Ashton dore essay (34 resultados)

Paperback. Condición: Very Good. light wear along the edges of the cover.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Near Fine. 1st. 1 volume (unpaged), colour illustrations; 28 cm. Catalogue of an exhibition held at Robert Miller Gallery, January 4 to February 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Another copy available. *** Before Al Held became a 'hard edge" painter in the sixties and beyond, he was an abstract expressionist. This exhibition, with an introduction by Ashton, focuses on his works of the mid-fifties, after a period spent in Paris influenced by tachiste painting and existentialism. Richly illustrated with colour plates. Size: 4to. Collectible.…

Hardcover. Condición: VG. Estado de la sobrecubierta: VG. First Edition. CLEAN COPY.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. This book is in very good condition; no remainder marks. Appears to have been gently used. Inside pages are clean. ; 12 x 10 x 3 inches; 90 pages.

Paperback. Condición: Fine. 1st. 1 volume (unpaged), colour illustrations; 28 cm. Catalogue of an exhibition held at Robert Miller Gallery, January 4 to February 3, 1990. Firm binding, clean inside copy. *** Before Al Held became a 'hard edge" painter in the sixties and beyond, he was an abstract expressionist. This exhibition, with an introduction by Ashton, focuses on his works of the mid-fifties, after a period spent in Paris influenced by tachiste painting and existentialism. Richly illustrated with colour plates. Size: 4to. Collectible.…

paperback. Condición: Good. Paperback. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Condición: Very Good. 24 pages, Colour illustrated exh. cat.

Hardcover. Condición: Très bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condición: Fine. 1st. 1 volume, colour illustrations; 31 cm. Accompanies the exhibition Christopher Wilmarth: Inside Out, October 17 through November 15, 2003, at Robert Miller Gallery. Firm binding, clean inside copy. Richly illustrated with colour plates. Size: 4to. Collectible.

Paperback. Condición: Very Good. 1st. 51 pages, illustrations (some colour); 21 cm. Catalogue of an exhibition held at the University Art Museum, University of California, Berkeley, 17 June to 27 July, 1969 and at the Walker Art Center, Minneapolis, 11 to 30 August, 1969. Coordinated by Joy Feinberg and Sue Hansen. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Includes an interview with the artist. Size: 8vo. Collectible.…

Soft cover. Condición: Good-VG. 1st Edition. Stiff white illus. wraps. Catalogue to accompany 1995 exhibition. Covers are moderately soiled; mild rubbing to corners. 84 pp., illus. Firm binding, clean interior. Book.

First Obl. 4to, stiff stapled wrappers. [32] pp, 21 illustrations (14 in color), portrait. Exhibition February 5 - March 3, 1983. Very good except for a slight curl to the cover edge.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text and images are unmarked; pages are bright. Binding is sturdy. There is a Maeght Editeur sticker on the title page and a Maeght dust jacket on the book. Dust jacket is faded around the edges and lightly edge worn.

paperback. Condición: Very Good. Yale Center for British Art (Eastern Press); New Haven, 1986. Pamphlet. A Very Good, binding sturdy and intact, trace handling/scuff marks to covers, mild cover edge/corner wear, some age toning to pages, some rubbing along spine, a nice, clean and unmarked copy in stapled wraps. Oblong 8vo[octavo or approx. 6 x 9 inches], 13pp. We pack securely and ship daily w/delivery confirmation on every book. Please Note: Depending on site, actual book for sale may differ physically from picture listed. Additional scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Soft cover. Condición: Good. Small 8vo. 28 pp. 1 b/w and 9 color plates. Illustrated wraps. Light soiling and wear. Good.

Soft cover. Condición: Near Fine. Pbk square 8vo, 51pp, 51 pp. illustr 7 color, 11 b+w plates, exhibition checklist, biography and bibliography, light rubbing to extremities, otherwise appears unused and an excellent clean tight and unmarked copy, becoming harder to find.

Paperback. Trade PB. 8vo. Published by Grace Borgenicht Gallery, NY, 1983. Unumbered (approximately 50 pgs). Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Features introduction by Sally M. Avery, essay by Dore Ashton, and full-color images of Milton Avery's artwork accompanied by information on the title, medium, size, and year of creation. ; 8vo 8" - 9" tall.…

Soft cover. Condición: As New. 1st Edition. 1-2000 unnumbered copies. 8vo. Unpaginated [46 pp.]. Illustrated with 13 full-page color reproductions. Original stiff glossy pictorial French-style wrappers. This is a tight, fine book.

Couverture rigide. Condición: Bon. Couverture dépelliculée. Petite déchirure réparée avec du scotch au dos de la couverture.

Soft cover. Condición: As New. Pbk, small 4to, 48pp illustr 17 plates, most in color, and 4 text illustrns in b+w, an unread copy, excellent clean tight unmarke, as new.

SOFTCOVER. Condición: Fine. 1st Edition. Extra Large Quarto size (4to). in colour printed stiff glossy card covers, 84pp, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (rear cover slightly very slightly tanned). An excellent copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condición: Good. Ex-library book, usual markings. Clean copy, sound binding. Quick dispatch from UK seller.

SOFTCOVER. Condición: As New. 1st Edition. Extra Large Quarto size (4to). in colour printed stiff glossy card covers, 84pp, colour plates, etc . [CONDITION: Ay well preserved AS NEW unmarked copy (rear cover slightly tanned) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Near fine in dark blue cloth-covered boards and dust jacket with light rubbing. Laid into this copy is a handwritten card signed by Jeff Coven. The book is also inscribed. A presentation copy inscribed to Bernhardt Crystal, New York gallery owner and uncle to Billy Crystal. Signed by Author(s).…

Hardcover. Condición: Very Good. (Seattle, Washington). (University of Washington Press). 4to. INSCRIBED by Maisner. Fading to spine with slight offsetting to margins of boards. Light toning to margins of leaves. VG. INSCRIBED.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: Good. 4to. 12 pp. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. Small bump at top right corner, and handwritten notation on verso, else fine. Color plates. Extremely Scarce.From the Collection of the Art Historian Peter Selz.

SOFTCOVER. Condición: As New. 1st Edition. Extra Large 4to. in colour printed textured stiff card covers, unpaginated, approx. 72pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Condición: Good. 4to. 12 pp. Very Good+. Soft Cover. Illustrated paper wraps. Staple binding. Color plates. Extremely Scarce.From the Collection of the Art Historian Peter Selz.