arnoldi charles (31 resultados)

Softcover exhibition catalog, 56 pages, very good condition, small bump to spine, no internal marks, with b/w reproductions.

No Binding. Condición: Very Good. Postcard in Very Good condition, unmailed, with a little writing on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

Soft Cover. Condición: Near Fine. First Edition; First Printing. Tight, clean and crisp. A hint of rubbing to spine ends, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous full-page plates and text illustrations. Edited by Constance W. Glenn and Jane K. Bledsoe. Essays by Peter Clothier and Mary Drobny. Conversation with the artist by Cynthia Burton and Mary Hamilton. Published on the occasion of the exhibition at University Art Museum, California State University, Long Beach, November 3 through December 13, 1987. ; 4to ; 56 pages.

First Edition. First edition. Softcover. 16 pages. Exhibition catalog for a show that ran November 14 through December 31, 1986. Essay by Jane Livingston. Includes 10 color illustrations. A close to near fine copy in stapled wrappers with some crazing to the covers but internally a clean copy.

First Edition. First edition. Exhibition brochure for a show that ran March 8 through May 27, 1984. Single sheet folded once to create 4 pages. Text by Bruce Davis. Includes 3 illustrations with 1 in color. A near fine copy. Scarce, with only 2 copies listed in OCLC.

paperback. Condición: Very Good.

40 pp.; 25.4 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 22 - March 29, 1972. Curated by Barbara Haskell. Artists include Charles Arnoldi, Karen Hansen Carson, Mary Corse, James Ganzer, Lloyd Hamrol, Richard Jackson, Allan McCollum, Ann McCoy, Barbara Munger, Maria Nordman, Thomas Seidel, William Wegman, John White, Tom Wudl, and Connie Zehr. Includes biographies and an exhibition checklist. Good. 2.5 cm. dog-ear to top right corner. Rubbing and scratching of covers and light bumping of corners. Light yellowing of pages. Contents clean and unmarked.

Trade Paperback. Condición: Used - Very Good. Very nice clean, tight copy free of any marks.

Trade Paperback. Condición: Used - Very Good. Very nice clean, tight copy free of any marks. BEAUTIFUL COPY!!!

Trade Paperback. Condición: Used - Very Good. Very nice clean, tight copy free of any marks.

Soft cover. Condición: Near Fine. New York: Charles Cowles, 1994. 8vo, 32 p., original wraps. Light scuffing to rear wrap else NF.

Paperback. Condición: Fine. Book is in great condition. Pages are crisp and clean, binding tight. Back cover shows light shelfwear. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community.

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

Condición: Good. 4to. 56 pp. Soft cover. Near Fine. Color plates. Features works by Charles Arnoldi with an essay by Sam Hunter.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

paperback. Condición: Good. minor dirtiness.

Hardcover. Boards with a dust jacket that has the title in black and in white down a white and gray spine. Unpaginated. Profusely illustrated with color images. "This survey presents the work on paper of Charles Arnoldi (born 1946), a nationally renowned artist based in Los Angeles. Arnoldi has been described as an artist who 'draws in space' to create his unique assemblage works of art. Throughout his long career he has been fascinated with shape and pattern as they apply to advanced formal concerns, from his 1970s paintings made entirely of natural forms, to his current geometric work. Internationally renowned architect Frank Gehry has said that 'the maturing Arnoldi has a secure color sense and the ability to work at large scale as well as to produce tiny, exquisite watercolors.' Gehry cites Arnoldi as an influence in his own work, stating that 'this is an artist whose best is yet to come, who is still experimental and still willing to risk.'" VG/VG: Exlibrary book. Dust jacket is taped to the book. Sticker at the base of the spine. Stickers and due date card on back pasted end page.

Condición: Good. 12mo. 4pp. Announcement for Selected Works. Card-stock with Office, 1982 by John Register printed in color on cover.

Condición: Good. 18mo. 4pp. Announcement for Charles Arnoldi, "Natural Selection." Card-stock with "Two Hands", 2019 printed in color on cover.

Condición: Good. 12mo. Announcement for New Work exhibition. 4 pp. Card-stock with Problem, 2005, printed in color.

Hardcover with dustjacket, 360 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Poster, measuring 21 x 17 inches; very good condition; folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Soft cover. Condición: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers with vellum-like end papers; no dust jacket as issued. Sculptural works and paintings by Charles Arnoldi. Preface by Fred Hoffman. Essays by Frank O. Gehry and Sam Hunter. Includes a biography, list of plates and an exhibition checklist. 56 pp. (with two 2-page gatefolds), with 24 four-color plates and additional illustrations finely printed on heavy matte paper. 11-5/8 x 8-1/4 inches. Published on the occasion of an exhibition at Fred Hoffman Fine Art, Santa Monica, California. This first edition was limited to 2500 copies. Near Fine (light sunning to the spine and a liquid stain on the wrappers and end papers, not affecting plates).

Hardcover with dustjacket, 360 pages, as new condition; clean and crisp; on the title page the artist has made several large paint strokes in blue and green with an inscription For --- / Arnoldi / 2012 in black paint on top; no other internal marks. Glassine tissue guard laid in to protect painting Foreign shipping may be extra.

Condición: Good. 4to. Three fold-out pages. Mostly color plates. Minimal creasing. Minimal signs of shelf wear. Very Good. Provenance: From the Collection of Art Historian Peter Selz (1919-2019).

Condición: Good. 8vo. [30] pp. Soft Cover. Color plates. Very Good, minor shelf wear.Provenance: Richard Diebenkorn Foundation. Some items presented to Phyllis, his wife (1921-2015).

Echtfoto. Condición: Gut. Farbfoto Charles Arnoldi von Charles Arnoldi bildseitig mit schwarzem Edding signiert mit eigenhändigem Zusatz "12/12/12" /// Autogramm Autograph signiert signed signee /// Charles Arnoldi auch bekannt als Chuck Arnoldi und Charles Arthur Arnoldi (* 10. April 1946 in Dayton, Ohio, USA; lebt in Los Angeles, Kalifornien, USA) ist ein US-amerikanischer zeitgenössischer Maler, Grafiker und Bildhauer. Er ist bekannt für seine hell-farbigen, abstrakten Gemälde unter Verwendung von Holz als expressiver Form, oft mit eingearbeiteten Ästen und Zweigen. Während des Besuchs bei der Großmutter einer Freundin in New York City sah er erstmals die Werke von Jackson Pollock und Willem de Kooning. Er war der Auffassung, dass er ebenfalls in der Lage sei, Gleichartiges zu schaffen und schrieb sich am Art Center in Los Angeles ein. Er bekam ein Stipendium und besuchte die Illustrations-Klassen gegen Ende der 1960er Jahre. Nach nur zwei Wochen verließ er die Schule und besuchte das Chouinard Art Institute in Los Angeles im Jahr 1968, wo er für acht Monate blieb, bis er sich endgültig zur Aufgabe seiner formalen Ausbildung entschloss und diese durch künstlerische Praxis als Autodidakt begann. Arnoldi begann mit der Verwendung von Ästen und Zweigen als kompositorischen Elementen in seinen Werken, in Verbindung zur Malerei und nannte dies Stick Constructions. In den frühen 1970er Jahren bekam er viel Aufmerksamkeit für seine Wand-Relief-Holz-Skulpturen. Er hatte seine erste Einzelausstellung mit diesen Arbeiten in der Riko Mizuno Gallery in Los Angeles im Jahr 1971. Im folgenden Jahr 1972 wurde zur Teilnahme an der Documenta 5 in Kassel in die Abteilung Idee + Idee/Licht eingeladen. Die Verwendung von Holz spielt nach wie vor eine wichtige Rolle in Arnoldis Werk, obwohl er seit den 1980er Jahren häufig auch Kombinationen von anderen Medien einsetzt. Er spielte sich selbst in dem Film Sketches of Frank Gehry unter der Regie von Sydney Pollack im Jahr 2005. /// Standort Wimregal GAD-10.377 Sprache: Englisch Gewicht in Gramm: 10.

Condición: Good. Poster. 81 x 56cm. Charles Arthur Arnoldi (born April 10, 1946) is an American abstract painter, sculptor, and printmaker. A versatile, ever evolving artist, known for working with non-traditional materials, Arnoldi has produced a hugely varied body of work. From traditional oil paintings on canvas, to bronze sculpture, monoprints, lithographs, "chainsaw paintings" (wood panels cut into with power saws), aluminum paintings and polyethylene wall reliefs, his vocabulary of artistic expression is constantly expanding.?During his early career, he was known for his "stick paintings" where, instead of working on traditional canvas, he utilized actual tree branches as a vehicle to draw lines through space, employing shadow, depth and color to create powerful and expressionistic compositions. Those early explorations continue to inform his current work.In 1969 he was awarded the Los Angeles County Museum of Art's Young Talent Award. He was invited to participate in Documenta V in Kassel, Germany in 1972 and went on to receive two NEA Artist Fellowships, a Guggenheim Fellowship, and a Maestro Grant from the California Arts Council.His work is in the collections of many major museums, including the Metropolitan Museum, the Museum of Modern Art in New York, The Whitney Museum of American Art in New York, Guggenheim Museum in Bilbao, The National Gallery of Art in Washington D.C., the Los Angeles County Museum of Art, The Fine Arts Museum of San Francisco, The Hammer Museum in Los Angeles, The Museum of Contemporary Art Chicago, and the Norton Simon Museum in Pasadena, California.?Arnoldi lives and works in Venice, CA.