Art foundry (4 resultados)
Idioma: Inglés
- Tapa blanda
Librería: Dublin Bookbrowsers, Dublin, NONE, IrlandaDublin Bookbrowsers
Contactar con el vendedorVendedor de 2 estrellasCondición: Usado - Bueno
EUR 14,55
Envío por EUR 10,40Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoSoft cover. Condición: Very Good. 18 pp. Profusely illustrated.
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Librería: Black Rock Books, St Michael, BarbadosBlack Rock Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 35,11
Envío por EUR 7,18Se envía de Barbados a Estados Unidos de AmericaCantidad disponible: 1 disponible
Soft cover. Condición: Good. Published for the Lips, Sticks and Marks Collective. Pems or short essay by each of the artists; closing essays by Annie Paul and Chris Cozier. Water stained spot on front cover; noticeable wear.
Idioma: Inglés
- Tapa blanda
Librería: Dublin Bookbrowsers, Dublin, NONE, IrlandaDublin Bookbrowsers
Contactar con el vendedorVendedor de 2 estrellasCondición: Usado - Bueno
EUR 22,74
Envío por EUR 10,40Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoSoft Covers. Condición: Very Good. 18 pp. Profusely illustrated.
Idioma: Inglés
Editorial: Annalee Davis for the Lips, Sticks and Marks Collective, St. Philip, Barbados, 1998
- Tapa dura
Librería: Beverly Karno Books, llc, Valley Center, CA, Estados Unidos de AmericaBeverly Karno Books, llc
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 48,24
Envío por EUR 8,97Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
color plates, duotone ports., cat., wrps. Large folio. OCLC: 40476306. Catalogue of the exhibition held at the St. Philip, Barbados, Art Foundry, August 23 to October 25 1998, the Port of Spain, the Museum of PoS and other venues. The traveling exhibition "Lips, Sticks and Marks" featured the artwork of seven women from four Caribbean islands: Alida Martinez (Aruba), Osaira Muyale (Aruba), Annalee Davis (Barbados), Joscelyn Gardner (Barbados), Roberta Stoddart (Jamaica), Susan Dayal (Trinidad&Tobago), Irén, Shaw (Trinidad&Tobago). The exhibition sparked controversy over its focus on installation art as well as questions around who had the right to make "Caribbean" art. Race and class also played major roles in the reception of this exhibition; some regional critics branded the artists as "white" and privileged and took exception to the all-female lineup of artists. Texts in English with a little Papiamento.…
