Arrighi c (26 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Softcover. Condición: Bon. Ancien livre de bibliothèque. Traces de pliures sur la couverture. Pages cornées. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Traces of creases on the cover. Dog-eared pages. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: Buone. italiano Condizioni dell'esterno: copertina leggermente logorata e leggermente macchiata Condizioni dell'interno: Ingiallite e tratti di umidità.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Red clothbinding. Gilt on backstrip and front cover. Internally clean. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN.…

Couverture souple. Condición: Satisfaisant. COLLECTION "PROVINCIALES" NOMBREUSES ILLUSTRATIONS :PHOTOS .DESSINS DE CANNICCIONI.CARTE DEPLIANTE ETC . LEGERES TRACES D'HUMIDITE SUR LES HAUTS DE PAGES . SANS GRAVITE . COUVERTURE DOS USES.

Condición: Buono (Good). SC93Brossura editorialevolume in buone condizioni, segni di usura, lievemente ingiallito, pagine sfalzate, piccoli strappi ai margini80 pagine circaCopertina come da foto. Book.

Condición: Buono (Good). SC93Brossura editorialevolume in buone condizioni, segni di usura, lievemente ingiallito, pagine sfalzate80 pagine circaCopertina come da foto. Book.

Hardcover. Condición: Very Good. 8vo (22 cm), xv, 48 pp. Publisher's cloth and dust jacket (dust jacket clipped and slightly stained, endpapers somewhat stained). The first English translation and facsimile edition of Ludovico degli Arrighi's celebrated La Operina da imparare di scrivere littera cancellarescha, first published at Rome in 1522 and universally regarded as the earliest and most influential printed manual of the Italian chancery cursive (cancellaresca corsiva), the elegant script developed in the papal chancery and the direct ancestor of modern italic handwriting. Arrighi, known as Vicentino after his birthplace of Vicenza, was not only one of the supreme writing masters of the Italian Renaissance but also a distinguished type designer and collaborator in the development of early italic printing types. His Operina transformed the practice of handwriting instruction by presenting the chancery hand through clear woodcut models and concise practical instruction. The 32 woodcut pages of the original are here reproduced in complete facsimile, by photo-offset from a copy of the first edition. John Howard Benson's edition provides the first English translation of Arrighi's text, itself written out in a hand based closely upon the original model, combining scholarly accuracy with practical calligraphic understanding. Benson's extensive introduction places the chancery hand within the broader history of Western writing and examines Arrighi's methods in detail, including pen preparation, cutting of the nib, posture, movement, proportion, and the relationship between manuscript practice and printed letterforms. His notes relate Arrighi's principles to modern calligraphic practice and explain the continuing importance of the Operina as a foundation text for italic handwriting. A landmark contribution to the study and revival of Renaissance calligraphy, preserving in accessible form one of the supreme monuments of Italian writing instruction and one of the essential sources for the history of the italic hand.…

Couverture rigide. Condición: bon. RO30335430: 1967. In-8. Relié. Etat passable, Coins frottés, Dos satisfaisant, Intérieur acceptable. 203 pages. Papier légèrement jauni. Nombreuses photos et illustrations en couleurs et en noir et blanc, in et hors texte. Quelques rousseurs. . . . Classification Dewey : 908.44945-Régionalisme : Corse.…

Milano, presso la Casa Editrice degli Autori-Editori, 1867, in-16, br. edit., pp. 192. Solo volume secondo. In copertina: "Terza edizione italiana". Dorso rinforzato.

Hardcover. Condición: Very Good. Two volumes bound together, 8vo (24 cm), 88 pp.; pp. 89-121, errata slip loosely inserted. Original white printed wrappers (wrappers slightly rubbed). First edition of this scholarly Italian facsimile. Published in conjunction with the exhibition Gusto e moda nel Cinquecento Vicentino e Veneto at the Museo Civico di Vicenza. The Operina of 1522 is universally recognised as the first printed writing manual and the foundational document of the Western calligraphic tradition. Produced in Rome by Ludovico degli Arrighi--who styles himself Ludouico Vicentino on the title page and scrittore dei brevi apostolici in the dedication--it established the cancellaresca (italic chancery hand) as the classical model for Renaissance handwriting and exerted a profound influence on both manuscript practice and typographic design. The celebrated woodcuts were cut by Ugo da Carpi, whose signature appears on several of the blocks. This edition reproduces in facsimile both the Operina (1522) and its companion treatise, Il modo de temperare le penne (1523), from copies preserved in the Biblioteca Bertoliana, Vicenza, and the Biblioteca del Museo Civico, Bassano del Grappa, supplemented where necessary by Oscar Ogg's 1953 edition. The accompanying scholarly volume, edited by Andreina Ballarin, places Arrighi's achievement within the wider artistic culture of early sixteenth-century Italy, examining the development of Renaissance handwriting, the relationship between manuscript and print, and the close affinities between Arrighi's calligraphic ideals and the Raphaelesque aesthetic of early Cinquecento Rome, characterised by clarity, harmony, and purity of line. An important museum publication from Arrighi's native city, combining an accurate facsimile of the earliest and most influential writing manual ever printed with a substantial scholarly commentary. An indispensable reference for the history of calligraphy, Renaissance printing, and the origins of the italic hand.…

in 16°; pp. 96 con illustrazioni di Bignami V. (ill. bn.); br.

in 16°; pp. 146 con illustrazioni di Bignami V. (ill. bn.); leg. t. tela.

[16643].