arnell carla (16 resultados)

Wraps. Condición: Good. 8vo, 87 pp. Includes articles on Philip Pullman and Iris Murdoch. Head and heel of spine and corners bumped, wrappers lightly soiled and edgeworn.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of "mystical novel" in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction, the Edwardian era saw the emergence of several mystics-cum-novelists-A. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machen-who were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelists-but also as editors, translators, lecturers, and spiritual guides-illuminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day.

Condición: NEW.

Hardback. Condición: New. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of "mystical novel" in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction, the Edwardian era saw the emergence of several mystics-cum-novelists-A. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machen-who were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelists-but also as editors, translators, lecturers, and spiritual guides-illuminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day.

Hardcover. Condición: new. Hardcover. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of "mystical novel" in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction, the Edwardian era saw the emergence of several mystics-cum-novelistsA. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machenwho were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelistsbut also as editors, translators, lecturers, and spiritual guidesilluminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of "mystical novel" in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction, the Edwardian era saw the emergence of several mystics-cum-novelistsA. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machenwho were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelistsbut also as editors, translators, lecturers, and spiritual guidesilluminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of 'mystical novel' in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of 'mystical' fiction, the Edwardian era saw the emergence of several mystics-cum-novelists-A. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machen-who were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelists-but also as editors, translators, lecturers, and spiritual guides-illuminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisEditorial Note - Medievalism as Fun and Games - Veronica Ortenberg West-HarlingMedievalism and Excluded Middles - Nickolas HaydockMedievalitas Fugit: Medievalism and Temporality - Richard UtzMedievalists, Med.

Hardcover. Condición: new. Hardcover. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel.Divine Representations examines the development of a unique form of "mystical novel" in the early twentieth century by a loose fellowship of like-minded British writers with a passion for mysticism. Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction, the Edwardian era saw the emergence of several mystics-cum-novelistsA. E. Waite, R. H. Benson, Evelyn Underhill, and Arthur Machenwho were largely skeptical of Victorian spiritualist and occult practices. They sought, instead, to disentangle mysticism from occultism and align it, explicitly or implicitly, with a Christian sacramental theology. Through close readings of their most exemplary mystical novels, the book identifies the distinctive features of this school of Edwardian mystical novelists, all of whom were inspired by the medieval past, inclined to distinguish mysticism from magic (to greater or lesser degrees), and interested in engaging the modern middlebrow reader with Christian mystical experience in ways not previously attempted in the English novel's realist tradition. Their work as novelistsbut also as editors, translators, lecturers, and spiritual guidesilluminates popular attitudes toward mysticism that have persisted since the turn of the twentieth century and have powerfully influenced, for better or worse, the trajectory of religion and spirituality to the present day. Explores how Edwardian era writers used the mystical novel as a way to represent transcendent experiences within the tradition of the English realist novel. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Divine Representations | The Rise of the Mystical Novel in Twentieth-Century England | Carla A. Arnell | Buch | SUNY series in Western Esoteric Traditions | Englisch | 2026 | SUNY Press | EAN 9798855805321 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.