and coppel stephen (14 resultados)

Condición: Fine. London: The National Touring Exhibitions, 1998., 1998. Fine. - Small quarto, 8-3/4 inches high by 8-3/4 inches wide. Softcover, bound in illustrated brown wraps. 127 pages, profusely illustrated in color and black & white. Near fine.

Paperback. Condición: Fine. 332 pages, chiefly illustrations (chiefly colour); 29 cm. Published in conjunction with an exhibition at British Museum from 9 March to 18 June 2017. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "The American Dream: From Pop to Present presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and West coasts. Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes." - Publisher. *** CONTENTS: Piecing together the American dream , by Stephen Coppel; Irresistible: the rise of the American print workshop , by Susan Tallman; 1. Pop art; 2. Three giants of printmaking: Johns, Rauschenberg, Dine; 3. The print workshop: Laboratories of experimentation and collaboration; 4. Made in California: the West Coast experience; 5. Persistence of abstraction: gestural and hard-edge 1960s-1970s; 6. Minimalism and conceptualism from the 1970s; 7. Photorealism: portraits and landscapes; 8. The figure reasserted; 9. Politics and dissent; 10. Feminism, gender and the body; 11. Race and identity: unresolved histories; 12. Signs of the times. Size: 4to. Collectible.

Soft cover. Condición: Very Good. Lightly rubbed all around.

Softcover. Color-illus. wraps with white spine. 192 pp. with 100 plates and 4 bw figures. Includes an introduction to the life of collector John Malcolm, as well as 100 plates from the collection, each annotated. VG- (Fine internally; light cover shelf wear).

Paperback. Condición: VG. Color-illustrated wraps with orange and white spine lettering. 223 pp. Color illustrations. Exhibition held at the Museum of Fine Arts, Boston, Jan. 30-June 1, 2008; the Metropolitan Museum of Art, New York, N.Y., Sept. 23-Dec. 7, 2008 and the Wolfsonian-Florida International University, Nov. 21, 2009-Feb. 28, 2010.

Hardcover with dustjacket; 224 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 288 pages, in Spanish; good condition, bump to bottom of spine; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

Quarto, 128pp, original wrappers with French flaps, b&w and colour illustrations, a fine copy. First edition. With a preface by the then Director of the British Museum, Neil MacGregor in which he writes of the Australian painter and etcher, Fred Williams, as arguably Australia's most important landscape artist since the Second World War.

Card Covers. Condición: Very Good. Estado de la sobrecubierta: Very Good. 156 pp. White card covers with original opaque glassine jacket. Illustrated throughout. A little wear and creasing to the glassine around the spine, with some light spots and marks to the front cover of the glassine and binding. A little more spotting to the edges, but text remains clean internally. Published to accompany the exhibition at The British Museum in London in 2002. VG condition. 0863554741 Large Square 8vo. Illustrated.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Paperback, with clear plastic jacket, both in very good condition. General shelf and handling wear, including light tanning to book and page edges. Leading edge top corner is bumped; light creasing to a number of pages at the same point. Within, pages are tightly bound and content unmarked. Colours vibrant and true. CN. Used.

paperback. Condición: Very Good. Large, heavy paperback edition. Slight wear at corners. No text markings noted.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Book good, some sun fading, jacket has some soiling but now covered ib brodart book cover. Price includes cost of extra shipping and insurance.

Couverture souple. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. The American Dream: Pop to the Present Stephen Coppel Editore: Thames & Hudson Ltd (2017) ISBN 10: 0500292825 ISBN 13: 9780500292822 Nuovo Brossura Quantità: 1 EUR 50,00 Descrizione: Thames & Hudson Ltd, 2017. Paperback. Condizione: New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service! Codice articolo 011600 - Language : english text.

Original wraps. Condición: Near Fine. First Edition. A very sharp copy of the catalogue based on the August-November 2002 exhibition at Kunstmuseum Winterthur. Clean and Fine in its pictorial wrappers. Thick, tall quarto, wonderful color plates thruout. The catalogue raisonne of Richard Hamilton's prints and multiples 1939-2002.