Alinovi francesca (17 resultados)

Hardcover. Condición: VG/VG. Burgundy boards with gilt stamped spine lettering. Gold and color-illustrated dust jacket with purple lettering. 191 pp. Color and BW illustrations. Published on the occasion of the exhibitions held at the Frankurter Kunstverein, the Museum Villa Stuck, Munich, and the Galleria civica de arte contemporanea, Trento, from June 14, 1996-Jan. 26, 1997.…

Paperback. Condición: Very Good. 146, [2] p.: illustrations; 20 cm. Paperback. Text is in Italian. Published to accompany an exhibition on the art scene in Italy in 1982. In Very Good Condition: edges are rubbed; corners creased; 2 small indentations in front cover and first few pages; clean and bright.…

Softcover, staple-bound, 12 pages; very good condition; light rubbing to covers; no internal marks. Includes: Luciano Bartolini, Bruno Benuzzi, Enzo Esposito, Marcello Jori, Luigi Ontani, Salvo, Aldo Spoldi, Giorgio Zucchini.

0. Una generazione postmoderna. I nuovi-nuovi - La postarchitettura - La performance vestita. Katalog. Palazzo delle Esposizioni, Roma / Mazzotta, Milano 1982. 148 S. mit zahlr. teils ganzseit., teils farb. Abb., brosch. - Guter Zustand.

Karton. Condición: Sehr gut. 191 S.: überw. Ill.; 26 cm Zustand: goldfarbener Hochglanzkartoneinband mit geringen Gebrauchsspuren, sonst und insgesamt sehr gut --- Inhalt: umfangreich illustriert, Ausstellungskatalog anlässlich der Ausstellungen Luigi Ontani im Frankfurter Kunstverein, vom 14. Juni bis 6. August 1996, und Luigi Ontani: Installationen in den Historischen Räumen, im Museum Villa Stuck, München, vom 3. Juli bis 6. Oktober 1996 F2-2 ISBN: 9783908162322 Sprache: Deutsch Gewicht in Gramm: 1000.…

Brossura. Condición: buono. prima edizione. Una generazione postmoderna: i nuovi-nuovi, la postarchitettura, la performance vestita Mazzotta,1983 Catalogo della mostra "Una generazione postmoderna", Roma, Palazzo delle Esposizioni, 25 marzo - 30 aprile 1983 A cura e testi di Renato Barilli, Fulvio Irace, Francesca Alinovi Introduzione di Renato Nicolini Lingua italiano Brossura, cm. 20,5 x 21, pagine 148 con illustrazioni a colori e in bianco e nero Progetti di: Enrico Barbera, Luciano Bartolini, Bruno Benuzzi, Carlo Bonfà, Vittorio D'Augusta, Giuseppe Del Franco, Enzo Esposito, Antonio M. Faggiano, Marcello Jori, Felice Levini, Luigi Mainolfi, Giuseppe Maraniello, Plinio Mesciulam, Vittorio Messina, Luigi Ontani, Giorgio Pagano, Silvia Rizzo, Giuseppe Salvatori, Salvo, Aldo Spoldi, Wal, Giorgio Zucchini, Alessandro Mendini con Studio Alchimia, Michele De Lucchi, Paola Navone, Franco Raggi, Denys Santachiara, Arduino Cantafora, Paolo Melis, Bruno Minardi, Dario Passi, Franz Prati,Mario Seccia, Luigi Serafini, Luisa Cividin, Roberto Taroni, Gianni Colosimo, Dal Bosco-Varesco, Falso Movimento, La Gaia Scienza, Magazzini Criminali, Il Marchingegno, Padiglione Italia, Società Raffaello Sanzio; con notizie bio-bibliografiche.…

Paperback. Condición: Gut. unpaginated. Ill. 28 cm, Good. Ex-library with usual markings. Clean pages. Additional cover folation. Sprache: Italienisch Gewicht in Gramm: 1050.

Bibliothekseinband (cloth). Condición: Gut. unpaginated. Ill. 28,5 cm, Good. Ex-library. Binding corner slightly rubbed. Sprache: Italienisch Gewicht in Gramm: 1310.

In 8° quad., bross., pp. 140 con figure in nero nel testo. Catalogo della mostra tenuta presso la Galleria Comunale d'Arte Moderna. Copertina di Francesco Ciancabilla. Presentazione di Franco Solmi. Testi di Francesca Alinovi, Claudio Cerritelli, Flaminio Gualdoni, Loredana Parmesani, Barbara Tosi.

Softcover. 8°, brossura illustrata, pp.135, illustrazioni n.t., testo in italiano e inglese. Importante esposizione che la parmigiana Francesca Alinovi (1948-1983) ideò ma che non ebbe il tempo di realizzare. Arte di Frontiera New York Graffiti nasce dal lavoro e dalle esperienze che Francesca Alinovi costruì durante i suoi viaggi a New York. Prefazione di Franco Solmi. Interviste con Stefan Eins Keith Haring, Kenny Scharf, Rammellzzee e A-One, due saggi di Francesca Alinovi e uno di Tony Shafrazi. Artisti: Keith Haring, Basquiat, John Ahearn, A One, James Brown, Lee Quinones, Rammellzee, Crash, Toxic One, Daze, Futura 2000, Ronnie Cutrone, Richard Hambleton, Justen Ladda and Kenny Scharf.…

Condición: Near Fine. First Edition. First Edition. Quarto. Trade version of this influential catalogue, published to commemorate a traveling exhibition of American graffiti art in Italy, a year after the shocking murder of its dynamic curator, Francesca Alinovi. "While in America as in Europe the triumph of tradition and fine painting is being celebrated, out comes the gurgling current of the underground like an impetuous, boiling hot spring. Avant-garde art is not only not dead but has dug up its battle-axe and is beating its tam tam along the lines of the frontier of Manhattan: 1982, escape from New York! The art of the future stares with big, dark wide-open eyes at the centre from the periphery, mixed with the wreckage and rubble of the decaying city." Thoroughly illustrated, mostly in color; reproducing works from the likes of A One, Donald Baechler, Jean-Michel Basquiat, Crash, Fab Freddy, Futura 2000, Richard Hambleton, Keith Haring, Jenny Holzer and Lady Pink, Lee Quiñones, Rammellzee, and Kenny Scharf. With a series of texts from Alinovi? including excerpts from her interviews with A One, Haring, Rammellzee, and Scharf?and a commissioned text from Tony Shafrazi. Minor edgewear to photo-illustrated wrappers; near fine.…

Set Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. (Mazzotta). (1984). 2 volumes. Deluxe edition. Text in English and Italian. Bindings slightly shaken. Faintest cocking to spines. Slightest bumping to fore corners, joint ends, and spine ends of covers and d.j.s. Faintest sun fading to spine ends of covers. Small patch of minor abrasion to spine head margins of covers of New York Graffiti volume. Light pulling and stress to front hinge of Quattordio Graffiti volume, from shaken binding, with some rippling radiating onto f.f.e.p. hinge margins and noticable weakening to upper 2-inches of hinge. Upper fore corners tips of r.p.d. and r.f.e.p. slightly torn of New York Graffiti volume. Minor offsetting to d.j. verso spine and joints. Faint creasing and slightest scraping along top edge of rear d.j. flaps and rear d.j.s. Slightest darkening to spines and joint end margins of gently rubbed d.j.s. Faintest creasing along top edge of Quattordio Graffiti d.j. Housed in slipcase. Mild toning to margins of slipcase panels. Occasional mild spotting to spine and bottom edges of slipcase. Some darkening to cloth of slipcase top edge. VG/VG in VG slipcase. THE SET.…

Condición: Near Fine. dj. Deluxe Edition. Quarto. Two hardcover volumes in matching slipcase. Published to accompany an influential group show of American graffiti artists that traveled through Italy, this monograph features essays from curator Francesca Alinovi and gallerist Tony Shafrazi (printed in both Italian and English), a hip hop glossary, and mostly-color reproductions of works from the likes of A One, Jean-Michel Basquiat, Crash, Futura 2000, Richard Hambleton, Keith Haring, Jenny Holzer & Lady Pink, and Lee Quiñones, along with artist bios. This deluxe hardcover edition features a second volume?Quattordio Graffiti, edited by Italian art critic Tommaso Trini?reproducing newspaper coverage from the exhibition's stops through Bologna, Milan, and Rome, and documenting works produced by Delta 2, Ero, Phase 2, and Rammellzee during their artist residencies at the sponsoring IVI paint factory in the Piedmontese village of Quattordio. Text in Italian for this second volume. Near fine in near fine dust jackets; matching slipcase with very light soiling to the gray cloth, else near fine. Uncommon in the deluxe edition.…

Paperback. Condición: Used: Good.

Soft cover. Condición: Near Fine. Out of print and genuinely scarce. First Edition. Softcover, photo-illustrated wrappers. 136 pp. Bilingual Italian/English. 22.5 × 21 cm. ISBN: 8820205556 Published to accompany a landmark touring exhibition across Bologna, Milan, and Rome, Arte di Frontiera: New York Graffiti is one of the defining primary documents of the first generation of New York graffiti artists figures who had already moved decisively from subway cars and city walls into the gallery system, the auction market, and the critical discourse of contemporary art.By 1984, the artists assembled here were established presences in an art world that had rapidly restructured itself around them. Tony Shafrazi's SoHo gallery was selling Haring canvases to collectors for as much as $20,000 apiece while Patti Astor's FUN Gallery had shown Basquiat, Haring, Futura 2000, Fab 5 Freddy, Lee Quiñones, Lady Pink, and Kenny Scharf. Fashion Moda had been invited to Documenta 7 in Kassel in 1982. The crossover was already accomplished. What Arte di Frontiera did was bring its full institutional weight to European audiences for the first time. The catalogue's critical apparatus remains exceptional. Conceived by Francesca Alinovi lecturer at the University of Bologna, contributor to Flash Art and Domus, and one of the first European critics to engage seriously with graffiti as a contemporary art practice iit was completed posthumously by her colleagues after her death in 1983. It includes her own analytical essays alongside a text by Tony Shafrazi, first-hand interviews with Keith Haring, Kenny Scharf, Rammellzee, A-One, and Stefan Eins of Fashion Moda, and a hip-hop glossary. The plates document work by Basquiat, Futura 2000, Lee Quiñones, Lady Pink, Rammellzee, Crash, Daze, Richard Hambleton, John Ahearn, Kenny Scharf, and others.…

Bologna, Editrice Quinlan, 2006, 14x21 cms., 319 págs., cortes tintados, rústica, ilustrado. Colección "'Round Photography" nº 01. Idioma: italiano.

Condición: Very Good. György Galántai and Júlia Klaniczay eds., AL: Artpool letter = Aktuális levél No.1-11 (Complete Set), György Galántai, Budapest, Hungary, 1983 -1985. A complete set of this historic samizdat art magazine, published from 1983 to 1985 by Galántai/Artpool. Texts mainly in Hungarian with some English summaries. Design, layout, and production by György Galántai. Contributors include: György Galántai and Júlia Klaniczay (Eds.), Francesca Alinovi, Imre Bak, Bela Bartok, Miklos Beladi, Akos Birkas, Julien Blaine, William Burroughs, Monty Cantsin, Henri Chopin, Miklos Erdely, Wolfgang Ernst, Eva Forgacs, Tibor Hajas, Istvan Haraszty, Jozef Jakovits, Joan Jonas, Beke Laszlo, Kassak Theatre, Dora Maurer, Erdely Miklos, Tobit Papp, Gyula Pauer, Geza Perneczky, Mark Perry, Miklos Szentkuthy, Janos Szirtes, Annamaria Szoke, Adam Tabor, Min Tanaka, Gabor Toth, Ben Vautier, Janos Veto and others. A list of contributions can be seen at www.artpool.hu/Al/al01.html."AL tries to establish a little known art-from in Hungary - bookwork - and to explore its possibilities while looking for solutions only possible in workshop activities" - György Galántai statement on back cover of issue 2. In fact, this is definitely a Samizdat magazine but had to be declared as a bookwork as Júlia Klaniczay has written to us "We declared our Artpool Letter to be a bookwork (a graphic work). This way we by-passed the need to ask for a permission for publishing (which we would never get)."The first 9 issues have various interventions including rubber stamps, stickers, inserts, folded poster, plastic envelope inserts with printed cards etc. Very unusually, we have the complete set of envelopes for the first 9 issues (A5 format) which are each uniquely hand-stamped with three numbers. When you correspond this with the information on the booklets, one understands the numbering system. The first number on the envelope is the issue number. The second number is the the print run for that issue (there appears to be 5 print runs of 50 copies each). The final number is the individual number within that print run. The envelopes are in poor condition with tears and wear, but it is still important to have them to work out the unusual numbering system. All copies of the magazine have a slightly different but corresponding numbering system handwritten and signed by Galántai either on the back cover on inside back cover where the print run of 50 copies is indicated by roman numerals. 300 - 500 copies of each issue were printed.The complex numbering system was due to restrictions by the authorities on publications. As Júlia Klaniczay explains, artists could produce books u to an edition of 50 copies without applying for permission from the authorities. In the case of this magazine, "whenever a series of 50 was sold, we printed another 50." On page 69 of AL 5, there is a pencil-ticked book reference for publications relating to Galántai's Balatonboglari Chapel exhibition project in the early 1970s. Further to this a previous owner has added their own more expansive list of related publications to this important collective art project (loose sheet, biro and pencil on both sides, over 25 publications listed by hand).Together with double-sided broadsheet, describing the AL Letters published by Artpool at the same time as AL 4 was published, dated March 1984. Issues 1-9 measure 210x145 mm. Issues 10-11 measure 293x210 mm.…