anna migdal (55 resultados)

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780786421152.

Condición: Good. This is an ex-library map. This map will be sent rolled up in a crush proof tube.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780786421152.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.

Paperback. Condición: new. Paperback. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: Neuf.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

hardcover. Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 159 pages. In Stock.

Condición: New. 2024. hardcover. . . . . .

Paperback or Softback. Condición: New. Zola and Film: Essays in the Art of Adaptation. Book.

Condición: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

paperback. Condición: New.

Hardcover. Condición: new. Hardcover. Beauty and ugliness, two extremes that intersect through human experience, remain an inexhaustible source of creative inspiration and popular belief. In 'The Beauty of Ugliness and the Ugliness of Beauty: Materializing Monstrosity in the Middle Ages,' the editors aim to redefine the concept of the medieval monster by revisiting issues that have received little attention. This collection of five essays examines various topics, including the stigmatization of disability in clerical circles through canon law decretals, the duality of good and evil in the Latin world, the image of women in marriage contract negotiations, the interpretation of monsters as 'signs' or 'things,' and the evolving interpretations of medieval monsters in post-medieval contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: Brand New. 229 pages. 8.75x5.75x0.50 inches. In Stock.

Condición: New.

Condición: New. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Editor(s): Gural-Migdal, Anna; Singer, Robert. Num Pages: 208 pages, photographs, filmography, index. BIC Classification: 2ADF; APF; DSBF; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 161 x 13. Weight in Grams: 327. . 2005. First Edition, 1st Printing. Paperback. . . . .

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: AS NEW. Etat de NEUF / AS NEW condition 3039104551 9783039104550 1036F 5.

Condición: New. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives. Editor(s): Gural-Migdal, Anna; Singer, Robert. Num Pages: 208 pages, photographs, filmography, index. BIC Classification: 2ADF; APF; DSBF; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 161 x 13. Weight in Grams: 327. . 2005. First Edition, 1st Printing. Paperback. . . . . Books ship from the US and Ireland.

Condición: Neuf.

Paperback. Condición: New. French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.