousand words in depicting the Russian battlefront horrors of the war. From the N.Y. Times Obituary: Mr. Baltermants, who was born in 1912, taught himself photography as a young man and became a staff photographer for the Soviet Government newspaper Izvestia in 1937. During the war, he photographed for Izvestia and for the newspaper of the Soviet Army. His pictures, like those of the American photographer Robert Capa, focused as much on the pain and suffering caused by war as on the valiant struggle of combat.