arnaud noel ed (6 resultados)

Soft cover. Condición: Very Good. Name On First Title Page; Otherwise Unmarked.

Couverture souple. Condición: Très bon. Grand in-8. 448 pages. Légers accrocs en marge de la couverture. 1ère édition.

Couverture souple. Condición: Neuf. Edition originale. Paris 2018. 1 Volume/1. -- Neuf --- Broché cousu. Format 21 x 13,5 cm ( 430 gr ). ------- 320 pages. Illustrations. ******************* Présentation éditeur : "" Un retour sur la correspondance de Gustave Courbet, par un ethnologue, une écrivaine, un psychanalyste, un chasseur, un philosophe, un gastroentérologue, un psychiatre, deux conservatrices du patrimoine et six historien.ne.s d'art. Il y a 20 ans, paraissait l'intégrale de la correspondance de Gustave Courbet sous l'égide d'une chercheuse américaine : Petra ten-Doesschate Chu. Sa publication nous permettait d'accéder à un panorama autobiographique de Courbet, depuis ses 18 ans jusqu'à l'heure de sa mort. Il fallait fêter cet événement. D'une part pour remercier Petra Chu en personne, toujours très active, de son travail considérable, précis, minutieux, et obtenir ses confidences sur les origines de cette publication, avant elle plusieurs fois annoncée d'intention mais jamais aboutie. D'autre part, pour prendre la mesure des renouvellements considérables que la Correspondance de Courbet a introduits dans la réception du peintre, la compréhension de ses toiles, la perception de l'homme. À ce titre, pour beaucoup de chercheurs réunis dans cet ouvrage anniversaire, la parution de la somme de Petra Chu en 1996 est un jalon aussi important dans l'historiographie du peintre d'Ornans que l'accrochage public de L'Origine du monde au musée d'Orsay en 1993. Autour de Petra Chu sont donc ici réunis : un ethnologue, une écrivaine, un psychanalyste, un chasseur, un philosophe, un gastroentérologue, un psychiatre, deux conservatrices du patrimoine et six historiennes d'art. Une multiplicité de perspectives et de discours pour célébrer la richesse du matériau réuni par « Le Chu », en croisant les champs disciplinaires pour démontrer l'inépuisable source de l'ouvrage, et découvrir un Courbet homme de lettres, plus protéiforme, plus humain et plus subtil que jamais. Tantôt séducteur, tantôt procureur ; tantôt ostensible, tantôt inconscient ; tantôt syntone à l'interlocuteur ou à l'événement, tantôt digressif, ordalique : toujours Courbet vibre au rythme de son temps, du temps historique, politique, et du temps biologique aussi, que viennent rythmer les grands cycles de la vie du peintre, ses maladies comme ses ivresses, ses réactions irréfléchies comme ses adresses stratégiques. À la veille de son bicentenaire, un Courbet plus vivant que jamais. "" ************************* fav-02-06.

27 x 19 cm. 208 pp. Illustrated with photographs and drawings. Soft cover. Lower front corner severely bumbed, spine creased and with tears at tail. Name in ink on page 1. This copy also contains the stapled, 8 page journal "Jean-Jacques Pauvert éditeur" No. 4, Mars 1966, and the loose leaf errata "Précisions". With contributions from Jean Ferry, Francois Caradec and Jacques Prevert, among others.

Paperback. Condición: Good. Not Stated Ilustrador. Trade edition of the illustrated special issue of French literary magazine 'Obliques' dedicated to the work of Boris Vian. Dedicated to influential French author Boris Vian, polymath, poet, singer, translator, critic, inventor, and engineer remembered for his novels, which featured a highly individual writing style with numerous made-up words, subtle wordplay and surrealistic plots. His most well known work is titles 'Froth on the Daydream'.Edited by Noel Arnaud with contribution by numerous authors. The trade edition. Original edition was published in limited number of copies printed on Velin, numbered 1-61, A-Z, and twelve not for sale marked H.C., all featuring coloured lithographs signed Felix Labisse.Striking illustrations in text.Obliques was aFrench literature magazine created by Roger Broderie and Henri Ronse, with each number dedicated to a theme or artist, with a different and sophisticated layout. In the original publisher's coloured wraps. Externally with chipping and rubbing to tail of spine and front wrap. Damp marking to front wrap and spine. affecting lower margin through to text block, only affecting text slightly to first few leaves. Internally, firmly bound. Pages bright and clean. Good. book.

Softcover. Condición: Near fine condition. First edition. Quartos. Original illustrated stiff wraps with lettering in variant colors on covers, protected by modern mylar. The Situationist International (SI) was formed by a group of international social revolutionaries from a variety of fields, including avant-garde artists, intellectuals, and political theorists in 1957. The theoretical foundation was derived from so-called libertarian Marxism and avant-garde art movements like Dada and Surrealism. Its theoretical underpinnings relate to the concept of the spectacle as it was developed by Guy Debord in his book "The Society of the Spectacle." Jacqueline de Jong, a Dutch artist and graphic designer, had joined the movement in 1960 and advanced quickly into its Central Committee. She decided to start "a completely free magazine, based on the most creative of the Situationist ideas," and published the first issue in 1962, a broad representation of the movement and its efforts to synthesize the diverse fields and theoretical disciplines into a comprehensive critique of advanced capitalism. Six issues of the magazine were published until 1967 before the student uprising of May 1968, leaving the seventh issue compiled but unpublished. The first two issues were co-edited by the French pataphysician Noël Arnaud. The magazines contained literary contributions, artwork, found objects and used quotations relating to such issues as topology, politics and "spectacle culture." It was originally released in offset print and starting with issue # 4 switching to full color lithography, printed to different quality paper of variant color and weight with text in English, French and German. Issue one: 30 leaves. Includes an essay by Noel Arnaud, an extensive certified transcript of the Criminal Court in Munich relating to accusations of production and distribution of lewd writings in the magazine "Spur" and public slander against Dieter Kunzelmann, Helmut Sturm, Heimrad Prem and Hans-Peter Zimmer, including facts of the case and an answer of the court, comics by R. Gasché and others, a Proclamation for L'Internationale Situationiste! and other contributions. Small strip of sunning along top and foredge. Issue two: 32 leaves, two folding. Includes a declaration concerning the conviction and imprisonment of the Situationist Uwe Lausen, various contributions relating to the trial mentioned in issue one, including the verdict and a reaction to the trial by Rodolphe Gasché, artwork by Gail Singer and others, a musical concept on two folding pages, poetry by Marcel and Gabriel Piqueray, among other contributions. Issue three (International British Edition): 48 leaves. Includes an essay by Anton Ehrenzweig "Meditations on the Future of Art," artwork by Ann Hagen, an extensive contribution on the patterns of Situological Aspects found in a) the "Early Christian monuments in Scotland and b) the "Principles of topological psychology" by Kurt Lewin, with a mathematical (analysis situs) introduction by Max Brucaille, and other contributions. Some light staining on front cover. Issue four: 184pp. Focusing on labyrinths this issue includes contributions Lech Tomaszewski, by Italian artist Piero Simondo, the Max Bucaille, W. Lietzmann, H. L. C. Jaffé, the Dutch architect Aldo van Eyck, Lars-Ivar Ringbom, Julius Schwabe, Gaston Bachelard, Kalevalla (A Finnish Myth), and Franz Kafka (An Imperial Message) and James Joyce, among other contributions. Profusely illustrated with drawings and photographs throughout. Issue five: 110 leaves. Articles by Asger Jorn "Mind and sense" and "Art and Orders," various contributions by Max Bucaille, excerpts from the opera "The Labyrinth" by Jim Ryan, "Kreisen, Kreissegmenten und Wellenlinien etc." by F. van der Waals, "Some mathematical aspects" by H. C. Doets, drawings and poems by Karl Pelgrom and Jim Ryan, and many other contributions. Editor's note at rear: "In this No. of the Situationist Times (5) do we try to open up the problem of the ring, interlaced rings and consequently, ch.