annan craig (26 resultados)

Hard Cover. Condición: As New. Estado de la sobrecubierta: As New. Illustrated With Photographs Ilustrador. First Edition; First Printing. Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not price clipped. Not ex-library. With dustjacket protected in Mylar. As New. ; Numerous illustrations. ; 4to; 192 pages.

Illustrated With Photographs Ilustrador. The work of J. Craig Annan (1864-1946) all but disappeared after his death. Fine hard cover book in fine dust jacket.

1st edition. Good copy in the original stiff-cards; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 41 pages : illustrations, portraits ; 26 cm. Notes; Exhibition held at the Scottish Arts Council Gallery, Glasgow, Dec. 2, 1967-Jan. 27, 1968, and three other locations. Subjects; Annan, J. Craig 1864-1946. Exhibition catalogues. 3 Kg.

1st edition. Good copy in the original stiff-cards; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 41 pages : illustrations, portraits ; 26 cm. Notes; Exhibition held at the Scottish Arts Council Gallery, Glasgow, Dec. 2, 1967-Jan. 27, 1968, and three other locations. Subjects; Annan, J. Craig 1864-1946. Exhibition catalogues. 1 Kg.

Hardbound in dust jacket. First edition. Essay by William Buchanan. Illustrated with photographs. As new.

Hardcover. Condición: New. Illustrated With Photographs Ilustrador. In shrink wrap. Looks like an interesting title!

First Edition. First edition. Softcover. 41 pages. Published in conjunction an exhibition that ran December 2, 1967 through January 27, 1968. Features text by George A. Oliver. Includes seven images by Annan, a portrait of him likely by Harold Frye and an etching portrait by William Strang. Also features a checklist and chronology. A clean very near fine copy in wrappers.

SOFTCOVER. Condición: Fine. 1st Edition. The second of two stand-alone books published to accompany the exhibition. 4to in photo illustrated stiff glossy card covers, 121pp on glossy art paper, numerous b/w photos and illustrations in text, etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (hint of tanning to covers). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: Near Fine. First edition. 234 pp. + plates. Illus. with 77 monochrome carbon print photographic plates. 8vo. Two versions of this catalogue were produced, one without plates, and this, the illustrated version, with carbon prints by James Craig Annan (1864-1946), son of the Scottish photographer Thomas Annan. Annan was only 18 when he produced this series of prints (uncredited) for the spectacular Duke of Hamilton sale. There were 2213 lots auctioned over fifteen days in five sections which brought in 397,000 British pounds! In addition to the paintings offered, which could have easily formed their own museum -works by Botticelli, Breugel, Da Vinci, Durer, Fra Angelico, Giorgione, Holbein, Rembrandt, Rubens, Titian, Van Dyke, Veronese, and more- there was French furniture, Asian bronzes and lacquers, Sevres and Desden porcelain, and decorative objects in profusion. Photographs were somewhat new to illustrating auctions and "this is an early use of photography for a sale catalogue," according to William Buchanan in his "J. Craig Annan. Selected Texts and Bibliography," (Oxford. 1994), p. 137. Annan would go on to become an important British pictorial photographer and one of its master photogravure printers, contributing both his own work and gravures for other British photographers to Stiglitz' Camera Work (the January 1914 issue -no. 45- was devoted entirely to him). Scarce, especially in such beautiful condition and in such a fine binding. Buchanan 1. A near fine copy, rubbing on verso of plates, plates numbered in pencil. Half red morocco over cloth boards, four raised bands.

Condición: Good. First Edition. G : in Good condition without dust jacket. Upper board discoloured. 290mm x 230mm (11" x 9"). 20pp, + plates. 26 plates in photogravure. Quarter vellum grey cloth cover.

PAPER BACK TAN. Condición: GOOD. General shelf wear, tanned/rubbed cover. DATE PUBLISHED: 1968 EDITION: 41.

Condición: Bon. 1 vol. in-4 reliure demi-maroquin brun, dos à 5 nerfs, couvertures d'origine contrecollées en plat, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 1908, 10 pp. et 113 planches / 4to, half morroco leather binding, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 10 pp. et 113 planches Nice copy with its great morocco binding (binding very slightly rubbed, slight foxing) ! With photographs by James Craig Annan, Alvin Langdon Coburn, Frank Eugene, Baron Adolf de Meyer, Frances Stebbins Allen, Mary Electa Allen, Dwight Arthur Davis, Robert Demachy, Rudolf Dührkoop, David Octavius Hill, Gertrude Käsebier, Clarence H. White, Alexander Keighley, Joseph Turner Keiley, Guido Rey, Eva L. Watson-Schutze, George H. Seeley, Alfred Stieglitz, Heinrich Kühn, Malcolm Arbuthnot, Anne W. Brigman, J. Dudley Johnston, or Charles Job. De la bibliothèque Henry Frugès avec son bel ex-libris arabisant signé "Abd En Nor". Passionné d'art, l'industriel sucrier Henry Frugès (1879-1974) tenait de sa grand-mère maternelle née Bentajou que sa famille descendait d'une certaine Zohra, fille de l'émir El Hadj Abd En Nor El Maimouny, général de Boadbil, le dernier roi de Grenade ; il restera profondément attiré par l'art musulman, comme le montre son amusant ex-libris avec sa devise "Je m'éclaire !". Langue: Français.

Hard. Condición: Very Good. Illustrated by reproductions of his picutres in photogravure by J. Craig Annan. Ilustrador. First printing. Very good. Quarter mock vellum over cloth. Endpapers toned. Uncut pages of laid paper. Top edge gilt.

5 parti (five portions) in un vol. in-8° (245x155mm), pp. 234, (2) [paginazione continua fra le varie portions], legatura editoriale t. tela rossa contitolo in oro al piatto e al dorso e filettature plurime a secco. 77 tavv. fotografiche monocrome al carbone f.t. di James Craig Annan (Hamilton, South Lankashire, Scozia, 1864-Lenzie, Glasgow, 1946) riproducenti alcune delle opere d'arte più pregiate fra quelle poste in vendita; in calce a ogni foto è segnato a matita il lotto corrispondente. Rinfreschi alla legatura. Fioriture normali. In buono stato complessivo. Edizione originale. Catalogo della vendita all'asta delle collezioni d'arte e di arti decorative del Duca di Hamilton; comprende 2213 schede (esistono due differenti cataloghi di tale vendita all'asto; l'altra tiratura, più corrente, è priva di illustrazioni). L'asta si svolse in 17 giorni, fruttando l'esorbitante cifra complessiva di 397.000 sterline, e molti dei quadri (vi figuravano fra l'altro tele di Botticelli, Breugel, Leonardo, Dürer, Beato Angelico, Giorgione, Holbein, Rembrandt, Rubens, Tiziano, Van Dyke, Veronese, ecc.) furono acquistati dalla National Gallery. Da notare che Annan (a sua volta figlio di un illustre fotografo scozzese, Thomas Annan), che sarebbe diventato un grande fotografo pittorialista e avrebbe collaborato anche a Camera Work di Stiglitz, aveva solo 18 anni quando realizzò le superbe fotografie che corredano il catalogo, esempio pionieristico di una pubblicazione di tal genere illustrata con tecnica fotografica nonché prima opera pubblicata di Annan. This is an early use of photography for a sale catalogue (William Buchanan, J. Craig Annan. Selected Texts and Bibliography, Oxford. 1994, p. 137). Inglese.

Paper. Condición: Collectible-Fine. J, Craig Annan Ilustrador. First Edition Thus. Published in Camera Notes, volume 3, number 2 (October 1899). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 7 7/8 inches by 4 1/8 inches. Printed only for members of the Camera Club of New York, the edition size was no more than 300, and far fewer than that have survived. The photogravure is in excellent condition: a superb impression that is in virtually as-new condition. Now archivally matted in an off-white passe-partout. Size: 7 7/8" by 4 1/8". Photo.

Blue hardback cloth cover. Condición: Very Good. [First Edition]. VG : in very good condition with dust jacket. Eps foxed. 400mm x 300mm (16" x 12"). 51pp + plates. 54 Reproductions in Photogravure [B/W] by J Craig Annan. Subjects include Joseph Crawhall, Sir James Guthrie, Harrington Mann, T Corsan Morton, Alexander Roche, and J Pittendrigh Macgillivray. Heavy item - shipping supplement may apply for overseas.

Blue hardback cloth cover. Condición: Very Good. [First Edition]. VG : in very good condition with dust jacket. 400mm x 300mm (16" x 12"). 51pp + plates. 54 Reproductions in Photogravure [B/W] by J Craig Annan. Subjects include Joseph Crawhall, Sir James Guthrie, Harrington Mann, T Corsan Morton, Alexander Roche, and J Pittendrigh Macgillivray. Heavy item - shipping supplement may apply for overseas.

4to, pp.48, [12, advertisements], with 8 photogravures; text mostly unopened (all plates opened); some offsetting to adjacent blanks, hinges cracked in two instances, a faint dampstain to foot of inner hinge corner throughout, but generally a very good copy; in the original grey printed paper wrappers; edges creased and chipped, foot of spine chipped.The 1909 issue of Alfred Stieglitz's seminal quarterly journal of photography, Camera Work, intended to establish photography as a fine art and called 'by far the most beautiful of all photographic magazines' (Whelan). Camera Work was published between 1903 and 1917 during which time fifty issues were made. Through Camera Work, Steiglitz brought together photographers from America and Europe, an endeavour he viewed as 'the logical outcome of the evolution of the photographic art' (Stieglitz, 'AnApology', Camera Work (1903)). The nine photogravures on Japan tissue were made by the Scottish photographer James Craig Annan (18641946) from works by Hill & Adamson: Principal Haldane; The Marquis of Northampton; Handyside Ritchie and Wm.Henning; Sir Francis Grant, P.R.A.; Mrs.Anna Brownell Jameson; Lady in Black; Lady in Flowered Dress; Girl in Straw Hat; and Mr.Rintoul, Editor "Spectator". Photogravures after David Octavius Hill had been published in Camera Work numbers XI and XXVIII, also made by Annan from the original paper negatives. The photogravures are accompanied by short pieces on, inter alia, modernity and decadence (Benjamin de Casseres), on photography (George Bernard Shaw), and a note on an exhibition of Arthur B.Carles' work by Paul Haviland. Annan had caught Stieglitz's attention in 1896 in The Amateur Photographer, where he gave advice on using the new hand camera, which did not make use of a tripod. Stieglitz later drew upon Annan's writing in The American Annual of Photography the following year, in which he agreed that the photographer must set up the composition, then wait for the right moment to capture. In this number of Camera Work, Annan is also praised: 'It is also rare good fortune that Mr.Annan, while himself one of the pioneers of pictorial photography and second to none in his admiration of Hill's work, is also a master of the photogravure process'.See Buchanan, The Art of the Photographer, J.Craig Annan 18641946 (1992); Whelan, Alfred Stieglitz: A Biography (1995). Language: English.

Black hardback cloth cover. Condición: Very Good. Limited Edition 138/350. VG : in very good condition. Cover rubbed. 410mm x 320mm (16" x 13"). xxxiii, 146pp + plates. 77 photogravure plates: 35 Views and 42 Portraits with tissue-guards. Heavy book extra shipping needed for overseas. Published under the sanction of The Senate of the University. Thomas Annan had studios in Glasgow from 1855, and in Hamilton before moving to Edinburgh. He worked first with the calotype process and later with the collodion process, then the gravure process. His work included copies of famous paintings, portraits of Glasgow University professors and a documentary series of photographs of old closes of Glasgow. His son James joined the firm in 1877 before taking over the business on the death of his father Thomas in 1887. James Annan was a pioneer of the photogravure technique, travelling to Vienna in 1883 to learn the process from it's inventor Karl Klic.

Condición: Very Good. Limited Edition [350]. VG : in Very Good condition without dust jacket. Rebacked. Cover rubbed with light shelf-wear. Inner hinges cracked. Front endpaper creased. Some marginal edge-tears. Teg. 410mm x 320mm (16" x 13"). xxxiii, 146pp + plates. 77 photogravure plates: 35 Views and 42 Portraits with tissue-guards. Heavy book extra shipping needed for overseas. Published under the sanction of The Senate of the University. Thomas Annan had studios in Glasgow from 1855, and in Hamilton before moving to Edinburgh. He worked first with the calotype process and later with the collodion process, then the gravure process. His work included copies of famous paintings, portraits of Glasgow University professors and a documentary series of photographs of old closes of Glasgow. His son James joined the firm in 1877 before taking over the business on the death of his father Thomas in 1887. James Annan was a pioneer of the photogravure technique, travelling to Vienna in 1883 to learn the process from it's inventor Karl Klic. Black/gilt hardback cloth cover.

Condición: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

Five 'portions' in one volume, 4to, pp. 234, with title to each 'portion' and 77 carbon print photographs, each captioned in pencil with lot numbers; lots 878, 984, 998, and 1456 have two different photographs; a very good, fresh copy in the original publisher's scarlet cloth; a few spots, hinges cracked; offered with an unillustrated copy in like condition. First edition of the sale catalogue for the Hamilton Palace Collection, notable for its early and lavish use of photographic illustrations; here including seventy-seven carbon prints, the catalogue was also available without illustrations (at 5s the illustrated set cost 21s), a copy of which is also offered here. James Craig Annan (18641946) and his father Thomas had been commissioned to photograph the palace and grounds by the Duke of Hamilton in around 1869. In the present catalogue of the house contents the younger Annan's skills were challenged by the location of certain pieces; in some instances he deletes the overly fussy background, while in others items are shown in situ. Mirrors prove typically problematic Annan's solution here may not be the most subtle. The sale, comprising 2,213 lots dispersed in five parts between Saturday, 17 June and Thursday, 20 July 1882, achieved a total of £397,000, and included Old Master paintings from every school, as well as important furniture, sculpture, porcelain, lacquer, and objets d'art, many with extraordinary provenance. Language: English.

Paperback. Condición: Very good- condition. First Edition. 48 pages of text followed by [xiv] of advertisements. The overhanging (yapped) edges of the original printed gray wrappers/covers are mostly lacking, as is commonly found. The spine is mostly intact but suffers from chipping to the extremities, and thin lines of vertical cracking; protected in archival mylar. There is cracking to the textblock, remaining intact but delicate. Issued with 5 plates by J. Craig Annan, 2 plates by Henri Matisse, one plate by Gordon Craig, and one plate by Clarence H. White; COMPLETE. Includes an additional small plate tipped-in on the final page of advertisement by Alvin Langdon Coburn, which is an advertisement for his book "New York". Except as described below, the plates are clean and are free from creasing, foxing, spotting, toning and damage; minimal offsetting to the blank pages facing each plate. Except as described below, the original double spot-mounts of each image and the original double spot-mounts of each mounting page remain intact. Plate I). East & West. II). Man Sketching. III). Harlech Castle. IV). Bolney Backwater. V.) The White House - image detached. I). [Matisse] Photogravure of Drawing - image detached. II). [Matisse] Photogravure of Drawing. I). [Craig] Ninth Movement - minor paper defect to bottom margin of print, not affecting the image. I). [White] Alvin Langdon Coburn and His Mother. Associate editors include Joseph T. Keiley, Dallet Fuguet, J.B. Kerfoot and Paul B. Haviland. First edition. Size: Quarto (4to). Book.

Condición: Good. Original wraps in glassine 26 x 33.5 cm. 50, [51-52] pp. With photogravures by J. Craig Annan, Demachy, Maskell and Kühn. Tissue guards in place. Some plates with one 5 mm. foxed circle in the margins and some other tiny foxed marks. Two Israel Museum library stamps in Hebrew on bottom of title page and last blank with deaccession mark and ink strike out. The Truthful Lens, no. 102.

Condición: Good. Photogravure. 250 x 154 mm. (sheet). Very Good.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

No Binding. Condición: Very Good. (92 x 55mm) [1892] Rinder 165, only state, signed D.Y. C. in plate left of foot. A bookplate design for J. Craig Annan, heraldic symbol with his name at centre. Followed by a Latin inscription "ARS EST CELARE ARTEM", meaning "True art conceals the means by which it is achieved." Removed from book.