Aubert cie (20 resultados)
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 17,13
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Condición: New.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 15,85
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Condición: New. In.
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 12,77
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Paperback. Condición: New.
Histoire de la Sainte-Bible, Contenant l\ Ancien Et Le Nouveau Testament: Ancien Testament. Partie 1
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Librería: moluna, Greven, Alemaniamoluna
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EUR 22,19
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Condición: New.
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 17,82
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PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 17,43
Envío por EUR 3,86Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Francés
Editorial: Louis Huart / Cham Aubert Et Cie, Editeurs
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- Primera edición
Librería: Librairie ancienne Entre 2 actions, Vendin-Lès-Béthune, FranciaLibrairie ancienne Entre 2 actions
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 46,00
Envío por EUR 50,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. First Edition. Louis Huart / Cham Aubert Et Cie, Editeurs - Demi-veau brun à dos long orné du titre, liserés, et motifs, plats percalinés, 180 x 118, 345p. Hors table. Paris, sans date. Edition originale (1844). Excepté quelques rousseurs sur les tranches, intérieur propre, et intègre. Frottements et accidents à la re…liure : mors supérieur et inférieur fendus, avec un manque en mors supérieur ; coiffe avec un manque. Exemplaire modeste. 0.55.
Más imágenesIdioma: Francés
Editorial: Aubert & Cie (imprimerie Bruyere), sans, Dijon,
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Librería: Librairie l'Art et la Manière, BOYNES, FranciaLibrairie l'Art et la Manière
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: ILAB
Condición: Usado
EUR 100,00
Envío por EUR 45,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Broché, premier plat de couver. Condición: Couvertures tachées, petits dé. Dijon, Aubert & Cie (imprimerie Bruyere), sans date (circa 1910). 27 x 21,5 cm. 166 pages paginées (sur 168). Broché, premier plat de couverture titré. Très riche catalogue, abondamment illustré, extrêmement complet sur le sujet allant du matériel pour ab…attoirs, jusqu'aux pots de moutarde fantaisie en passant par les devantures de magasins, les fourneaux, le mobilier, les ustensiles, moules, machines, étiquettes et présentoirs, moulins à poivre, etc. Un feuillet manquant : pages 151/152 qui, d'après la table des matières, contenaient droguerie, eau de fleur d'oranger, épices, gélatine, muscades et papier d'étain. Couvertures tachées, petits défauts, sinon bon exemplaire.
Más imágenesLes Arts au Moyen Age : en ce qui concerne principalement le Palais romain de Paris, l'Hôtel de Cluny, issu de ses ruines, et les objets d'art de la collection classée dans cet hôtel.First edition of the plate volumes. Complete in 6 volumes.
Du Sommerard, Alexandre, (1779-1842); Du Sommerard, E. (Edmond), (1817-1885), EDITORS; Guichard; Ed. Robert; Fragonard père; Jacquand; C.L. Maufras; Victor Petit; V. de Sansonetti; H. Petit; Louis Boulanger; Lesaint, ARTISTS; J. Engelmann; Lemercier; A. Godard; Coulon & Cie, C. Motte; Edmond de Sommerand; Aubert, LITHOGRAPHERS; Matthew Chaloner Durfee Borden = M. C. D. Borden ( 1842- 1912), PROVENANCE
Editorial: Paris: Hôtel de Cluny,1838-46, 1838
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 9917,56
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas alb…um. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déja? utilisée pour Les Vues de Provins. Cet intérêt s'explique par la facilité d'exécution offerte par la lithographie, qui n'exige pas des artistes l'apprentissage d'une technique de gravure particulière. Cette simplification d'exécution permet non seulement de réduire le temps nécessaire a? la réalisation d'une estampe, mais aussi d'acquérir rapidement une renommée grâce a? la diffusion quasi immédiate de ces images. Cette avancée technologique explique pourquoi la lithographie est devenue rapidement une alternative intéressante, tant sur le plan financier que commercial, par rapport à d'autres procédés.PROVENANCE; Bookplate of M.C.D. Borden in each volume. Matthew Chaloner Durfee Borden was born on July 18, 1842 in Fall River, Mass., the son of Col. Richard and Abby W. (Durfee) Bordon. He was educated at Phillips Academy in Andover, and graduated from Yale University in 1864. At Yale he was a member of Delta Kappa Epsilon and Skull and Bones. Later that year he entered one of New York's leading dry goods house as a stock boy. In 1865, he married his relative, Harriet M. Durfee, and they had seven children.Borden came to New York after graduation, working as a clerk in a dry goods jobbing house. Three years later he became a partner in a commission firm and represented the American Print Cloth Works of Fall River. This concern failed in 1879, but Mr. Borden reorganized it in 1880 as the American Printing Company. In 1869, Borden decided to manufacture his own cotton rather than buying it from others to supply his printing mills. He built three mills to begin with, and ultimately the Falls River Iron Works Mills was a thriving business. He was a compassionate man regarding his employees, raising wages in times of depression, and his mills were not struck by the labor unions when his relatives' mills were.Borden also kept a home in New York City at 25 West 56th Street, where he had many financial interests, being a director of the Manhattan Company Bank, the Lincoln N.
Editorial: Paris, France: Aubert, [ca. 1820]., 1820
- Manuscrito
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 90,16
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Engraving. 4to. Good with creasing and small tear at edges, not on plate, else Very Good. Text in French.
Editorial: Paris, France: Aubert & Cie, [ca. 1820]., 1820
- Manuscrito
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 90,16
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Condición: Good. Engraving. 4to. Very Good with toning. Text in French.
Editorial: Paris, France: Galerie de la Presse, [ca. 1820.], 1820
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 90,16
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Condición: Good. Engraving. 4to. Very Good. Text in French.
Editorial: Paris, France: Aubert & Cie, [ca. 1820]., 1820
- Manuscrito
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 90,16
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Engraving. 4to. Very Good. Text in French.
Un Rival de Musard, No. 13. Les Bonnes Tetes Musicales (Titre de l'ensemble).
Bouchot, Frederic (des. & lithog.); Aubert et Cie (impr.-litho--editeur).
Editorial: Paris: Aubert et Cie, [ca. 1846]., 1846
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 135,24
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Condición: Good. 29.5 x 23.5 cm. Hand-colored lithograph, no verso text, "sur blanc" (not from Le Carnavalet). Good with foxing. Text in French.
Etude Serieuse de la Marseillaise, No. 11. Les Bonnes Tetes Musicales (Titre de l'ensemble).
Bouchot, Frederic (des. & lithog.); Aubert et Cie (impr.-litho--editeur).
Editorial: Paris: Aubert et Cie, [ca. 1846]., 1846
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 135,24
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Condición: Good. 29.5 x 23.5 cm. Hand-colored lithograph, no verso text, "sur blanc" (not from Le Carnavalet). Good with foxing. Text in French.
Editorial: Artist: Aubert d' & Cie ( - 1853 ) Paris ca : 1846, 1829
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Librería: Antique Sommer& Sapunaru KG, München, AlemaniaAntique Sommer& Sapunaru KG
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EUR 120,00
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Technic: Lithography, colorit: original colored, condition: Stains on the upper, outer margins, size (in cm): 23,5 x 26,5 cm, By good luck in war. The caricature shows a soldier who is threatened by a bull. The caricature bears the title "Une Razzia. A moi, Champavert, v?la un bedouin de taureal qui va me faire prisonnier.". "A…motif with a military-colonial context ? many French satires of the 19th century mocked the French expeditions in North Africa (Algeria, Tunisia).".
Editorial: Artist: Aubert d' & Cie ( - 1853 ) Paris ca : 1840, 1829
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Librería: Antique Sommer& Sapunaru KG, München, AlemaniaAntique Sommer& Sapunaru KG
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 250,00
Envío por EUR 45,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Technic: Lithography, colorit: black/white, condition: Perfect condition, size (in cm): 14,5 x 20, Decorativ view of two lawyer at work.
Editorial: Artist: Aubert d' & Cie ( - 1853 ) Paris ca : 1840, 1829
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Librería: Antique Sommer& Sapunaru KG, München, AlemaniaAntique Sommer& Sapunaru KG
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 310,00
Envío por EUR 45,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Technic: Lithography, colorit: black/white, condition: Perfect condition, size (in cm): 16 x 19, Decorativ view of a lawyer at work.
Más imágenesEditorial: Editions Recreasoft, 2026
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Librería: Livres Anciens Rares, Paris, FranciaLivres Anciens Rares
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EUR 44,00
Envío por EUR 9,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Softcover. Condición: New. Français: Réimpression à la demande. Édition originale: 1839. Dictionnaire pictorial destiné à l'apprentissage du vocabulaire, conçu pour les enfants et abondamment illustré de petits dessins. L'ouvrage présente un répertoire lexical simple et visuel, typique des publications pédagogiques du XIXe siècl…e, et intéressera les amateurs de lexicographie, d'histoire de l'édition scolaire et d'ouvrages illustrés pour la jeunesse. Images du livre non contractuelles; English: Print-on-demand reprint. Original edition: 1839. Pictorial dictionary designed to help children learn vocabulary, with numerous small illustrations throughout. A characteristic 19th-century pedagogical work, it will appeal to collectors of lexicography, schoolbooks, and illustrated juvenile books. Book images are non-contractual. - Informations complémentaires : Langue : Français | Format : Livre broché | État : Neuf | Nombre de pages : 596.
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Librería: Gyan Books Pvt. Ltd., Delhi, IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,81
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Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine len…ds an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1839. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 596, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 596 596.
