Alghieri dante (17 resultados)

Hardcover. Condición: Good. No Jacket. Italian text. In good, clean, unmarked condition with minor shelfwear and a 1/2" tear along lower edge of spine. Spine itself not torn, just the paper over the cardboard. Size: 4.25 x 6.5".

Encuadernación de tapa blanda. Condición: Bueno. Ed. Espasa Calpe, 1984. Rústica. 18 x 11 cm. 392 pp.

Hardcover. Condición: Good. No Jacket. Late 19th century edition of Dante's Paradise, illustrated by Dore. Translated by Henry Francis Cary. Small octavo. Green cloth. Some wear to edges and surface. Some light foxing. Otherwise, inside pages are clean and unmarked.

Condición: Bueno. 11x18. 2 vols. Rústica. Hermosas ilustraciones modernistas en las cubiertas (con faltas). Falta el primer volumen del Infierno. Rústica. Hermosas ilustraciones modernistas en las cubiertas (con faltas).

. . . 1 Vol. . 510 pp. Cuarto. Tela Editorial. . Buen estado de conservación. Falto de sobrecubierta. Sello de biblioteca.

Hardcover. Condición: Good. Chandos Classic. 'The "Chandos Classics"'. Undated - B.L. has [1871]. Blue pebbled buckram hardcover with dark blue half-leather [worn along spine; 8 gilt bands and titling to spine. Pp xii, 434; red speckled all edges. A square, tight, clean copy, albeit with rubbed spine. Contents are tight, bright and clean; previous owner's name to endpaper; J. Ambrose Barrett, "Glengariff", Romford Rd., Upton, Essex, Sept. 20 1899. Images/further information available upon request.…

Couverture rigide. Condición: Satisfaisant. DEMI CHAGRIN . ILLUSTREE DE 100 GRAVURES.

Hardcover. Condición: Good. Quarter leather, moderate rubbing to extremities & along spine edges, front board detached, text block is square & tight with light age spotting to preliminary pages, original owners ink signature.

Hardcover. Condición: Very Good+. Quarter black cloth cover with multi-color boards is clean, bright, and in very good+ condition. Boards and spine are straight. Binding is tight. Pages are clean and in very good condition. Color illustrated frontispiece and title page. Many B&W plates. Includes slipcase in good condition.…

Couverture rigide. Condición: bon. RO30103063: 1830. In-18. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages. Ouvrage en italien et français. Tranches supérieures dorées. . . . Classification Dewey : 410-Linguistique.

1991, Barcelona, Editorial Planeta, Clasicos Universales, 660 paginas, 21x13, cubiertas en tapa dura con dorados, buen estado.

Couverture rigide. Condición: Assez bon. 3 TOMES ENFER ./PURGATOIRE/PARADIS. TEXTE BILINGUE ITALIEN/ FRANCAIS . CHAQUE VOLUME CONTIENT UNE SERIE COMPLETE DES DESSINS EXECUTES A LA POINTE DE PLOMB ET D ARGENT PAR SANDRO BOTTICELLI. !!!POIDS 2600G. SANDRO BOTTICELLI (ilustrador).

19 x 13 cm, XXIV, 1062 p., Name auf Widmungsseite, OR - Br. gebräunt und gebraucht.

Hardcover. Condición: Very Good. Blue cloth binding, gilt titles on spine. Ownership inscription 'Mary L. Bond, Nov. 1894' on front free endpaper. Printed in London but in the original Italian.

Condición: Gut. 232 Seiten Türkisfarbiger Originalleinenband mit erhaltenem Schutzumschlag. Einband recht fleckig. Sonst im Ganzen gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1.

Vellum. Condición: Good. An interesting vellum-bound edition of Dante"s "Vita Nuova," richly decorated and faithfully translating his autobiographical account of his idealised love for Beatrice. Bound in a full vellum binding with exposed ties, with decorations and a red Florentine fleur-de-lis.With decorated borders by Christopher Dean.A faithful translation of Dante Alighieri"s early autobiographical work combining prose narrative and lyric poetry to recount his idealised and spiritual love for Beatrice, written between 1292 and 1295.Dante Alighieri (12651321) was an Italian poet, writer, and philosopher, best known for the Divine Comedy, one of the greatest works in world literature. Bound in a full vellum binding with exposed ties. Externally, generally smart. Heavy cockling to rear board and cockling to front board. Spine slightly cocked. Slight discolouration to vellum, more so to rear board. Internally, firmly bound. The stiff vellum has resulted in a tight opening, making the boards slightly resistant to lay flat. Pages bright and clean with the odd spot, heavier to first and last few leaves. Good. None (ilustrador). book.…

3 volumes, 8vo, pp. [12], lii, [2], 303, [1]; xi, [1], 309, [1]; [4], 297, [1], [28] index, [6] Taylor and Hessey ads; original drab paper-covered boards, printed paper labels on spines; joints and labels rubbed, the occasional stain and a small tear in the gutter of the front flyleaf of volume I, all else very good and sound. With the early ownership signature in each volume of Harriet Waddilove August 20th [18]23." Watermarks on the flyleaves (1822) plus the owner's signature suggest the volumes were bound ca. 1822-23. Second and best edition of Cary's famous translation. "In January 1797 Cary began his translation of Dante's Divina Commedia into blank verse. He started with the Purgatorio in 1797-8, but in 1800 he turned his attention to the Inferno, and it was this part which was published first, in 1805-6, accompanied by the Italian text. Sales were small, but Cary continued, and his translation [of the complete Divine Comedy] was completed in 1812. Cary was not adept at self-promotion, and his translation initially attracted little attention. Then in October 1817 he made the acquaintance by chance of Coleridge at Littlehampton, and the praise which Coleridge gave to Cary's Dante in a lecture early in 1818 (reinforced by a favourable article by Ugo Foscolo in the Edinburgh Review) led to the sale of 1,000 copies [of the collected edition] in less than three months, and the publication of a second edition in 1819. "This work is his chief claim to fame, and it remained a standard text well into the twentieth century, despite the fact that the number of translators of the work between 1782 and 1966 amounted to eighty-four. Cary's version was admired by Wordsworth, Keats, Lamb, Coleridge, Macaulay, and Ruskin, and in 1966 the author of a work on translations of the Divina Commedia wrote 'Cary's version still holds its place as a minor classic, thanks to the fact that its author was a competent versifier with some poetic perception' [G. F. Cunningham, The 'Divine Comedy' in English: a critical bibliography, 2 vols. (1965-6)]" (ODNB). …