antoine dagata (103 resultados)

Condición: Neuf.

Condición: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Tapa blanda. Condición: Nuevo.

Condición: New. Idioma/Language: Español. "Pornographia" fue un proyecto que condujo hasta Cuba a Del Amo y D'Agata. De la estancia surgió esta obra. Dos visiones paralelas, a través de la escritura y la fotografía, sin ninguna concesión frente a esa tentativa desesperada de captar la esencia misma del ser, de la realidad, de nuestra (in)humanidad, y de confrontarnos con ella. "Me dirijo al océano, pegado a las tapias, entre las sombras, en medio de un gran silencio. Respiro un efluvio tenaz, una esencia con notas de despojos, de flor putrefacta, un olor a humedad, carnal y vegetal, pero no puedo determinar si emana de mi aliento o de la ciudad, ya que estoy caminando justo en esa hora en que los muros sudan y exhalan un prolongado suspiro. " *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: Nuevo. COLECCIÓN: 64P 64P - FOTOGRAFOS.

Condición: New. Idioma/Language: Español. Un lugar, pero ¿qué lugar? ¿Un lugar donde han pasado cosas, cosas horribles? ¿Un sitio concreto en el que han borrado y aún borran las huellas, pero que sigue cargado de memoria, una memoria enterrada como enterraron los cuerpos, replegado bajo un suelo allanado? Hace tiempo que Ucrania está llena de esos 'lugares inconvenientes' que molestan a todo el mundo: crímenes del estalinismo, crímenes nazis, crímenes de los nacionalistas, crímenes rusos; en este territorio herido que sólo aspira a algún tipo de paz y normalidad, las masacres no se detienen. Antes de que Rusia invadiese Ucrania, Antoine d'Agata y yo habíamos empezado a recorrer Babyn Yar, el lugar en que en 1941 masacraron a los judíos de Kyiv, y luego a decenas de miles de otras víctimas. La guerra interrumpió nuestro trabajo. No tardamos en retomarlo, de otra manera, en otro lugar, la pequeña ciudad de Bucha, a las afueras de Kyiv, tristemente famosa tras el descubrimiento de las atrocidades allí perpetradas por las fuerzas de ocupación rusas. Otra vez un lugar en el que pasaron cosas, otra vez un lugar donde borran las huellas, cuanto antes mejor. Circulen, circulen. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: Neuf.

Rústica. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. AZARTE.

Encuadernación de tapa blanda. Condición: Excelente. Colección "64P. Photoessays". EXCELENTE ejemplar. Ilustraciones b/n y color. 64 pp.

Hardcover. Condición: new. Hardcover. For Charles Baudelaire, the photographic medium is not an art but a technical means of representing reality. As a counterpoint to Baudelaire, Antoine dAgata reworks his own photographs through digital intervention to return to engraving, as if to go from the pixel to the line of the time.He pushes photography to its limits, discarding the medium to return to the raw. Baudelaires texts thus enter into dialogue with photographs that have become engravings through wear and tear and manipulation, where the bodies blend together to give way to the poetry of the body.The work is based on the original uncensored edition of Baudelaires collection accompanied by these engraved prints by dAgata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while dAgata embodies photography, life and reappropriates the space of the city by the gesture.Two personalities meet on the occasion of the 200 years of the birth of Charles Baudelaire. Two artists who could have meet each other, debated, confronted each other. For dAgata, Baudelaire leaves a legacy that must be pushed to extend its own reflection.The artist intervenes on the edge of Baudelaires poems with personal reflections and quotations from his favorite thinkers, descendants of Baudelaires thought: Walter Benjamin, Guy Debord or Georges Bataille.Affixed vertically to the poems, these handwritten interventions assert themselves while leaving the original text its own space. A second sense of reading is thus offered to the reader between Baudelaires text and the interpretation given by dAgata through the words as much as through the engravings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. For Charles Baudelaire, the photographic medium is not an art but a technical means of representing reality. As a counterpoint to Baudelaire, Antoine d'Agata reworks his own photographs through digital intervention to return to engraving, as if to go from the pixel to the line of the time. He pushes photography to its limits, discarding the medium to return to the raw. Baudelaire's texts thus enter into dialogue with photographs that have become engravings through wear and tear and manipulation, where the bodies blend together to give way to the poetry of the body. The work is based on the original uncensored edition of Baudelaire's collection accompanied by these engraved prints by d'Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d'Agata embodies photography, life and reappropriates the space of the city by the gesture. Two personalities meet on the occasion of the 200 years of the birth of Charles Baudelaire. Two artists who could have meet each other, debated, confronted each other. For d'Agata, Baudelaire leaves a legacy that must be pushed to extend its own reflection. The artist intervenes on the edge of Baudelaire's poems with personal reflections and quotations from his favorite thinkers, descendants of Baudelaire's thought: Walter Benjamin, Guy Debord or Georges Bataille. Affixed vertically to the poems, these handwritten interventions assert themselves while leaving the original text its own space. A second sense of reading is thus offered to the reader between Baudelaire's text and the interpretation given by d'Agata through the words as much as through the engravings.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: leido. rustica. Encuadernación de tapa blanda. Estado de conservación: Nuevo. 64 pp.

251 Fotos en blanco y negro. 13 x 20.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover without dustjacket as issued; 192 pages; in French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Hardback. Condición: New. Chus Burés creates miracles. Each piece of jewelry that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking 'Mae Nam' Collection of 2000), Burés' work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity.Burés may be a maestro of metal - the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewelry as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Burés, Portraits and Jewellery (2016), this is realized through a series of intense portraits by Antoine d'Agata, Alberto García-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Burés' world of wearable art.Text in English, French, and Spanish.

Soft cover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Leporello sized 84x 14.5cm., double-sided printed. Resulting in 16 pages, each page with 42 contact-sheets of 36 pictures. No text. Total of over 24,000 pictures!!! The leporello is folded into a sleeve-pocket, with the colophon. Exhibition: May 16th- May 31st 2015, Kodoji Bar, Tokyo. "Contact sheets were processed and archived by Niepce Museum, while Antoine d'Agata was traveling in Japan from 2006 to 2008". Edition of 500.

Condición: New. In English.

Condición: Neuf.

Couverture souple. Condición: Neuf. Edition originale. Paris 2014. 1 Volume/1. -- Neuf -- Broché cousu. Couvertures à larges rabats . Format "carré"( 21 x 17,6 cm )( 270 gr ). ------- 72 pages. ********************** ref fav-75315 & ya75315.

Condición: Neuf.

Bolsillo. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Una reflexión fotográfica sobre la prostitución, el sexo y la adicción. Antoine d Agata en estado puro. LIBRO.

Hardcover. Condición: new. Hardcover. For Charles Baudelaire, the photographic medium is not an art but a technical means of representing reality. As a counterpoint to Baudelaire, Antoine dAgata reworks his own photographs through digital intervention to return to engraving, as if to go from the pixel to the line of the time.He pushes photography to its limits, discarding the medium to return to the raw. Baudelaires texts thus enter into dialogue with photographs that have become engravings through wear and tear and manipulation, where the bodies blend together to give way to the poetry of the body.The work is based on the original uncensored edition of Baudelaires collection accompanied by these engraved prints by dAgata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while dAgata embodies photography, life and reappropriates the space of the city by the gesture.Two personalities meet on the occasion of the 200 years of the birth of Charles Baudelaire. Two artists who could have meet each other, debated, confronted each other. For dAgata, Baudelaire leaves a legacy that must be pushed to extend its own reflection.The artist intervenes on the edge of Baudelaires poems with personal reflections and quotations from his favorite thinkers, descendants of Baudelaires thought: Walter Benjamin, Guy Debord or Georges Bataille.Affixed vertically to the poems, these handwritten interventions assert themselves while leaving the original text its own space. A second sense of reading is thus offered to the reader between Baudelaires text and the interpretation given by dAgata through the words as much as through the engravings. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: new.

Condición: Neuf.

Hardback. Condición: New.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Paperback, with card cover, both in very good condition. Gift dedication on FEP. Light shelf and handling wear, including minor wear and creasing to cover edges and corners. Within, pages are tightly bound, and content is unmarked. CN. Used.