Arnatt keith (25 resultados)

Paperback. First edition, first printing. Very Good+ paperback with light shelf wear. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Keith Arnatt; essay by Mark Haworth-Booth. 40 pages; 15 color plates plus one full-spread installation view; 8.75 x 11.75 inches. Biography, exhibitions list, bibliography, collections list. Catalogue for an exhibition of Arnatt's photographs at The British Council. …

Soft cover. Condición: Good. 1st Edition. 40pp., 15 color plates plus one full-spread installation view, biography, exhibitions list, bibliography, collections list. Lightly browned edges. Minor foxing to free front endpaper. Covers rubbed with slight edge wear and creasing. Some adhesive sticker residue to back cover.(BH) 10/24.…

Softcover. Condición: Good. Paperback, illustrated with numerous photographs in colour, 4to.

Paperback. Condición: Very Good. 0863551440. British Council, bright clean copy, Professional booksellers since 1981.

Paperback. Condición: Very Good. Interior is almost as new. Some marks on the end papers and light shelf wear on the cover.

Paperback. Condición: Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery.; 8vo 8" - 9" tall; 45 pages.

SOFTCOVER. Condición: AS NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. 4to in stiff card covers, 30pp on glossy art paper, colour plates, sepia illustrations in text, etc. one of 750 copies . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

paperback. Condición: Very Good. Paperback. Slight darkening to edges otherwise no damage, internally clean. Very good condition.

Hardcover. Condición: VERY GOOD. Dust Jacket Included. First Edition. Chris Boot, 2009. Keith Arnatt. You Bastard! You Ate The Last of my Crackers. Published to coincide with the exhibition I'm A Real Photographer at The Photographers' Gallery, 28 June-26 August 2007, and subsequently at the Glynn Vivian Art Gallery, Swansea, Wales, 19 January-30 March 2008. Text and photographs & illustrations clean and unmarked, no highlighting, creasing, underlining or writing. Decorative boards, Hard Cover, no DJ as issued. Clean and bright, some light edge & shelf wear. No rips, tears or stains. 8 1/2 x 9 1/2 in. Ships quickly and with care. _____________________________________________________________________________________________________________________________ SYNOPSIS & HISTORY: I'm a Real Photographer Keith Arnatt Photographs 1974-2002 Hardcover June 30, 2009 by David Hurn (Photographer), Keith Arnatt (Artist), Brett Rogers (Foreword), Clare Grafik (Contributor). Keith Arnatt (ilustrador).…

SOFTCOVER. Condición: Fine. 1st Edition. Large Folio size in colour printed stiff card covers, 5pp text plus 9 full page and very finely printed colour photos. Dual text in English and Portuguese . [CONDITION: An extremely well preserved almost AS NEW copy (minute speck of shelf rub to cover corner tips) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condición: New. This book tells the story of Keith Arnatt's journey in photography, in 19 series of photographs. Each series features prosaic subject matter--his dogs, the local garbage heap, everyday objects photographed in his studio, notes that his wife Jo left for him--exploring the conventions of the medium with a distinct edge and humor. Seen together for the first time, the threads and themes of Arnatt's work connect to make a coherent statement about the act of photography and its relationship to the history of art. Arnatt's story and work prove surprising, provocative, profound and moving. Accompanying 160 of Arnatt's photographs is the personal account of Arnatt's journey in photography by David Hurn, Magnum photographer, author and Arnatt's close friend and colleague. With a foreword by Brett Rogers, Director of The Photographers' Gallery, London, and a contextual essay by curator Clare Grafik. Published in association with The Photographers' Gallery, London.…

Card covers, stapled spine. Condición: Near fine in wraps. First Edition. 21 x 30cm 20pp near fine card-covered exhibition catalogue with stapled spine. Manipulation of natural and man made objects in the rural environment, the work of Keith Arnatt reveals a deep sculptural imagination that informed his conceptual and photographic practices. Through his preoccupations with the box, body and burial in the early part of his career, Arnatt challenged sculptural conventions long before he was seen as a photographer. With three major essays by Jon Wood, Mike Sperlinger and Andrew Wilson, together with black and white reproductions.…

Encuadernación de tapa dura. Condición: Nuevo. Estado de la sobrecubierta: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.…

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.…

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Condición: As New. No Dust Jacket. First Edition; First Printing. NO Publisher's Date given, but the last date in the Artists' Exhibition lists is 1995, the book is a Presentation Copy to Arthur & Bim Giardelli SIGNED by Peter Prendergast and has an accompanying letter from him to them, also dated August 1995 - so I'm assuming at least 1994, more probably 1995! . The book came from the Library of the late Arthur Giardelli, the well-known Artist, from Pembrokeshire latterly. In English with Welsh Translation. In Fine Cherry Red cloth boards with blind stamped titling/borders to the spine and front board. NO dustjacket (was one issued? ). Plain endpapers. Inscribed "To Arthur and Bim with many best wishes Peter Prendergast 1995." at the top of the title page. No other Inscriptions or Marks. 96 pp. With a suite of plates mainly illustrated in full colour, but a couple in b/w. Foreward by Colin Ford. An Article by Ian Walker entitled 'Four Landscapes and a Still Life', and an Article by Stephen Moss entitled 'Lost for Words'. This is followed by a Welsh Translation of all written content. Acknowlegements. Artists' Sources & Notes; Selected Biographies/Exhibition lists; Colophon. An Exhibition 'Catalogue' in both English and Welsh. This copy also includes an A4 hand-signed two-sided Mss letter written to Arthur by Peter Prendergast in August 1995, amongst other things discussing the development of his (Prendergast's) work. " The Welsh artist Peter Prendergast, who has died aged 60, was one of Britain's foremost landscape painters. He is best-known for his large expressionist paintings of the old quarrying districts of north-west Wales, executed with bold brushstrokes and, unlike Sir Kyffin Williams, from a palette of many colours held between thick black lines. Another difference between them is that Prendergast's canvases have human traces in them, whereas Williams usually found inspiration in the unpeopled grandeur of Snowdonia. Some critics consider Prendergast the more accomplished painter of the two, a view which underpins many of the contributions made to a book about his life and work, The Painter's Quarry (2006)." (Meic Stephens Guardian 2007) ; 8vo 8" - 9" tall; Signed by One Author. …

Softcover, staple-bound, unpaginated; good condition; light rubbing to covers with some foxing to top edge of cover and first page; 1-inch crease to upper right corner of all pages; no other internal marks. Last page is a piece by Richard Wentworth, torn and taped down center as issued.

Paperback. Condición: Very Good. Book. 290 x 210 mm, invisible bound with red on light green printed wraps. Important exhibition catalogue of Conceptual Art published to coincide with the seminal exhibition 'The Wall Show' at the Lisson Gallery, London, December 1970-January 1971. Features text-based and conceptual works by Keith Arnatt; Sue Arrowsmith; Tom Edmonds; Barry Flanagan; Michael Ginsborg; Gerard Hemsworth; John Hilliard; John Latham; Bob Law; Sol LeWitt; Roelof Louw; Ian Munro; Gerald Newman; Palermo; Klaus Rinke; Ed Sirrs; John Stezaker; Lawrence Weiner; Richard Wentworth (the final page features a contribution by Wentworth in which the printed page is torn and taped back together with text that reads: 'To draw a grid onto tracing paper / To destroy paper by tearing / To tape pieces together.') Condition: A ding to the front cover on the top left. The first page is stamped with LYC library stamp in black ink and there are two yellow LYC stickers on the spine. Internally clean and fine. VG/VG+.…

Self-wrappers. pp. (18). With nine black-and-white photographic reproductions, including one on front cover. Keith Arnatt's first solo exhibition featured one of the most celebrated works of the period, Self Burial, also called The Disappearance of the Artist. This television intervention was based upon a series of nine photos which progressively document as a sequence of images a purported ?self burial? Arnatt first stands centre frame upright on a piece of grass facing the viewers. The grassy area is bordered in the background by bushes. The following shots with unchanged picture composition show the artist buried ever further in the ground - first up to his calves, then to his knees, then thighs and so on - until the only thing which can be seen on the last picture is the hair on the top of his head at ground level. Arnatt changes his posture only minimally during this process; it is only the constantly growing, circular areas of loose soil surrounding his body which break up the static impression of the shots and suggest the burial process. Every evening at 8.15 pm and 9.15 pm from 11 to 18 October 1969 scheduled programming on West German television was abruptly cut to two pictures from this series; the second image broadcast at 9.15 pm was repeated the next day at 8.15 pm. The broadcast first lasted two and a half seconds and from 13 October they lasted four seconds. They were broadcast without any introduction or accompanying commentary. Only on the last day of the project did Arnatt explain his work in a feature in the culture magazine ?Spectrum? which was filmed at the Kölner Kunstmarkt in 1969; during this feature the ninth picture in the series also faded up. To mark the project this brochure ?Keith Arnatt : TV Project Self Burial? appeared in the same year, as Publication n°10 of Fernsehgalerie Gerry Schum. This brochure appeared in a print-run of 500 copies and it was financed by the collectors Gustav Adolf and Stella Baum and distributed by the Fernsehgalerie to interested parties free of charge. The brochure contained facsimiles of the TV schedules as well as montages where the nine photos are given a black cache.…

Printed envelope contains: introductory note, 4 folded posters from Arnatt, Martin, Law and Beuys, and three cards from Fulton, McLean and Tremlett, good condition; envelope closing flap torn with tears to left edge; loose enclosures have some light foxing to edges.

senza rilegatura. Condición: ottimo. prima edizione. ARNATT Keith (Oxford 1930 - Chepstow 2008) London, Tate Gallery, 1972, cm. 76x51, black and white typographic poster printed recto verso, published in occasion of the exhibition "Seven Exhibitions" (London, Tate Gallery, February 24-March 23, 1972). Exemplar folded, originally part of the series of seven posters included in a cardboard envelope, here sold separately. …

Envelope. Condición: Very Good. Seven Exhibitions by artists: Keith Arnatt, Michael Craig Martin, Bob Law, Joseph Beuys, Hamish Fulton, Bruce McLean and David Tremlett. This is the documentation for these exhibitions enclosed in an envelope. It consists of: an "introductory note" from The Tate, 20" x 30" folded posters from Arnatt, Martin, Law and Beuys, and three 4 1/4" x 8 1/4" cards from Fulton, McLean and Tremlett. All enclosed in a stiff envelope 9 3/4" x 12 1/2". The envelope has edge wear. The posters and cards are in fine condition. …

51 x 76cm good stiff card folded in four. This is one of four doubled-sided posters which make up the comlete set, this one focusing on the British conceptual artist, Keith Arnatt. A series of seminal conceptual art exhibition held at Tate Gallery London, 24 Feb. - 23 Mar. 1972. The Tate s Seven Exhibitions was a seminal event which marked the arrival of conceptual art in Britain. The seven overlapping exhibitions were organised by Michael Compton, and included works by Keith Arnatt, Michael Craig-Martin, Hamish Fulton, Bob Law, Bruce McLean, David Tremlett, and Joseph Beuys. The exhibition included photographs, films, tape recordings, and a public lecture by Beuys on direct democracy, which also marked the first time the Tate displayed mixed media.…

[4] pp.; 29.5 x 21 cm.; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Single folded sheet / artist's projects by Keith Arnatt published in conjunction with show held May 30 - June 13, 1970. Text in English. References : "Art & Project Bulletins 1 - 156 : September 1968 - November 1989" by Clive Phillpot, Adriaan van Ravesteijn, Tin Geerts. London / Cambridge / Paris, United Kingdom / United Kingdom / France : Cabinet Gallery / 20th Century Art Archives / & Christophe Daviet-Thery Livres et éditions d'artistes, 2011. "In & Out of Amsterdam : Travels in Conceptual Art, 1960 - 1976" by Christophe Cherix, Phillip van den Bossche, Cathleen Chaffee, Rini Dippel, Paula Feldman, Christian Rattemeye. New York, NY : The Museum of Modern Art, 2009, pp. 148. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 235. No. 567 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 129. Good. Mailed copy with mailing marks and wear, folded in three for mailing. Yellowing of recto along fold lines with foxing along bottom edge and dappled yellowing of verso in addition to moderate dinging. This copy sent to "Centro Di.". …

First Edition. [4] pp. Single folded A3 sheet. Amsterdam: Art & Project, 1970. The gallery's 23rd bulletin, designed by British conceptualist Keith Arnatt (1930-2008). The artist offers the duration of the exhibition for sale, with a form on the bottom of page three that is be filled out with an offer and cut out. In fine condition. || J. de Goede & L. Pelsers, Art & Project. A History (2023) E027.…