baetjer katherine (22 resultados)

Paperback. Condición: Very Good. New York: The Metropolitan Museum of Art, 1981. 48 pages. Well illustrated in color and in b&w. The Museum's Summer 1981 Bulletin. Much of the text is in large print. Clean and tight. Pictorial Wrapper (softcover). Very Good. 4to.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Oversized Hardcover. Condición: Good. From his earliest renderings of Venice, Canaletto was hailed as a masterful artistic talent, and at his peak in the 1730's and 40's he was the most popular Italian painte of his day. This volume surveys some of his finest work, refuting the misconception that he was concerned only with rendering the physical world. 180 illus., 167 in color. 387p.

Softcover. 48 pp. Metropolitan Museum of Art Bulletin. Volume XXXIX, Number 1 (Summer 1981). Softcover. Good condition; paper edges faded.

Hardcover. Condición: Like New. Trade paperback. Square Tight Binding. Clean interior. Virtually no wear. A superior edition.

Hardcover. Condición: About Fine. Estado de la sobrecubierta: About Fine. 1st Edition. Harcover in complete dj. Oblong 4to. 387 pp. Exhibition catalogue illustrated with 167 colourplates and 13 illustrations in b/w. 4to.

Hardcover. Blue cloth over boards; Color illus. dj.; Clear plastic covering added over dj.; 387 pp.; 180 plates and figures, 167 color, 13 bw. Includes essays by J.G. Links, Michael Levy, Francis Haskell, Alessandro Bettagno, and Viola Pemberton-Pigott; Accompanied the exhibition (made possible by Louis Vuitton) held at the Metropolitan Museum of Art from October 30, 1989 - January 21, 1990. Contents as follows: Canaletto : a biographical sketch / J.G. Links -- Canaletto as artist of the urban scene / Michael Levey -- The taste for Canaletto / Francis Haskell -- Fantasy and reality in Canaletto's drawings / Alessandro Bettagno -- The development of Canaletto's painting technique / Viola Pemberton-Pigott. Giovanni Antonio Canal (1697-1768), the painter extraordinaire of Venice who was known as Canaletto, is the subject of this exhibition catalog from a recent show at the Metropolitan Museum of Art. It brings together a wealth of paintings and drawings avidly collected in his day by the English aristocracy and, especially with regard to those assembled from the Royal Collection of Her Majesty Queen Elizabeth II, generally unseen before in this country. VG (Former owner's name in ink on front endpaper, note in pencil on first page).

Condición: Very Good. Light fading on edges of jacket and some minor shelf wear. Content is fine.

Burgundy Cloth. Condición: Fine. Estado de la sobrecubierta: Fine.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Small 4to, 271 pp, 91 works illustrated in colour, other illustrations. A fine, as new copy. Published to accompany an exhibition of the same name held at Denver Art Museum December 1993 - February 1994.

26 x 28 cm, quer, Broschiert. Condición: Gut. xii + 387 Seiten, zahlreiche Illustrationen, Zustand: Gut. Leichte Gebrauchs- oder Lagerspuren. Innen sehr gut. 35 ISBN 9780810931558 Sprache: Englisch Gewicht in Gramm: 1943.

Hardcover. Condición: Very Good. 1980 Hardcover. Ex-Library, no card pocket, minimal markings. Text is clean, Binding is strong. *Volume 1 only. Nice blue cloth cover, faded spine.

XII, 387 S. Mit sehr zahlreichen, meist farbigen Abbildungen. Quer-4° (25 x 28 cm). Orig.-Kart. (tadellos).

Soft cover. Condición: Very Good. No Jacket. First Edition. Paperback exhibition catalogue. In very tidy condition. Just very minor edge-wear to covers. Contents tight and clean with no inscriptions or markings.

Hardcover. Condición: Near Fine. This was the first comprehensive publication on English, Scottish, Welsh, & Irish paintings and pastels by artists born before 1841 in the collection of The Metropolitan Museum of Art. Ranging in date from the late 16th through the third quarter of the 19th century, the 140 works included are by such major artists as Peake, Lely, Hogarth, Reynolds, Gainsborough, Lawrence, Turner, Constable, and Burne-Jones. While the collection is particularly rich in portraiture, it also contains genre paintings and landscapes. /// This is a 1st edition hardback with its dustjacket in near to fine condition-the back of the dustjackets edge is slightly creased. (308 pages & 12 pages of introduction). This is a heavy book nearly 2.2kg, so there will be an extra postage charge.

Hardcover. First Edition; First Printing. Complete set in Very Good+ slipcase. All three volumes Very Good+ in boards. Spines sunned. ; 10.20 X 7.80 X 3.20 inches.

Soft cover. Condición: Very Good. slight shelfwear to cover.

Cloth. Condición: Collectible; Fine. Estado de la sobrecubierta: Fine. INSCRIBED BY AUTHOR KATHERINE BAETJER on the title page. A crisp, clean copy to boot of this 1989 exhibition catalogue. Near Fine in a bright, Near Fine dustjacket. Oblong quarto, 387 pgs. Signed by Author. Signed.

hardcover. Condición: fine. Estado de la sobrecubierta: fine. Elisabeth Vigee Le Brun Ilustrador. Illustrated in b/w and color. 278 pages. 4to, olive green cloth, pictorial d.w. New York: Metropolitan Museum of Art, (2016). First printing. A fine copy in a fine dust wrapper.

Hard Cover. Condición: New. First Limited. Completely in mint condition. Three copies unopen in the original shipping box. One copy opened, but unused, brand new. The Metropolitan's three sketchbooks by Jackson Pollock (American, 19121956), which date from about 1937 to about 1941, document an experimental and formative period for this major Abstract Expressionist. In much of the first two sketchbooks, Pollock followed the methods of his teacher-mentor Thomas Hart Benton (American, 18891975) by copying black-and-white reproductions of Old Master paintings from art books Pollock owned. These sketchbooks also contain a series of nude studies, two portraits of women, and the only known self-portrait drawing by Pollock. The third sketchbook consists of original compositions influenced by the work of Mexican muralists José Clemente Orozco and David Alfaro Siqueiros, and also by Surrealism. Pollock's three sketchbooks are now published in a limited, numbered edition in facsimile form, presented in a rich, luxurious deep-brown cloth box. Each sketchbook facsimile is bound with chrome spiral bindings, as were the original sketchbooks, and stored on a separate tray in the box. They are accompanied by a booklet of illuminating essays, as well as comparative illustrations that provide detailed information about Pollock's sources for most of the seventy-one sheets of drawings. The edition is numbered and limited to 525 sets. Set of 3 sketchbooks. 71 sheets total. Spiral bound. Includes an 88 page-book. Sketchbook I: 18'' x 2''. Sketchbook II: 13 7-8'' x 16 7-8''. Sketchbook III: 14'' x 10''. The set presented in the publisher's clamshell box.

No Binding. Condición: As New. No Jacket. 1st Edition. As new condition in publisher's protective clamshell box. Only 525 copies exist of this definitive glimpse of Pollock learning his craft. Includes the text volume and all three sketchbooks. Beautifully executed facsimiles of the earliest surviving record of Pollock's draftsmanship. A key item for any Pollock collection. Pictures available on request.