Bacchi andrea (210 resultados)

Softcover, unpaginated; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: New. Estado de la sobrecubierta: As New. 1st Edition. First edition 2012, published on the occasion of the exhibition by Sperone Westwater Gallery, NYC. Soft cover in pictorial wraps with DJ. Condition new, square tight and crisp book, spine not creased, sharp corners, no edgewear, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ as new, no tears, no chips, not clipped. 4to, 100 pages, illustrated with 45 full page plates.…

Soft cover. Condición: Fine. Brun Fine Art II; soft cover exhibition catalog, 9" x 12", covers are near fine to fine, text is fine; 126 pages; 16 objects with accompanying essays for each; full-page color and additional color and/or black-and-white illustrations; parallel Italian and English texts; f. …

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. Satisfaction 100% guaranteed.

Hardcover. Condición: New. Painting and Drawing - Monographs, Sculpture and Decorative Arts - Monographs, Focusing on the portraits of Giovanni di Bardo Corsi (14721547), a politician and man-of-letters in Florence, Italy during the Italian Renaissance. He was a member of the committee that in 1512 restored the Medici to power in Florence after eighteen years of exile. He served as a diplomat to Charles V of Spain in 1515 and to Pope Paul III and in 1530, Corsi became Florentine gonfaloniere at the behest of Pope Clement VII, the Medici Pope.…

Hardcover First Printing. First Edition. Near fine in near fine dust jacket, in mylar cover.

hardcover. Condición: As New. 2013; illustrated paper covered boards; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 255 pages.

Paperback. Condición: New.

Condición: Very Good. 221 pp., Paperback, extremities slightly worn, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Softcover. Condición: Very Good. Silvana Editoriale 2021. Softcover with tight binding. Condition: Very Good. Clean and bright text. Fine illustrations. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Condición: NUOVO. Milano, Galleria Orsi cm.21x30, pp.90, tavv. a col. e figg. a col. legatura ed.soprac.fig.a col. Text in english.

Condición: New.

Condición: New.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 128 pages. Hardcover. Texts in English. Minimal shelfwear to the edges with associated mild rubbing to the dustjacket. Else, the binding is tight, the corners of the boards sharp, and interior clean and free of markings. Numerous photographic reproductions, mostly in full color. Bound in black cloth covered boards, wrapped in an illustrated paper dustjacket. Detailed examinations of twelve sculptural masterworks by Andrea del Verrocchio, Jacopo Sansovino, Andrea Riccio, Alessandro Algardi, Domenico Pieratti, Giovan Battista Foggini, Pierre le Gros, Giuseppe Mazzuoli, Giuseppe Piamontini, Giovacchino Fortini, and an unattributed work from Padua, c. 1515. Published on the occasion of the New York exhibition held from October 21-November 19, 2010. …

First Edition. Softcover, very good with light wear.

hardcover. Condición: Very Good.

Soft cover. Condición: Very Good. 4to, softcover. Sixth book in a series dedicated to sculpture. Plentiful colour illustrations throughout the book displaying works from various historical sculptors. Very good condition.

Condición: As New. Unread book in perfect condition.

Brossura. Condición: new. A cura di Bacchi A. e Forlai M.Bologna, 2019; br., pp. 336, ill. col., cm 20x25. Libro.

Paperback. Condición: VG. Color-illustrated wraps with black lettering. 126 pp. Color illustrations. Includes bibliographical references. Text in English and Italian.

Paperback. Condición: VG. Orange and illustrated wraps with black, white and orange lettering. 147 pp. Mainly color illustrations. Text in English and Italian. Includes bibliographical references.

Brossura. Condición: new. Firenze, 2009; br., pp. 48, ill., cm 21x28. (Note Libere. 2). Quando s'intraprende lo studio di un bozzetto in terracotta, non sempre l'individuazione della scultura monumentale di cui il modello riflette la fase preparatoria costituisce il punto di arrivo della ricerca. Talvolta, soprattutto nel caso di scultori celebri e quindi largamente imitati, è ricorrente l'eventualità di imbattersi in terrecotte che non sono state eseguite da questi maestri ma sono semplicemente derivazioni, di qualità più o meno alta, dai loro prototipi; di contro risulta più volte attestata anche la circostanza di uno scultore che fornisce modelli messi successivamente in opera da altri artisti. È quanto, secondo Andrea Bacchi, accade nel caso di due inedite terrecotte raffiguranti San Luca e San Matteo. I bozzetti intorno cui verte il volume vanno collegati a due statue di marmo che si conservano nella chiesa di San Giovanni dei Pappacoda a Napoli e sono opere documentate di Angelo Viva (1748-1837). Nondimeno i loro caratteri stilistici rimandano in modo inequivocabile alle opere di Giuseppe Sanmartino (1720-1793). Grazie anche al ricco apparato iconografico, il volume dimostra che, senza il legame con questi marmi, le due terrecotte sarebbero state inevitabilmente riferite a Sanmartino. Libro. …

Paperback. Condición: New.

Softcover. Condición: NF. Teal blue card wraps with color sculptural image; white lettering; French flaps. 271 pp. with color and bw images throughout. Text in Italian. Catalogue from the exhibition at Museo Civico Medievale, 17 May-1 September, 2002. The exhibition was held to celebrate the restoration of the Bronze bust of Gregory XIII, commissioned to Alessandro Menganti, likely ahead of a visit to Bologna by the Pope in 1576. It was also a unique opportunity to consider the remarkable but still little-known Bolognese sculptor, Agostino Carracci, who had been a student and was praised as "the Michelangelo incognito." The museum also will show, together for the first time, works by this sculptor, in order to contextualize his work within the artistic view of the last decades of the sixteenth century. / La mostra nasce in occasione del restauro-dovuto a Giovanni Morigi-del Busto in bronzo di Gregorio XIII commissionato ad Alessandro Menganti probabilmente in vista del soggiorno bolognese di papa Buoncompagni, previsto nel 1576. Un'occasione unica anche per prendere in esame la personalità notevole, eppure ancora ben poco conosciuta, di questo scultore bolognese che da Agostino Carracci, che gli era stato allievo, veniva elogiato come "il Michelangelo incognito". Nelle sale del Museo verranno così riunite per la prima volta alcune opere di questo scultore, nell'intento di contestualizzarne l'attività nel quadro della situazione artistica felsinea degli ultimi decenni del Cinquecento.…

Soft cover. Condición: Very Good. Large 8vo, softcover, (2), ix, (1), 261, (1). In very good condition, with only slight bumping at the top and the bottom of the spine.

Soft Cover. Condición: Near Fine Plus. First Softcover Edition. soft cover., no flaws or wear, clean, no markings of any sort, strong sewn binding, no bumps or tears. appears unused.; published in association with the national gallery of canada, ottawa.; ix-325pp., illustrated throughout in color, some b/w. three essays and detailed catalogue entries and reference material. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. …

Softcover. Grey wraps with color illustrations and brown lettering; 325 pp. with numerous color illustrations, numbered by chapter. Photo is of a previous copy; this copy is NOT ex-library. "Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet - surprisingly - there has never been a major North American exhibition of his work. Bernini and the Birth of Baroque Portrait Sculpture - on view from August 5 through October 26, 2008, at the J. Paul Getty Museum and from November 28, 2008, through March 8, 2009, at the National Gallery of Canada, Ottawa - showcases portrait sculptures from all phases of the artist's long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676." "Bernini's portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini's ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi." "Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that also features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome."--Jacket. Good+ (scuffs & scratches to wraps; edge-wear. rubbing to corners. rubbing to spine tail. May have crease along spine).…

Paperback. Pink and white wraps with white, grey and pink lettering; 351 pp.; richly illustrated. Text in Italian. VG (Light edgewear to wraps; light smudging to textblock edges; interior is clean; binding is solid.).

Softcover. Black and illus. wraps, French flaps, 105 pp., BW and color illus. Text is in Italian. Issued in conjunction with an exhibition of Italian artwork once assembled by Italian politican and entrepreneur Vittorio Cini (1885-1977). With an introduction by Federico Zeri. The annotated and illsutrated catalogue presents 14 specific pieces. Artists are Cosme Tura, Ercole Roberti, Marco Zoppo, Giovan Francesco Maineri, Baldassarre d'Ete, Lorenzo Costa, Ludovico Mazzolino, Dosso Dossi, Battista Dossi, and Ortolano (copia da). Scarce. VG- (Some scuffs to covers, with some lines on front cover; page edges are tanning lightly; text and illus. are clear.).…