André breton text (11 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Hardcover. Large 4to. 222pp. Illustrated in b/w and colour photographs. Book is fine, dust jacket is fine. A fantastic copy.

First Edition. Quadragesimo-octavo. First Edition. Published in conjunction with an exhibition held at Durand-Ruel from March 28 through April 16, 1949. Illustrated in black-and-white. Text in English. Fair, with a spine lean, moderately foxed, with tide marks to the crown and top corners of the leaves. No dust jacket as issued.…

Condición: Fine. Number of pages: 240p Size: A5 Number of books: 1.

Soft cover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Limited Edition. Paris, GLM, 1937. MAN RAY. La Photographie n'est pas L'Art. [Paris]: GLM.1937. Slim octavo, 17 loose leaves in original flexible blue cloth portfolio, original black die-cut wrapper. First edition of this landmark treatise, with 12 full-page halftones of Man Ray's distinctive photographs, regarded by some as amongst the greatest of the 20th century' (Parr & Badger). Jean Cocteau called him 'the poet of the darkroom.' 'It was with Man Ray's arrival in Paris in the summer of 1921, when Dada was at its height, that photographic experimentation, temporarily leaderless after the disastrous war, took a decisive new direction' (Frizot, 442). 'Man Ray's work introduced a particular note [to Dadaism], since he used photography and recognized early on that this medium could reproduce the effects of object-based art in two-dimensional form. Photography was in a position to preserve the ordinary and to unleash surreal effects' (Icons of Photography, 26). 'Although he incorporated photography into his Dadaist practice, much of his photographic activity was given over to conventional portrait and fashion commissions. This rankled with him, and 'photography is not an art' was a constant theme in his work. La Photographie n'est pas L'Art is one of the most enigmatic yet advanced of all his books. It can be taken as a summation of his experiments in photography, and might be said to be his photographic swansong' (Parr & Badger, 108-09). With text by Andre Breton. See Roth, 80-81, 86-87. Interior and images fine. Only light sunning to cover through aperture in wrapper. A fine copy. Scarce. (Bauman quote) In a contemporary clam shell box in blue cloth. Man Ray (ilustrador).…

The exciting Swedish artist, Max Walter Svanberg (1912-1994)s infatuation with women shows in his poetry and very sensuous paintings.Documentation regarding the development of the diversification in the flourishing and progressive, shocking imagination, Max Walter Svanberg, Swedish/ French, Year1979, Illust. B/W79, Illust. Color39, ISBN , Code 0692. Softbound, Not in perfect condition., Location of Exhibition: Malm÷ Konsthall, Malm÷, Sweden, Bio. Cat. of exh. Index. Pages 192, Size 8öx 6ö. …

Brosch. 8°, 111 S., einige Abb. (tlw. auf farbigen Tafeln), 1 Bl. Inhaltsverzeichnis, 1 Bl. Impressum. Deckel am unteren Rand fleckig (ebenso v. a. die äussersten Blätter am Fusssteg bzw. in unterer Ecke), Hinterdeckel oben etw. eckknittrig, Papier gebräunt. EA. Nicht nummeriertes Exemplar.

Hardcover. Condición: Fine. No Dust Jacket. First Edition; First Printing. First edition. Fine in tan cloth, without dust jacket as issued. (Protected by clear acetate wrapper) (176pp. ) Small cloth issue. ; 8vo 8" - 9" tall; 176 pages.

Hardcover. Condición: vg. Limited First edition. 1/6000. Folio (13 1/4 x 12 1/2"). 245, [5]pp. Original crushed morocco with gold lettering to spine and front cover. Marbled endpapers. Frontispiece. Half-title and title page in grey and black lettering. Published to comemorate the centennial of Manuel Álvarez Bravo's birth (1902-2002), Mexico's first principal artistic photographer and the most important figure in 20th century Latin American photography, this Spanish language edition of "One Hundred Years, One Hundred Days" is a retrospective look at Alvarez Bravo's long career with 100 striking tritone photographs. A total run of 7,000 unnumbered copies of this edition were published: 6,000 in Spanish and 1,000 in English. Our copy is in a deluxe leather binding. Text in Spanish. Binding and interior in very good condition.…

Brosch. Gr.8°, o. P.: 22 Bl. u. doppelblattgrosses Frontispiz. Einband min. beschienen u. tlw. randknittrig, Papier min. gebräunt; gutes Ex. «[A]chevé d'imprimer le 5 mars 1936» (allerdings mit dem Hinweis «4e édition» auf Hinterdeckel). Exemplar «sur vélin» (dieses Exemplar indes nicht nummeriert) (neben 15 Ex. der Vorzugsausgabe auf Japan). …

Geh. 8°, o. P.: 6 Bl. mit 4 Tafeln. Umschlag etw. unsauber u. gebrauchsspurig, Vorderdeckel mit kleinem Eckverlust oben u. in unterer Ecke knittrig sowie mit Randriss, innen 4 kleine kalligrafische Marginalien in Tinte (2 im Text, 2 im Verzeichnis), innen sonst tadellos. EA. Mit einem Text von André Breton: «Arp» (2 S.; frz.) und dem «Catalogue» der ausgestellten Werke in 46 Nummern.…

. 8°, 1 beidseitig bedrucktes Doppelblatt mit Textabb. In oberer Ecke min. eckknittrig, sonst tadellos. Programm zu den «quatre séances», anberaumt auf Juni 1935, mit einem perforierten Antworttalon im ersten Blatt unten. Mit Text von André Breton (zu «[le] but des conférences» und zu «[les] moyens de réalisation»), gefolgt vom «programme» der vier Veranstaltungen. Mit Abbildungen u. a. von Salvador Dalí, Hans Arp, Alberto Giacometti, Max Ernst, Man Ray, Marcel Duchamp, Valentine Hugo, Yves Tanguy. Exemplar von Hans Bolliger (dessen Besitzereintrag in Bleistift auf letzter Seite unten).…