Appia h (14 resultados)

Condición: Good. 3rd Imp. Light wear to boards with a few marks. Content is clean with a prev. owner name to ffep DJ with a few tears, chips, toning and fading.

Taschenbuch. Condición: Gut. 413 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In FRANZÖSISCHER Sprache. Sprache: Französisch Gewicht in Gramm: 320. …

Couverture souple. Condición: Très bon.

Condición: Good. Envoi rapide Bon Etat couverture un peu défrâichie intérieur frais. in12. 1969. Broché. Good.

Condición: buono. 5. Libro usato ma in buone condizioni. Potrebbe presentare piccolissimi danni alle copertine e lievi piegature da lettura al dorso e/o piegature minime agli angol, normali segni del tempo. La rilegatura potrebbe essere minimamente allentata ma integra e senza fogli sciolti e o mancanze. Le pagine e/o i tagli potrebbero essere lievemente ingialliti con minima fioritura. La foto corrisponde al libro in vendita Altre foto su richiesta. Volume in lingua francese e italiano. BROSSURA.…

Ed. Didier, 1968, in8 cartonnage éditeur, 307 pages, bon état. Collection " Bibliothèque de stylistique comparée IV ".

Couverture souple. Condición: Bon. APPIA (H.). La théologie naturelle et le néokantisme théologique.Thèse.Liège, 1886, in-8°, br., ex. non coupé. 200 gr.

Couverture souple. Condición: bon. R200109186: 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 412 pages. Quelques graphiques et illustrations en noir et blanc, hors texte. . . . Classification Dewey : 941-Iles britaniques.

Condición: Fine. Très bon état. Paris. in8. 1968. Cartonné. 307 pages. Fine.

Couverture souple. Condición: bon. RO60078390: 1960. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 111 pages. Avec une plaquette de 39 pages (Introduction, Notes and Exercices). Dos muet. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Rayon : Civilisation Editeur : Armand Colin Date de parution : 1969 Description : In-12, 412 pages, souple, occasion, bon état. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 26557.…

Couverture souple. Condición: bon. R320113026: 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 413 pages. . . . Classification Dewey : 942-Angleterre.

Hardcover. Condición: vg+ to near fine. First Edition. Quarto. (ii) 66pp. (single-sided leaves). Black buckram with gilt lettering on the front cover and spine. Signed and inscribed on the front free endpaper by Tony Award-winning stage lighting engineer and lecturer Edward F. Kook (1903-1990) to acclaimed Hollywood production designer and director Harry Horner (1910-1994). This scarce typescript is an early draft of an English translation of Adolphe Appia's important treatise "L'?uvre d'Art Vivant" (The Work of Living Art). The work, originally published in French in 1921, discusses the author's thoughts on a more modern, three-dimensional and immersive theory of stage design, which was quite revolutionary in its time. Appia (1862-1928) was a Swiss architect and stage designer, most known for his designs for Wagner operas and his influential work analyzing the confluence of the performance space and its lighting, in the era of the emergence of modern theater. This typescript does not attribute the translation, and it is not dated, but is likely the early work in progress version of H.D. Albright's translation, fist submitted as his master's thesis at Cornell (1931)* and finally published in a revised format in 1960. It should be noted that in this early version, the title is presented on the front cover and first printed page (preface) as "The Elements of a Work of Living Art", whereas the submitted thesis and published versions are titled simply "The Work of Living Art". The original French edition and the finally published English translation of the work (1960) include numerous images of Appia's concepts to accompany the text throughout, however this translation contains the text only. [WITH A FIRST EDITION COPY OF THE 1960 ENGLISH TRANSLATION INCLUDED] Minor rubbing to extremities, with light bumping to corners. Interior staining on some of the initial pages seems to be a result of the staining issues during the original production of the paper itself. Binding in very good+, interior in near fine condition overall. *Drama scholar and teacher H.D. Albright (Harry Darkes Albright, b.1907) is known to have produced a translation of the work as his master's thesis at Cornell in 1931. Later, his translation was published by the University of Miami Press in 1960, as the first English edition of the work. The pagination of both the thesis version and the later published version differ significantly from this typescript and both use the more commonly translated title "The Work of Living Art". We have only found one holding in OCLC of our version of the this work held at the New York Public Library, however it is incorrectly dated as 1920. Signed.…

Paris : Editions Borderie (Coll. "Obliques"), 1976 - Un volume 21x27cm broché sous couverture illustrée de 304 pages abondamment illustrées - bon état - Livres.