aycock robert (34 resultados)

Pamphlet. Condición: Good. No Jacket. North Carolina Agricultural Experiment Station Due to age and/or environmental conditions, the pages of this book have darkened. Ex-Libris and is stamped as such. Solid binding. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Softcover, 76 pages, poor condition, 3 corners of covers torn off; foxing to first page. Foreign shipping may be extra.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xii, 423 pages, [16] pages of plates, illustrations (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Remainder mark/tail edge. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. *** "A long-overdue monograph on a sculptor who draws not only on minimalism and conceptualism but on a rich web of intellectual and visual sources to create postmodern work that is a 'complex' of juxtapositions. Alice Aycock's large, semi-architectural works deal with the interaction of structure, site, materials, and the psychophysical responses of the viewer. Offered meaningful but contradictory clues by both her images and her texts, viewers attempt to discover not only what the work of art conveys but how it communicates its contents, in investigations that parallel the artist's own. In Alice Aycock: Sculpture and Projects, Robert Hobbs examines the development of Aycock's work over twenty years and her negotiation-along with other artists who came of age in the early 1970s-of the transition from modernism to postmodernism. 'The problem,' wrote Aycock in 1977, 'seems to be how to connect without connecting.' Hobbs describes Aycock's strategies for doing just this: for creating a work with disparate image and texts that offer a new perspective on reality. Influenced by the 'specific objects' of minimalism's hybrid forms and by conceptualism's emphasis on language, Aycock relies on paradigms, cybernetics, phenomenology, physics, post-structuralism, psychoanalysis, information overload, outdated scientific thinking, and computer programming to create a 'complex' that is architectural and sculptural as well as mental and emotional. Schizophrenia and other mental conditions, sometimes considered metaphors for the disconnections of postmodern existence, are specific sources of inspiration in Aycock's work. By exploring the physical and existential positions of isolation, estrangement, disorientation, entrapment and fear, her three-dimensional constructions not only posit alternative states of mind, they suppose possible narratives and suggest multiple truths and lies. Aycock's work invites the viewer to experience sculpture with the entire body and a fully mind. Her sculpture has had a transformative effect on the contemporary art experience." - Publisher. *** CONTENTS: The beginning of a complex; Aycock on her family: facts into myths; Incarnating thought as baby boomer, cold war soldier, and '60s radical; From minimalism to the future; Cresting the minimalist/postminimalist divide; M.A. thesis: the highway network; Early work: projecting art into viewer's spaces and the world, the aesthetics of danger, and the synergy of 112 Greene Street; Maze, 1972; Low building with dirt roof (for Mary), 1973; Feminism; Drawing on patriarchal order while deflecting it; Architectural sculpture; Site specificity; Architectural sculpture as suprastruction; Borges's tear and Aycock's rip; The true and the false project: embodied and disembodied seeing: phenomenology and schizophrenia; "The beginning of a complex.": for documenta; Writerly texts and schizophrenia; Virtual space, medieval legacies, and architectural sculpture; From architectural sculpture to The machine that makes the world; How to catch and manufacture ghosts; The art of memory in the age of artificial intelligence; Enmeshed in wisdom's nets; Sophistry and postmodernism. Size: 4to.

Softcover, 44 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback or Softback. Condición: New. Ground-Water Hydrology and Water-Quality Data for Wells, Springs, and Surface-Water Sites in the Bradley-Brumalow Creeks Area Near Arnold Air Force Ba. Book.

Hardcover with dustjacket, 424 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Fine. Marlborough Gallery softcover; published 2017. 41 pages: color illustrations.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Estado de la sobrecubierta: New. First Edition. This is a new and nead copy of the first edition and is still in the original and unopened publisher's shrink wrap. NOT a remainder copy.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Condición: New.

Condición: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday SALE item)* 22 pp., softcover, covers faded else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condición: New. KlappentextThe United States Geological Survey (USGS) is a scientific organization created in 1879, and is part of the U.S. government. Their scientists explore our environment and ecosystems, to determine the natural dangers we are faci.

Hardcover. Condición: Brand New. illustrated edition. 437 pages. 11.25x9.00x1.50 inches. In Stock.

Hardcover with dustjacket, 424 pages, as new condition, clean and crisp; signed by Alice Aycock on title page and dated 2013; no other internal marks. Foreign shipping may be extra.

Condición: Gut. 1st. Gr. 8°. (= Tech. Bul. No. 174). 202 pages. Paperback, Stempel am Titel, Nummernschildchen am Rücken aufgeklebt, sonst gut. Sprache: Englisch, some pictures.

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1963 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 36 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Volume no.154(1963).

Condición: New. Print on Demand pp. 58.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.

Encuadernación de tapa blanda. Condición: Muy bien. Estado de la sobrecubierta: Muy bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. N.2 aprile-giugno 1987INDEX3/9 Enrico R. Comi-Michelangelo Pistoletto: Unità, specificità, differenza / Unity, specificity, difference15/25 Paul Vangelisti: From "Perfect Stranger" / Da "Perfect Stranger"37/39 Roy Thurston: A text / Un testo43/44 Susana Solano: Un texto / Un testo47/49 Julião Sarmento: Um texto / Un testo55/57 Enrico R. Comi:In memoriam Andy Warhol (Italiano) / In memoriam Andy Warhol (English)62 Enrico R. Comi: Leo Castelli XXXth anniversary (Una selezione di lavori/A selection of works)76/78 Mel Bochner:Statemen / Dichiarazione80/85 Serge Gavronsky: Night Passages (English / Night Passages (Italiano)90/91 Pierre Dunoyer:Un texte / Un testo93/94 Leon Golub:Statement / Dichiarazione96/97 Joe Amrhein:A text / Un testo102/103 Hubert Schmalix:Ein Gedicht / Una poesia106 Izhar Patkin:Works / Lavori108/109 Frank O'Hara:A poem / Una poesia110/111 Kenneth Koch:A poem / Una poesia114/116 Arnold Weinstein:A song / Una canzone118/119 David Bower:Statement / Dichiarazione121/123 Milo De Angelis:Due poesie / Two poems125 Peter Shelton:Works / Lavori128 Brice Marden:Works / Lavori131 Alice Aycock:Works / Lavori133/135 Nadia Campana:Due poesie / Two poems138/139 Remo Salvadori:Una poesia / A poem141/143 Ferdinand Schmatz-Heimo Zobernig:Ein text / Un testo146/147 Antonio Dias:A text / Un testo150 Gilberto Zorio:Lavori / Works152/153 Mark Lere:A text / Un testo157/159 Giulia Niccolai:Due poesie / Two poems161 Gerhard Merz:Works / Lavori162/163 Carla Mazzarello:"A memorial crumb" (Italiano) / "A memorial crumb" (English)164/166 Silvio Giussani:Due poesie / Two poems.

Condición: New. Print on Demand pp. 58.

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 208. A perfect gift for your loved ones. Reprinted from 1966 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 208.

Condición: New. PRINT ON DEMAND pp. 58.

Brossura. Condición: ottimo. prima edizione. cm 24x22; pp. 60; BW ills.; paperback.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

Soft cover. Condición: Very Good. 1st Edition. 3 consecutive volumes of a yearly publication detailing work done at this important labratory for outdoor artworks in Lewiston, NY. 77/78 are bound in book format while 79 consists of stiff cards in a portfolio. All in good shape with mild foxing and wear to covers but clean and well bound examples. 1977 Laurie Anderson, Alice Aycock, Oscar Bailey, Cynthia Carlson, Clair Colquitt, Agnes Denes, Electron Movers, Robert Jungels, Laurie McDonald, Alan Powell, Harriet Feigenbaum, Sam Gilliam Jr. Bruce Gunderson, Robert Clark, Newton Harrison, Joshua Harrison Helen Harrison, James Hill Joe Ferrell Hobbs, John Alberty Douglas Hollis, Brigid Kennedy, Lyman Kipp, Betty Klavun, Antoni Miralda Richard Mock, Roland Poulin, Martin Puryear, Robert Rohm, Robert Stackhouse, Tim Whiten, Joan Zalenski 1978 Alice Adams, James Benning, James Burton, Adele Cohen, Betty Goodwin, Suzanne Harris, Dennis Kowalski, Andrew Leicester, Story Mann, Antoni Milkowski, Aldo Moroni, Pat Oleszko Robert Porter, Lewis Simpson Tal Streeter, Robert Wade, John Willenbecher, Robert Younger Elyn Zimmerman, Barbara Zucker 1979 Neda Al Hilali, Lillian Ball, James Carpenter, Rosemarie Castoro, Elisa D'Arrigo, Gene Davis, Agnes Denes, Gayle Fraas, Duncan Slade, Barry Le Va, John McQueen, Gladys Nilsson, Mark Peiser, Ursula von Rydingsvard, Carla Wilczak.