armstrong robert marshall john (8 resultados)

Hardback. Condición: Very Good. Marshall, John J. Ilustrador. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Like New. Marshall, John J. Ilustrador. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condición: Very Good. Marshall, John J. Ilustrador. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. Marshall, John J. Ilustrador. HSCOTT. 2002. Hardcover. New. . . . . Books ship from the US and Ireland.

Condición: New. Marshall, John J. Ilustrador. HSCOTT. 2002. Hardcover. New. . . . .

Condición: Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.

Hardcover. Condición: Brand New. Marshall, John J. Ilustrador. 96 pages. 10.03x7.40x0.63 inches. In Stock.

Paperback. Condición: Near Fine. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** An important publication on Minimalist and Post-Minimalist sculpture, accompanied with scholarly essays by notable critics and art historians. Profusely illustrated. *** CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to. Collectible.