Axelrod alan ed (4 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: G+ (mylar). Reprint Edition. 202 pps. Gilt titles: sp. Illust: w b/w & colour paintings, drawings & prints. Interior leaves are clean and tight. First published in conjunction with the exhibition organized by the Amon Carter Museum in 1987. a show and study of Western American narrative painting. Includes exhibition checklist. Introduction by Peter H. Hassrick and six historical essays ths amplify the artwork of the exhibition. Some of the artists: George Caleb Biingham; Charles Deas; William Ranney and Arthur F. Tait among others. Very nice.…

Staplebound. 96p., staplebound, 7x8.75 inches, very good.

Macmillan Company, New York 1998. XI+463 pages. Orig. halfcloth in dust wrappers. Near fine/ very good++.

Hardcover. First Edition, First Printing. pp. [1-14], 15-252. Square 4to. Pictorial cloth over boards with gilt lettering to the spine; pictorial endpapers. Richly illustrated with dozens of black-and-white, and colour plates. Bright, clean, and unmarked; as new and housed in fine, unclipped. dustjacket. An extraordinary new generation of academically trained American sculptors emerged during the late nineteenth and early twentieth centuries. At the height of the Gilded Age, they achieved widespread critical and commercial success for works created on public commission as well as for private patrons. Working on both grand civic platforms and on a more intimate, domestic scale, they transformed the art of American sculpture. This catalog celebrates the exceptional gift from Dr. Michael Nieland to the Museum in 2015 and promised gifts for 2018 of fifty-seven late nineteenth and early twentieth century figurative sculptures. This gift significantly expands and adds depth to the Museum's sculpture holdings with such artists as John Donoghue, Mario Korbel, Malvina Hofmann, and Adoph Weinman, together with twenty-nine others, who are new to the permanent collection. Sculptures by Paul Wayland Bartlett, Harriett Frishmuth, Walker Hancock, and Frederick MacMonnies supplement and further enhance important pieces by these artists already owned by The Westmoreland. In addition, the gift includes one Kilian Brothers pedestal and forty medallions made by many of the same artists that further broaden the scope of the collection. …