archipenko (270 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover, 80 pages, good condition; covers darkened around edges and spine with a few light stains; no internal marks.

Soft cover. Condición: Good. No Jacket. Alexander Archipenko. A Memorial Exhibition 1967-1969, Archipenko et al., University of California, 1967, 80p, trade pb, covers bumped/scuffed, CLEAN text, solid binding---6.50.

Paperback. Condición: Fair. No Jacket. Archipenko, Alexander Ilustrador. The text is clean, but the pages have begun to yellow. The cover exhibits heavy edge and spine bumping as well as color fading. Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condición: Very Good. Green binding with black lettering on front cover. B/W illustrations. One color illustrations. Staple bound pamphlet. Edges of binding faded. Photos of book on request.

Trade Paperback. Condición: Used - Very Good. Used copy with wear.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career. Despite an age difference of nearly fifty years, Frances Gray, a student at his school in Woodstock, New York, formed a deep and lasting companionship with Archipenko, leading to marriage in 1957. Gray paints a rounded picture of a complex and fascinating personality, part artist, part businessman, part spiritual seeker. When the art world turned away from modernism toward Abstract Expressionism, Archipenko's work fell from critical favour. Archipenko was increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts a new light on his resulting volatile relationships with many dealers, museums and collectors.

Condición: Good. Good condition. (Art, Art Catalog, Art Exhibition) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

paperback. Condición: Very Good. First Edition. [12] pp.; chiefly b/w plates; no ownership markings; some tanning to wraps. Well packaged in a box; ships with tracking.

paperback. Condición: Very Good. First Edition. Sunned spine. Lightly read if read at all. No markings in book. Binding is fine. Almost fold mark on back cover bottom corner tip. 80pp.

Softcover, staple-bound, 8 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover staple bound, 20 pages, very good condition:no internal marks.

Condición: new.

Estado de la sobrecubierta: dj. First Edition. First edition. Hardcover. 87 pages. Exhibition catalog for a show that ran November 9 through December 14, 2018. Features essays by Alexandra Keiser and Christina Lodder. Includes numerous color illustrations, checklist, and chronology. A very near fine copy in a very near fine dust jacket.

Hardcover. Condición: new. Hardcover. Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career. Despite an age difference of nearly fifty years, Frances Gray, a student at his school in Woodstock, New York, formed a deep and lasting companionship with Archipenko, leading to marriage in 1957. Gray paints a rounded picture of a complex and fascinating personality, part artist, part businessman, part spiritual seeker. When the art world turned away from modernism toward Abstract Expressionism, Archipenko's work fell from critical favour. Archipenko was increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts a new light on his resulting volatile relationships with many dealers, museums and collectors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Spiral-bound. Condición: Used: Very Good. VG overall, clean and tight; Spiral bound; 8 oz.

Condición: New. In.

Paperback. Condición: Very Good condition. Mozell, Al (photographs) Ilustrador. New York: The Pace Gallery, 1973. Very Good condition. Spine is dusty/sun-faded. Oversize Softcover. 8.5" wide by 11" tall. Gallery catalogue for this exhibition held September 22 - October 20, 1973 in New York. Illustrated with 29 photos (most full-page, 2 in color). Biographical chronology. The catalog describes 25 sculptures, 18 drawings, and 19 prints. Bound in the original blue velvet (velour?) wraps, with a die cut on the front revealing a color plate of an Archipenko sculpture underneath. 1st ed? (No additional printings listed). Oversize Softcover. Very Good condition. Illus. by Mozell, Al (photographs). Unpaginated (but 30 pages). Great Packaging, Fast Shipping. 1st ed? (No additional printings listed).

First Edition. First edition. Softcover. Exhibition catalog for a show that ran November through December 1991. Includes 28 illustrations and a checklist. A clean very near fine copy in spiral bound wrappers. An attractive production.

First Edition. First edition. Oblong softcover. 8 pages. Exhibition catalog for a show that ran October 14 through November 9, 1957. Includes 10 black and white illustrations. A very good copy in stapled wrappers with a small split to the top of the spinel and some slight sunning to and along the spine and with some very minor wear.

First Edition. First edition. Softcover. 64 pages. Preface by Marjorie B. Kovler. Includes over 90 black and white illustrations. An about very good copy in wrappers with a small erasure to the top corner of the front panel and with some slight soiling to the front endpapers.

Hard Cover. Condición: Very Good+. First Edition; First Printing. Numerous reproductions including full page plates. Introduction by Donald H. Karshan. Preface by Marjorie B. Kovler. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 8vo; 64 pages.

Paperback. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. ISBN . Staplebound 36 page Trade Paperback. Two small donated by ink stamps to the book, Otherwise book is a Tight sound unmarked copy in Very Good condition.

Softcover staple bound, 12 pages; very good condition, except pen writing to front cover; no internal marks, clean and crisp.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New.

Condición: New. pp. 80.

Soft Cover. Condición: Very Good. First Edition; First Printing. 39 illustrations. Published on the occasion of the exhibition at the Bernard Danenberg Galleries, July 23 - August 15, 1970. Invitation to the preview of the exhibit laid in. ; Tight and clean. Solid binding. A touch of age-toning to covers, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 36 pages.