alice scanlan (8 resultados)

hardcover. Condición: Good. Please note our Copies of this kind of media may contain covered address labels.

Soft cover. Condición: Good. 1st Edition. First edition, first printing of this collection of one novelet and thirteen short stories. Featured are (novelet) The Importance of Trifles by Avram Davidson, (short stories) The Light Next Door by Charlotte Armstrong, The Empty Birdhouse by Patricia Highsmith, Whodunit: Murder Offstage by Edward D. Hoch, Howdunit: Every Fifth Man by Edward D. Hoch, Whydunit: The Nile Cat by Edward D. Hoch, More of a Notability by Dion Henderson, The Second Sign in the Melon Patch by William Brittain, Odds Bodkins and the Locked Room Caper by Richard Curtis, Father Crumlish Defies the Impossible by Alice Scanlan Reach, The N-Plus-1th Degree by Stephen Barr, Hard Cheese; or, For Queen and Country by John F. Campbell, Desperate Remedy by Edward Y. Breese, Doubled Entry by Robert L. Fish. Light age toning to the spine. Slight edge wear. In good condition.

Soft cover. Condición: Very Good. 1st Edition. First edition, first printing of this collection of 1 short novel and 12 short stories. Featured are short novel - Mom Remembers by James Yaffe. The short stories: File #2: Stakeout on Page Street by Joe Gores, The Murder in the Rue Royal by Michael Harrison, With The Compliments of Comus by Ellery Queen, No Witness on the Waterfront by Hugh Pentecost, Father Crumlish Celebrates Christmas by Alice Scanlan Reach, A Pearl Among Women by Julian Symons, The Father Christmas Job by Edgar Wallace, The Second Nail by Stuart Cloete, First Offense by Stephen Dentinger, A Feline Felony by Lael J. Littke. The EQMM First Stories are: The Burning of a Watch by Eve Christmas, The Promise of His Coming by Mel D. Ames. The Ellery Queen story was originally published in 1948 under the title The Dauphin's Doll. The Edgar Wallace story give no date but was originally published under the title The Buoy that Did Not Light. Light edge wear. Light tanning to the cover and the pages. In very good condition.

Soft cover. Condición: Very Good-. First Edition. 160 pp. Digest format. Light edge and corner wear with some rubbing on the spine; two short tears on the front cover. This issue contains: Instead of the Saint (xiii) by Leslie Charteris; Su Chen by D. K. Findlay; Judas Kiss by Virginia Coffman; Dealer in Death by Howard Schoenfield; Extract from Proceedings, University of Altair by Gary L. Fairbairn; Fungus Soup by Libby MacCall; The Road Leading Home by Alice Scanlan Reach; The Court of the Mad King by Hilary Bailey; Wall of Illusion by Elsa Marshall; and Sexton Blake by W. O. B. Lofts. The Saint crossword puzzle is unmarked. Size: 12mo. Book.

First Edition. First Edition. Digest size. Features Alice Scanlan Reach's "In the Confessional," winner of the 230th best "first story" published by the monthly magazine. Light rubbing overall, and the usual toning to the pages, else Near Fine. An uncommon title.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condición: Very Good. Publisher's original colour illustrated paper card wrap covers. 8vo. 7½'' x 5½''. Slight tanning to the page margins, only very tiny rubs to the spine tips and in Very Good clean and sound condition, spine not faded, priced 4/- to the spine. We currently hold 83 other Ellery Queen Mystery Magazine titles in stock. Member of the P.B.F.A. DETECTIVE | CRIME FICTION.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.