As vijvers am (9 resultados)
- Más imágenes
- Tapa dura
Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 225,28
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 4 disponibles
Gebunden. Condición: New. KlappentextThe subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in th.
- Tapa dura
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 305,15
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative sys…tem was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Más imágenes
- Tapa dura
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 282,94
Envío por EUR 75,65Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware - The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system wa…s created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts.
- Tapa dura
Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
Contactar con el vendedorVendedor de 4 estrellasCondición: Nuevo
EUR 493,55
Envío por EUR 29,22Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: New. New .Ships From Multiple Locations. book.
- Tapa dura
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 504,80
Envío por EUR 32,05Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative sys…tem was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Tapa dura
Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 599,90
Envío por EUR 39,95Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: gut. Re-Making the Margin. The Master of the David Scenes and Flemish Manuscript Painting around 1500 In deutscher Sprache. pages.
Librería: Antiquariaat Brinkman, since 1954 / ILAB, Amsterdam, HolandaAntiquariaat Brinkman, since 1954 / ILAB
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 24,00
Envío por EUR 19,80Se envía de Holanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoGroningen, Forsten, 2008. xvi,389 pp. W.num.ills. Wrappers. (Boekhist.Reeks 3; Fryske Ak. 1019A; contributions mainly in English, one in German, one in French).
- Más imágenes
Editorial: Turnhout, Brepols, 2012, 2012
- Tapa dura
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgicaBOOKSELLER - ERIK TONEN BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 205,00
Envío por EUR 39,50Se envía de Belgica a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoHardback, 250 pages., 150 b/w ill. + 32 colour ill., 210 x 297 mm. ISBN 9782503516844. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text… pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders; how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page lay-out and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts. Languages: English. 0 g.
- Más imágenes
Editorial: Turnhout, Brepols, 2013, 2013
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgicaBOOKSELLER - ERIK TONEN BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 205,00
Envío por EUR 39,50Se envía de Belgica a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carrito786 pages ., 355 b/w ill. + 72 colour ill., 210 x 297 mm, Languages: English. ISBN 9782503516844. This publication offers an overview of the style of the Flemish miniature, from the anonymous and modest early Romanesque illustrations to the luxurious late Gothic miniatures, some of which were exported as far afield as Spain and…Russia. A beautiful overview of the development in style of the miniature. From the anonymous and modest early Romanesque illustrations to the luxurious late Gothic miniatures of Simon Marmion or Lucas Horenbout who, in the fifteenth and sixteenth centuries, exported their Flemish masterpieces as far afield as Spain and Russia. Never before has the reader-viewer been presented with such a complete overview of the art of Flemish miniatures from the eighth to the sixteenth centuries. Never before has a book presented such a fascinating history of eight centuries of the art of miniatures from the Low Countries. Never before have so many miniatures - more then 600 colour illustrations - been reproduced in one book. Languages: English. 0 g.
