Alejandro anreus (197 resultados)

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Rutgers University Press Pub Date: 6/22/2021 Binding: paperback Pages: 149 First edition.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. y First edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardback. Condición: Very Good.

Condición: Very Good. F First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: New. New copy.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. 180 pages.

Hardcover. 180pp, 52 b/w figures.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: Very Good.

Condición: New. During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, "realistic" art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde. Editor(s): Anreus, Alejandro; Linden, Diana L.; Weinberg, Jonathan. Series: Refiguring Modernism. Num Pages: 384 pages, 96 duotones. BIC Classification: 3JJG; ACXD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 32. Weight in Grams: 1311. . 2006. paperback. . . . . Books ship from the US and Ireland.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: New. During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, "realistic" art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde. Editor(s): Anreus, Alejandro; Linden, Diana L.; Weinberg, Jonathan. Series: Refiguring Modernism. Num Pages: 384 pages, 96 duotones. BIC Classification: 3JJG; ACXD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 32. Weight in Grams: 1311. . 2006. paperback. . . . .…

paperback. Condición: Good. Ex-library book with usual stamps and stickers. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

hardcover. Condición: Very Good. Hardcover in dust jacket. Pages clean, crisp, unmarked. Cover and jacket have light wear, with small scratch on back of jacket. Shipped promptly with tracking. Txbk23.

paperback. Condición: Very Good.

paperback. Condición: Fine.

Paperback. Condición: New. During the 1930s, American artists such as Ben Shahn developed a mode of representation generally known as Social Realism. This term is given broad new meaning in the anthology brought together by Alejandro Anreus, Diana L. Linden, and Jonathan Weinberg. They and their collaborators argue that artists of the Depression era believed that their art became "realistic" by engaging the great economic and political issues of society. Through fresh investigation of the visual culture of the 1930s-painting, sculpture, photography, and the graphic arts-the anthology illuminates the struggle for social justice that led artists to embrace leftist ideologies and fashion an art aimed at revealing the harsh realities of contemporary life. In sharp contrast to earlier studies, The Social and the Real contends that the radical, "realistic" art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde. Alan Trachtenberg, Mary K. Coffey, and the book's other essayists consider Canadian art alongside art from the United States, the Caribbean, and as far south as Argentina. Some of the artists they discuss, like Philip Evergood or Dorthea Lange, are well known; others-the Argentinean Antonio Berni or the Canadian Parakeva Clark-deserve wider recognition. Situating such artists within the context of Pan-American exchange transforms the structure of the art-historical field. It also produces major new insights. The rise of Social Realism, for instance, is traced back not to the United States in the 1930s, but instead to the Mexico of the early 1920s. The Social and the Real makes an assessment of Social Realism that is comprehensive as well as groundbreaking. The opening essays deal with "reality and authenticity" in representation of "the nation." Subsequent essays consider portrayals of manhood, labor, lynching, and people pushed to the margins of society because of religious or ethnic identity. The volume concludes with a pair of essays-one on artists' links with Communism, the other on the portrayal of Franklin Delano Roosevelt's physical infirmity- that carry the discussion of Social Realism into the postwar period. The Social and the Real is the first anthology to deal with the painting, sculpture, graphic arts, and photography of the 1930s in a hemispheric context. We take as axiomatic Cuban poet, journalist, and political theorist Jose Marti's (1853-95) definition of "America" as a hemispheric, multiracial, and multiethnic entity in which the United States is one nation among many. Although many of the individual essays have a relatively narrow focus, as an aggregate they begin the process of forging a Pan-American perspective on the art of the period, encouraging the reader to compare and contrast the experiences of artists across national boundaries and reconsider familiar narratives. Thinking about art and politics in a hemispheric context expands the very chronology of social realism. Whereas scholars in the United States locate the origins of the movement with the economic crash of 1929 and conclude it with the advent of World War II, the story really begins in Mexico in the early 1920s and continues during the 1940s and 1950s throughout the hemisphere.…

paperback. Condición: Very Good. First Edition. Text itself is new looking, very tight clean unmarked, absolutely NO age toning, no creases no slant, covers show edge wear, Very Good condition overall, catalog from an exhibit.

Hardcover. Condición: Fine. Hudson Hills Pr September 1989 Binding: Hardcover.

Condición: New. Brand New.