and harling robert (22 resultados)

Hardcover. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Ripped/damaged jacket. The dust jacket of this book is slightly damaged/ripped, however, this does not affect the internal condition.

Paperback. Condición: Very Good (or better). Oversize paperback with general light wear although spine visibly rubbed, clean, spine a bit sunned, internally clean and unmarked. 320 pages with index, profusely illustrated in color and b/w.

Hardcover. Condición: Very good. Hardcover. 224pp. Very good hardback in a jacket that is lightly worn at the extremities.

Leinen. Condición: Gut. 30 cm ; Großformatige und schwere englischsprachige Hardcoverausgabe, Leineneinband, 538 Seiten mit sehr zahlreichen Fotos und Illustrationen. Gutes Exemplar (good Condition). hw862.

Paperback. Condición: Fair. 10th Edition. xc, 705 pages, table of cases, table of statutes, table of abbreviations, appendices, index. Covers worn, spine and page edges tanned, previous owner name on inside cover.

Hardcover. A green casebound book with gilt text on the spine. There is a matte color-illustrated dust jacket with white text on a green spine. Illustrated endpages. 320 pages; illustrated in both color and black-and-white. VG-/VG:Wear to the edges and corners of the dust jacket. Clean book with beautiful illustrations and solid binding.

First Edition. Green buckram wih gilt lettering on the spine in illustrated dustwrapper. 320 pages, Well illustrated throughout. 9 X 12 inches. Very good book in a good dustwrapper with a tear repaired on the rear panel.

Soft cover. Condición: Very Good. Dust Jacket Included. Profusely illustrated, mostly in black-and-white. Decorative paper covers, printed dust-jacket. Spine a little soiled. A very good copy. Principal contents include: Harry Carter: The Typographical Design of Government Printing; Derek Whitely: Du Maurier's Illustrations for 'Once a Week'; Simon Nowell-Smith: The Phonotypes of Robert Bridges; A.F. Johnson: Fat Faces; John Lewis: The Drawings and Book Decorations of Lynton Lamb.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Illustrated in colour and black and white Ilustrador. All books outside UK sent airmail and over £30 tracked and inside UK signed for. PayPal accepted. All dust wrappers are film protected. Includes Bernard Shaw and his printers - Art and Technics. The River Books of Robert Gibbings by Thomas Balston and the Last Days of Charles Keane by James Thorpe. Original stiff card covers in a dust wrapper that is damaged at spine and . Complete with original price. Loosely inserted is an eight page wire stitched illustrated insert among other things introducing new work "Image". A little spotting to prelims and insert and foredge.

Condición: VG. Boston 1925 Birchard. Sm.4to., 59pp., wraps. VG.

Hardback. Condición: Fine. Eric Ravilious Ilustrador. Black and White illustrations, one of them tipped in. Fine, without dust jacket.

Quarter Cloth. Condición: Near Fine. No Jacket. Eric Ravilious Ilustrador. 1st Edition. A near Fine copy of this Limited edition title of which this is number 208 of 425. It was issued to commemorate the 50th anniversary of the death of Eric Ravilious off Iceland. No Dust Jacket (as issued?). Cover: quarter blue cloth and red and white decorated paper covered boards (decoration is copy of a wood engraving print by Ravilious). In excellent condition. Internally: fine condition, printed on Zerkall mould made paper by the Libanus Press. Numerous illustrations in black and white and an original wood engraving by Ravilious tipped in. 50 pp.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Illustrated in colour and black and white Ilustrador. All books outside UK sent airmail and over £30 tracked and inside UK signed for. PayPal accepted. All dust wrappers are film protected. A periodical of the visual arts includes Gabriel White - Sickert drawings with 40 reproductions and Hugh Casson - South Bank sculptures. Pictorial stiff card covers, slightly spotted as is the title page and foredge, in a dust wrapper complete with original price. Loosely inserted wire stitched 8 page insert.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Illustrated in colour and black and white Ilustrador. All books outside UK sent airmail and over £30 tracked and inside UK signed for. PayPal accepted. All dust wrappers are film protected. A Periodical of the visual arts includes Thomas Balsdon Wood engravings of George Mackley, Raymond Phillips - the Architectural drawings of George Cullen and W J Strachan - Some account of Henry Moore's recent designs for a new French edition de luxe of "Promethee". With a lithographic inset in eight colours specially printed for this issue and Bernard Partridge and Punch. Loosely inserted is a wire stitched insert of 8 pages mainly on wood engravings. Original stiff card cover illustrated with a wood engraving by George Mackley. In a dust wrapper complete with the original price, which is slightly faded around the edges. This was the final edition of "Image" due to mounting costs and shortage of paper after the Second World War. A little spotting to foredge and occasional spot to a couple of pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Edition limited to 750 numbered copies, this being number 561. Virtually as new in complete dustwrapper with tiny abrasion to the base of the spine panel. Loosely laid in is the publicity leaflet for the book together with the four page illustrated catalogue for the Eric Ravilious Commemorative Exhibition held at the Towner Art Gallery, Eastbourne between 1st August - 4th October 1992. All in fine state.

Soft cover. Condición: Near Fine. 1st Edition. Illustrations in black-and-wite and colour, type specimens etc. Ring-bound in semi-stiff printed wrappers . A very good to fine copy Peggy Lang: Times Roman; Denis Saurat: Edward Bawden's England; S.L. Righyni: News Bills: A Retrospectus; A.F. Johnson: On Re-reading Updike; James Thorpe: Draughtsmen of the early "Daily Graphic".

Semi-stiff cream covers with a wood-engraving by George Mackley, printed dust-jacket (a bit faded). With a newspaper clipping about the discontinuation of the periodical. London, Art and Technics, 1952. 8vo. 82 pp. Richly illustrated, partly in colour: wood-engravings, architectural drawings and line drawings. Contents: W. J. Strachan on Henry Moore (French edition de luxe of Promethée), Thomas Balston on the Wood-Engravings of George Mackley (richly illustrated), Raymond Philip on the Architectural Drawings of Gordon Cullen, and Derek Pepys Whitely on Bernard Partridge and "Punch".

1st Ed. 4to. 320pp. Profusely ills. including many colour. Ex.-libris Sir Roy Strong, rebound in modern half morocco with marbled boards, gilt motifs and lettering to spine. Additional postage may be necessary US$111.

Hardback. Condición: Fine. Black and White illustrations. Fine, issued without dust jacket. Published for the Friends of St Bride Printing Library. Illustrated with engravings by Eric Ravilious, those in Caroline Archer's essay are printed from magnesium blocks made by The Block Shop, Manchester. The engravings in the Notebook are printed from the original wood blocks. Text set in Bembo type. Printed on Heritage, Fourdrinier paper.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Very good in a rare very good illustrated dust jacket, not price clipped. Complete.

Condición: Fine. Hard back binding in publisher's original burgundy cloth covers, gilt stamped title lettering to the spine. 8vo. 9½'' x 6¼''. Printed in Bembo type, with the title page in red and black and the wood engravings printed in various colours on Fourdrinier paper. In Fine condition. Member of the P.B.F.A. ART [British].

See Harling's entry in the Oxford DNB. 2pp, 4to. In fair condition, lightly aged and worn. Folded twice. The salutation ('My dear Percy'), valediction ('Luv Robert'), and one additional word in autograph; the rest typed. He begins by thanking Muir for a copy of 'PHM 80', the volume celebrating Muir's eightieth birthday. 'Judging from the Roth picture you seem not to have changed a jot since I first met you post-war.' He finds the 'items' in the volume 'fascinating to read: from Meynell's typical promotional piece for Meynell to your offerings, ['offsprings!' added in autograph in the margin] far the most delightful and moving.' With reference to Fleming a bibliophile who founded the 'Book Collector' magazine he writes: 'A pity that Ian wasn't around to contribute one of his telling anecdotes of the early days.' And referring to his wife: 'A nice touch is that your birthday is the same as my Phoebe's.' He adds an astrological joke. He finds it hard to believe Muir 'as eighty, still less as retired. Or perhaps you aren't either and are just foxing.' He has, he jokes, 'always thought 80 a nice round figure to aim for as a springboard for the succeeding twenty years.' His own life 'continues much as ever, split between the Sunday Times and the glossy, with an agreeable number of sidelines, including the garden, of course.' He finds 'the constant change between those different worlds too entertaining to opt out.' He describes a family home at Majorca, which is 'ideal for scribbling novels'. 'After a wartime of movement and travel, that's now my ideal way of travelling: from one living-room to another six hours away.' He refers to his wife's 'wander-lusting' and current travels in South Africa, and gives details of his children. Turning to Fleming's wife Ann (the former Viscountess Rothermere) and only child Caspar (of whose suicide in 1975 he seems unaware) he writes: 'Annie I haven't seen for some time. She's had a lot of trouble with Caspar, but if people will push their children into boarding-school at the age of eight they shouldn't wonder why they can't communicate when the children are young men and women of eighteen. She left the little Victoria Square house where we had so many entertaining Book Collector collations and now, I believe, divides her time between Wiltshire and Albany and spending Bond money, as Ian prophesied, like ten drunken sailors on a spree.' Before concluding with renewed thanks for 'the pretty book and the subject's own calligraphical amendments', he suggests that despite the fact that 'Suffolk and Surrey are so far apart' they 'arrange to communicate at five-year intervals at most'. Regarding Harling and James Bond, see Ian Jack's article in the Guardian, 'Tight trousers and typography: Robert Harling, the mystery man who could have been James Bond', 10 October 2015. For Muir and Fleming see Nicolas Barker's 2017 Book Collector article 'Percy Muir: Ian Fleming's Book Dealer'.