Andrea kunard (71 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Near Fine. Clean and solid. ; Black & white photographs; 10.3 X 7.8 X 0.2 inches; 84 pages.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New. SEALED NEW COPY, SHIPPED FROM THE UK WITHIN 1 WORKING DAY.

Paperback. Condición: Fine. 1st. (CAD) Presumed 1st edition No markings, Fine, as New. Wraps, 182pp, colour reproductions and photos of artworks. Vikky Alexander, David Altmejd, Benoit Aquin, Edward Burtynsky, Elisapee Ishulutaq, Myfanwy Macleod, Micael Snow, Ron Terada, and others. (2.9 JM HOJ 304/a3 Size: 4to - over 9¾" - 12".…

Softcover, staple-bound, 36 pages, in English and French; very good condition, staple impressions to first couple page; no internal marks. Brief typed letter laid in signed by "Isaac". Foreign shipping may be extra.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket as Published. 1st. (CAD) Presumed 1st eidtion. No markings, hint of spine slant, Near Fine, no dust jacket as published. Boards, 75pp, colour photos. McEachern's photographs follows the feminist idea of "the personal is political," as she often combines images of her own life and personal space to investigate and comment on themes of socialization, gender, sexuality, and the natural world. (1.5 JM LVR 201/a5 Size: 4to - over 9¾" - 12". Exhibition Catalogue.…

Condición: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good+. First Edition. Stiff clean unmarked book in dust jacket with light shelfwear.; 10.3 X 0.75 X 10 inches; 204 pages; Marlene Creates has sensitvely probed the relationship between human experience and the natural world for almost four decades. From her early works that record traces of the human body on the land to her later explorations of poetry in situ in the boreal forest and photography as an active medium â" where the rush of water over the lens transforms the artist's own image â" Creates leads us with an environmental and cultural consciousness to a greater understanding of the language of the natural world and our "places" in it.…

Soft cover. Condición: Very Good. First Edition. 82 pp bw photos, white text on black pages. Clean and sound minor wear to corners.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Stiff clean unmarked book in crisp dust jacket; about new; 10.3 X 0.75 X 10 inches; 204 pages; Marlene Creates has sensitvely probed the relationship between human experience and the natural world for almost four decades. From her early works that record traces of the human body on the land to her later explorations of poetry in situ in the boreal forest and photography as an active medium â" where the rush of water over the lens transforms the artist's own image â" Creates leads us with an environmental and cultural consciousness to a greater understanding of the language of the natural world and our "places" in it. …

Hardcover. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Boards may have fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery.…

Hardback. Condición: New. ". I was able to make a simple gesture which left no permanent mark on the land."In 1979 Marlene Creates signaled her intent. In contrast to the monumental earthworks of that time, she revealed that her interest in the intersection of art and the natural world was with the ephemeral, the small scale, and the non-monumental, and with place, "not as a geographical location," she writes, "but as a process that involves memory, multiple narratives, ecology, language, and both scientific and vernacular knowledge." Supplementing the impermanence of her artistic gestures with the technology of photography, Creates found an audience and created a body of work without peer.Creates has sensitvely probed the relationship between human experience and the natural world for almost four decades. From her early works that record traces of the human body on the land to her later explorations of poetry in situ in the boreal forest and photography as an active medium - where the rush of water over the lens transforms the artist's own image - Creates leads us with an environmental and cultural consciousness to a greater understanding of the language of the natural world and our "places" in it.It is no easy task to sum up, in a single book, a career that privileges the act over the artifact, the moment over the monument. But under the direction of curator-critics Susan Gibson Garvey and Andrea Kunard, Marlene Creates: Places, Paths, and Pauses offers not only a broad view of her work in photography but also a critical appreciation of her multi-disciplinary approach (assemblages, memory-map drawings, and video-poems) through essays by Gibson Garvey and Kunard, art historian Joan M. Schwartz, nature writer Robert Macfarlane, and poet Don McKay.Marlene Creates: Places, Paths, and Pauses accompanies a major retrospective touring exhibition organized by the Beaverbrook Art Gallery in partnership with the Dalhousie Art Gallery. It will open in Fredericton in September 2017 and thereafter will be shown at galleries in Halifax, Charlottetown, St. John's, and other venues in central and western Canada.…

Hardcover. Condición: Near Fine. Near Fine. Hardcover With Complete Dj. Copiously Illustrated With Colour And B/W Photographs, Many Full Page. Square 4to.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Very Good. 1st Edition. Clean With No Remarks Or Highlights Inside. 256 Pages With No Index. Hardcover. No Dust Jacket As Issued. This Book Is Not Signed.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us. …

Soft cover. Condición: Very Good. No Jacket. 1st Edition. 160 pp. with full-colour illustrations. Cover lightly rubbed. Among the artists featured are David Altmejd, Stephen Andrews, Shuvani Ashoona, Mary Anne Barkhouse, Rebecca Belmore, BGL (Jasmine Bilodeau, Sebastien Giguere, Nicholas Laverdiere), Valerie Blass, Shary Boyle, James Carl, Patrick Coutu, Thirza Cuthand, Geoffrey Farmer, Karel Funk, Tim Gardner, Chris Gergley, Greg Girard, Rodney Graham, Pascal Grandmaison, Adad Hannah, Isabel Hayeur, Antonia Hirsch, Kristan Horton, Simon Hughes, Spring Hurlbut, Sarah Anne Johnson, Wanda Koop, Rodney LaTourelle, Tim Lee, Mark Lewis, Liz Magor, Luanne Martineau, Scott McFarland, Sandra Meigs, Chris Millar, Gareth Moore, Alex Morrison, Nadia Myre, Benny Neverowski Ramsey, Pascal Lievre, Shelly Niro, Ed Pien, Tim Pitsiulak, Yannick Pouliot, Steven Shearer, Ron Terada, Susan Turcotte, Jeff Wall, Ian Wallace, Chih-Chien Wang, Rhonda Weppler, Trevor Mahovsky, Colleen Wolstenholme, Kevin Yates, Robert Youds, and Lawrence Paul Yuxweluptun, and Etienne Zach. Oversized book may require additional shipping.…

Condición: Fine. First. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: Good. First. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Couverture souple. Condición: Très bon. Ottawa, National Gallery of Canada, 2017, softcover, about 10 ½ X 8 inches, 175 pages, illustrated in color. Our copy is as new EXCEPT only for a small a discreet yellow stain to right foredges (see image).

Soft cover. Condición: Very Good. 1st Edition. Pages Are Clean With No Remarks Or Highlighting. In Very Good Condition. Paperback. 261 Pages. English And French Edition. This Book Is Not Signed.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

Hardcover. Condición: Very Good. VERY GOOD hardcover, no marks in text; a very clean, gently used copy. Book.

Soft cover. Condición: Near Fine. No Jacket.

Softcover, 160 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Condición: new. Hardcover. Covering over 30 years of artistic practice, this book celebrates the complex yet highly distilled photographs of Jin-me Yoons dynamic vision. Showcasing a camera that is a witness to performative acts occurring both inside and outside the frame, the book reveals how Yoon has expanded conceptualist understandings of image-making and contributed to ongoing discussions of place and identity. In doing so, this volume illustrates how she uses the inherent mobility of images and the forces of diasporic thinking to bring disparate worlds together in poetic relation and create conditions for a different future.Featured works include Fugitive (Unbidden) (2004), which calls up stereotypes imposed on Asian Canadians and Asian Americans through popular culture in the context of intergenerational histories of war; and Long Time So Long (2022), in which, wearing traditional Korean masks that have been fused with ubiquitous emojis, Yoon performs against the background of an industrial waste plant that is also a natural bird habitat, to reimagine new ways of being in relation to nature and one another.The entanglements in Yoons artwork are both micro and macro. Like her camera shots, they shift scales between the personal, national, transnational, and planetary, alluding to an ethics of interconnection at every level The parallel investigation into the logics and histories of colonialism has always been the driving force in Yoons practice. But in her latest works, Yoon moves beyond critique and proposes new modes of being that draw from different traditions, remaking worlds that have been broken, and finding poetry in repair. - Ming Tiampo Co-published with Scotiabank Photography Award, Toronto Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…