anna chave (73 resultados)

paperback. Condición: Fair. Acceptable items may contain, highlighting, writing, tares, stains and other previous signs of use. Used items may not contain CD's, Dust Jackets, access codes and other accompanying items when applicable. **MAY BE AN EX LIBRARY COPY**.

paperback. Condición: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paper. Condición: Good. Good copy paper ex. cat. Oct. 15 - Feb. 26, 1983, 31 no. pp, 14 4/C illus., 18 B/W, 1 pp ack, 1 pp fwd, text throughout, 2 pp notes, 2 pp chron.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Ex-library with the usual stamps, stickers, and markings. Gray cloth covered boards are slightly bumped on the bottom corners and spine. The boards are protected by the dust jacket and clear library covering. The pages are clean with many full color photographs. The bottom right page edges are soiled from handling. There is a bookplate on the front free endpaper. The spine is reenforced by brown tape on both the inside front and back endpapers. The dust jacket is protected by the clear library covering. This book was published in conjunction with the exhibition The Female Gaze: Women Artists Making Their World, presented by the Pennsylvania Academy of the Fine Arts. 335 pp. Shelf: E-5.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Pictorial Softcover. Paperback. Condición: Near Fine. No Jacket. First Edition. Mild rubbing (commonly visible on dark-colored covers), elsewise a fine, bright, clean, tight copy sans other flaws. "In the first vigorous and sustained visual analysis of the work of a New York School painter, Anna C. Chave closely examines the structure of Rothko's paintings, while arguing convincingly that they implement traces of certain basic, symbolically charged pictorial conventions." PROLIFICALLY ILLUSTRATED in black and white and full color photography of Rothko's paintings with accompanying descriptive captions. 229 pages. LF3.

Softcover, 230 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Very good. - Quarto, 11 inches high by 8-1/2 inches wide. Softcover, bound in color pictorial stapled gray wraps. A MoMA item sticker adheres to the rear cover. 31 pages, profusely illustrated in color and black & white. Very good.

Soft cover. Condición: Very Good. Light wear and handling to covers, otherwise very good. Binding tight and text clean.

Soft Cover. Condición: Very Good+. First Edition; First Printing. Numerous illustrations in color and black and white. Essays by Holliday T. Day, Brian Wallis, George E. Marcus, and Anna Chave. Published on the occasion of the exhibition at the Indianapolis Museum of Art, September 5 - November 3, 1991, Akron Art Museum, January 18 - March 21, 1992, and the Virginia Museum of Fine Arts, May 11 - July 12, 1992. Tight, clean and crisp. A touch of very light shelf/edge wear to wraps, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to ; 164 pages.

Paperback. First edition. Very Good minus paperback with a touch of soiling and stress marks at the spine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of work by Mark Rothko, held at the High Museum of Art, Atlanta, October 15, 1983 - February 26, 1984. Essay by Anna Chave. Staple-bound, light card wraps; 31 pages; 13 color and 18 b&w illustrations; 8.5 x 11 inches. Chronology.

Paperback. Condición: Very Good. First Edition. 4to., ill., 159 pp. Light scuffing/bumping to wraps, else Fine. ; Well packaged in a box, ships with tracking.

Condición: Very Good. Estado de la sobrecubierta: None. 229 pages, illustrated throughout in color and b&w. Faint foxing to top edge, light edgewear to wrappers, else a clean, tight copy. Record # 463642.

Soft cover. Condición: Very Good. 1st Edition.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Pages clean and bright. Wrappers have light handling wear and a few small soiled spots on front. ; Contents: A range of critical perspectives: the subject in/of art history (Whitney Davis, Alice T. Friedman, Rosalind Krauss, Linda Seidel, Richard Shiff, Lowery Stokes Sims, David Summers, Richard Vinograd). Chave, New encounters with Les Demoiselles d'Avignon: gender, race, and the origins of cubism. Wagner, Why Monet gave up figure painting. Worley, The image of Ganymede in France, 1730-1820: the survival of a homoerotic myth. Dunn, Piety and patronage in seicento Rome: two noblewomen and their convents. Nova, Folengo and Romanino: the Questione della Lingua and its eccentric trends. Zeitler, Cross-Cultural interpretation of imagery in the Middle Ages. Cohen, From bowman to clubman,Herakles and Olympia. Reviews. Abstracts of articles. Index to volume 76, 1994. ; 11.5" tall; 170 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover in Dust Jacket with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA.

hardcover. Condición: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Name on fep. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover without dustjacket as issued, 192 pages, in English; very good condition, except right edge of front cover splays upward a little; no internal marks. Foreign shipping may be extra.

Softcover staple bound exhibition catalog, 32 pages, very good condition, light rubbing to covers; no internal marks.

Hardcover. Gray cloth-bound boards with gilt text on spine. (1) 2-335 pp. Features mostly bw illustrations with some in color. Constantin Brancusi - the most influential sculptor of the twentieth century - is usually viewed as a sculptor of pure, perfect, essential forms and as a lone visionary and exotic peasant-sage, aloof from both the social concerns of his age and from avant-garde affiliations. In this fascinating book, Anna C. Chave explodes many of the myths about Brancusi, offering a revised view of the sculptor as an artist creatively responding to avant-garde and social concerns of his day. Using both feminist and social-historical lenses to view Brancusi's art, she explores the complex ways in which his works undermine established cultural hierarchies, challenge the fixed nature of sexual identity, and renounce notions of mastery and authority. She discusses, most specifically, how the imperiled status of the subject in an alienated, technological age is addressed by Brancusi's fragmented figures and by the displacement of the masculine by the feminine subject in his production; how the inward-looking, modern subject is invoked by Brancusi's polished, mirroring sculptures, which invite narcissistic reflection; how the changing status of the handmade object in the age of mass production is suggested by Brancusi's use of repetition; how the perceived erosion of gender boundaries in the modern age is treated in numerous sculptures involving scrambled sexual signs; and how the search for new means of transcendence and liberation is evinced in the reinvigorated image of sexual love and spiritual striving glimpsed in certain of Brancusi's most important works. By examining these achievements and his reimagining of the concept of the base - which he generally poised in a dialogic and shifting relation to his sculpture - Chave shows how Brancusi shifted the foundations of art. Good, exlib with stickers on spine, rear cover, inside cover, embossed stamp on title page - pages and boards otherwise in great condition.

Softcover. Condición: VG. Color illus. wraps, French flaps, 44 pp., many color plates. Issued in conjunction with a 2011 exhibition featuring work by American artist Pat Steir (b. 1940). With an essay by Anna C. Chave and many examples of Steir's vivid pieces.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. A clean unmarked copy with dust jacket in excellent condition. Mylar cover. 229 pages.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Near Fine condition hardcover book, Very Good dust jacket. Very slight shelf wear to edges of covers and spine. Minute smudging to text block edges. Slightest smudging and toning to end papers. Dust jacket unclipped. Dust jacket has very slight shelf wear and slightest bumping to edges. Some sunning to spine. Dust jacket protected by mylar. All of our books are individually inspected and described. Never X-library unless specifically described as such.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. board rub, sunned spine.

Soft cover. Condición: Near Fine. 1st Edition. 1992 oversize paperback exhibition catalog 1st edition (no additional printings listed). A bit of denting/curling, else fine. Oversize book extra shipping charges will apply, especially for international and priority orders as this will not fit into a flat rate envelope.

Paperback. Color-illustrated wraps with white lettering. 188 pp. Color and BW illustrations. Catalogue of an exhibition from November 6, 1992 to January 31, 1992 at the Whitney Museum of American Art and 4 other locations. VG. Light bumping around edges and corners.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. A clean and bright copy. 333pp.

Clothbound. Condición: Very Good +. Estado de la sobrecubierta: No Dust Jacket. First Printing. 229 pages with index, bibliography, notes. 24 color plates and 50 illustrations in text.

Cloth over Board. Condición: Very Good. No Jacket. This book is in very good condition. There is foxing on the upper fore edge. The covers have minor rubbing on them. The binding is tight and the pages are free from any ownership markings Size: 4to - over 9¾" - 12" tall.