arthur ross screenwriter (9 resultados)

Vintage photograph of Shirley Maclaine from the 1977 film. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways (one became and professional dancer, the other a settled domestic life), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US.

Vintage full-color still photograph from the UK release of the 1965 US film. A professional daredevil convinces auto makers that a race from New York to Paris will help to promote automobile sales. A rival vows to win the race in a car of his own invention. Shot on location in Austria, and throughout California. 8 x 10 inches. Light rubbing, else Near Fine.

Vintage program for the 1977 film. A fictionalized account of the tumultuous friendship between ballerinas Isabel Mirrow Brown and Nora Kaye. Nominated for ten Academy Awards. 9 x 12 inches. Eight leaves, saddle stapled, with a laid in bifold sheet. About Near Fine.

Second Revised Draft script for the 1976 film "The Desperate Miles," seen here under the title "No Help Required." A disabled Vietnam war veteran takes a road trip from LA to San Diego in his wheelchair to prove himself. Green titled wrappers, noted as 2nd Rev. on the front wrapper, production No. 42128, dated 1/22/75, with credits for screenwriters Arthur Ross and Joel Rogosin. Title page present integral with the front wrapper. 92 leaves, with last page of text numbered 82, and with 9 additional revision pages at the rear. Mimeograph duplication, with blue, green, yellow, and pink revision pages throughout, dated variously between 1/8/75 and 1/22/75. Pages Near Fine, wrappers Very Good bound with two gold brads.

Draft script for the 1977 film. Presumed estimating script, with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways (one becomes a professional dancer, the other a settled domestic woman), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Mustard titled wrappers, noted as "Budgeting" on the front wrapper. Title page present, dated 3/2/76, with a credit for screenwriter Laurents. 116 leaves, mechanical duplication. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Shooting Final Draft script for the 1978 film. One of "Master of Disaster" Irwin Allen's last disaster films (his penultimate film as director), following up on his success with "The Poseidon Adventure" (1972), and "The Towering Inferno" (1974), and featuring an enormous star-studded cast, which included seven Academy Award winners (Michael Caine, Olivia de Havilland, Ben Johnson, Jose Ferrer, Patty Duke, Lee Grant, and Henry Fonda). Based on the 1974 novel by Arthur Herzog III. A team of scientists join forces with the US military to try to stop the massive swarms of killer bees terrorizing the country. Nominated for an Academy Award. Shot on location in California and Texas. Green illustrated custom wrappers, noted as SHOOTING FINAL on the front wrapper, dated AUGUST 1977, with credits for screenwriter Stirling Silliphant. Title page present, dated August 1977, noted as SHOOTING FINAL, with credits for screenwriter Stirling Silliphang. 139 leaves, with last page of text numbered 138. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Revised Final script for the 1977 film. A portrait of the second wave of feminism at its turning point in the late 1970s, about two former dancers whose lives have gone separate ways (one having become a professional dancer, the other a housewife), and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. Green titled Twentieth Century-Fox wrappers, dated July 2, 1976. Title page present, dated July 2, 1976, noted as REVISED FINAL, with credits for screenwriter Arthur Laurents. 119 leaves, with last page of text numbered 118. Xerographic duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Housed in a custom cloth slipcase.

Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s, in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways (one became and professional dancer, the other a settled domestic life), and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards, including Best Picture, Best Director, and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US.

Vintage borderless reference photograph from the 1965 film, showing actor Jack Lemmon in costume as Professor Fate, in turn in disguise as Crown Prince Fredrich Hapnick, covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965, two Italian agency stamps, and a stamp noting No. 7053 on the verso. Loosely based on the 1908 race from New York to Paris, billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies, following two competing daredevils at the turn of the 20th century: handsome, courteous hero The Great Leslie (Tony Curtis) and his nemesis, the dastardly Professor Fate (Lemmon). Set and shot on location in Austria, Paris, and Kentucky, Oregon, and California in the United States. 10 x 8 inches. Near Fine.