Anton ginzburg (19 resultados)

Hardcover. Condición: Very Good. Very good copy in red cloth. ; 8.5 X 0.9 X 11.7 inches; 200 pages.

Soft Cover With Attached Dust. Condición: Like New. 1st Edition. 130 + pp. Stated first edition! An excellent, spotlessly clean copy and attached dust jacket! Clean, fresh, sharp, tight, essentially and virtually flawless copy and attached dust jacket with crisp pages, clean text, and very light shelf wear. Richard Oriolo (Book Design); Anton Ginzburg (Jacket Design); Jorge Martinez (Front Jacket Photo); Uli Holz (Back Jacket Photo); Greg Gorman (Author's Photo); Brenden Hitt (Digital Effects) (ilustrador).…

Trade Paperback. Condición: Good. 1st Vintage Books Edition: January 1998. 247 + xix pp. Solidly bound copy with moderate overall wear and use. Copy with clean text. Very mild stains on fore-edge. Pictures of actual copy -not displayed here!- available upon request. Alexander Knowlton (Cover Design); Anton Ginzburg (Neon Art); Jon Reis/Photolink (Author Photo); M. Kristen Bearse (Book Design) (ilustrador).…

Hardcover without dustjacket as issued, 200 pages; very good condition, tiny crimps to upper right corner tips of covers; overall clean and crisp; no internal marks. Foreign shipping may be extra.

1. Auflage.. 310 Abb., 200 Seiten, Sprache: Englisch; Zustand erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt. Sprache: Englisch Gewicht in Gramm: 1450 29,5 x 21,5 cm, Broschiert, gebundene Ausgabe, Leinen.

Hardcover without dustjacket as issued, 200 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: New. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Still in shrink wrap.; 11.8 X 8.5 X 0.6 inches; 148 pages.

Ohne Stempel, keine An-und Unterstreichungen, frischer, sehr guter Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hardcover without dustjacket as issued, 58 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Sehr gut. 198 Seiten; zahlr. Illustr. (überw. farbig); 29,5 cm; fadengeh., goldgepr., illustr. Orig.-Leinenband. Sehr gutes Exemplar. - Englisch. - INHALT : The Shape of Time Matthew Drutt --- Introduction Anton Ginzburg --- Photographs --- Lost Horizon --- Jeffrey Kastner --- Un/frozen: In Conversation with Anton Ginzburg Boris Groys --- Exhibition --- Film --- Project Materials --- Biography --- Contributors --- Acknowledgments --- Credits. // In the exhibition At the Back of the North Wind, I explore the presence of mythological patterns in the fabric of everyday reality, particularly the tension between the actual and the potential. By combining new technologies with traditional forms of art, media, and cultural artifacts, the installation conveys a currently relevant approach to these universal themes in visual terms. I was drawn to the theme of Hyperborea, a region thought to be "beyond the Boreas" (the north wind), through recent sensationalistic exposes claiming the discovery of a mythical land on the White Sea around the town of Kem and the Kuzovsky and Solovetsky archipelagos (sites of former Soviet Gulag camps). I am intrigued by these attempts to locate Hyperborea and to confirm its specific location, rather than considering it as a mythological country or a state of mind. I think of these endeavors in a Jungian context, as signifying a confrontation between consciousness and the unconscious. The past-or rather our subjective interpretation of its remnants-becomes the sculpting material, the metaphorical clay we build up and embellish to communicate our experience of reality. In this project, I take Hyperborea as a starting point and create a dream-scape that articulates connections between the actual and potential inherent in our experience of the phenomenal world. . (Vorwort Anton Ginzburg) ISBN 9783775734295 Sprache: Englisch Gewicht in Gramm: 1000. …

Gebunden. Condición: New. USPs: -Last of a triptych of works -Art and science -Theme: Russian ConstructivismUSPs: -Last of a triptych of works -Art and science -Theme: Russian ConstructivismIt began with research into the myth of Hyperborea, followed by an exploration of th.

198 S. Leinen mit Goldprägung. Farbiger Buchschnitt. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

gebundene Ausgabe. Condición: Sehr gut. 140 Seiten Restexemplar - Einband leicht beschädigt - Buch ansonsten in sehr gutem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 980.

Buch. Condición: Neu. Anton Ginzburg | Blue Flame: Constructions and Initiatives | Anton/Osipova, Anastasia/Nouril, Ksenia Ginzburg | Buch | 140 S. | Englisch | 2020 | Hatje Cantz Verlag | EAN 9783775746762 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu. …

Condición: Very Good.

VG near fine. hardcovers no dj as issued. no inscriptions. delightful clean copy. no markings. or inscriptions. internally a good crisp clean copy. From the personal collection of a dealer/collector.

Hardcover. Condición: New.

Softcover, 28 x 21,5 cm. With illustrations in b/w. 27 pages. FINE COPY [.

Condición: Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-page spread of the 'The Contract' by Marroquin. Contributors include: Anna Banana, Michael Druk, Jacques Lizene, Giovanni Cicatelli, Michel Cardena, Ger Van Dijk, Bertil Petersson, Jean Claude Schauenberg, Gerald Minkoff, Achille Cavellini, Mad Enterprises Inc, Tony Pegotty, Nicolas Uriburu, Ana Kamien, Antonio Trotta, Jorge Natalio Silberman, Chiquito Gomez, Raul Marroquin, Jorge Caraballo, COUM, The Bay Area Daddaists, Theodoros, Ulises Carrion, Carlos Ginzburg, E. Buchwalder, Grupo Teatro del Encuentro. Condition: Near fine;'Fandadangos, (aka Fandangos no. 6)', Jan Van Eyck Academy, Maastricht, Netherlands. 1975. 445 x 300 mm. Subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Large format newsprint issue, with hand coloured (watercolour or gouache) front page (yellow, red, blue and peach). Contributions from Joseph Beuys, Anna Banana, Bill Gaglione, Carlo G. Cicatelli , M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson, Iannis Xenakis, Anna Banana, M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson et al. Together with 'Fandangos 6' insert, Bill Gaglione, Carlo G. Cicatelli and Tim Mancusi, with stamped colophon laid in "Fandangos - Nr.6". Condition: Near fine;'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes in.…