Alec harman editor (3 resultados)
Editorial: J.M. Dent and Sons [1952], London, 1952
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Librería: Colin Coleman Music, Stewkley, Reino UnidoColin Coleman Music
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 18,02
Envío por EUR 22,75Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoSize: 8vo. xxix, 325pp. + plate. Publisher's cloth. Music examples. Tables.
A Plain and Easy Introduction to Practical Music (Norton Library)
Thomas Morley; Alec Harman [Editor]; Thurston Dart [Foreword];
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 70,49
Envío por EUR 6,05Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
paperback. Condición: New. In shrink wrap. Looks like an interesting title.
The Interpretation of the Music of the XVII and XVIII Centuries Revealed by Contemporary Evidence.[Handbooks for Musicians][Expression; Tempo; Conventional Alterations of Rhythm; Ornamentation; Thorough Bass; Position & Fingering; Musical Instrument
Dolmetsch, Arnold, 1858-1940. [preface, Carl F. Dolmetsch, 1911-1997; editor, Ernest Newman, N. Alec Harman]
Idioma: Inglés
Editorial: London : Novello ; Oxford University Press, [1946], 1946
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Librería: Joseph Valles - Books, Stockbridge, GA, Estados Unidos de AmericaJoseph Valles - Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 122,04
Envío por EUR 14,77Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Good. x, 493 pp. 19 cm. ; LCCN: 49-5608 ; OCLC: 410919 ; green cloth with dark green lettering ; greatly foxed ; front hinge shaken ; some underlining in red pencil ; covers faded ; this, the 1946 edition, corrected from the manuscript ; a seminal work in the history of the early music revival ; "One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch was the first to apply scholarly attention to the issue of authentic historical performance. His ground breaking 1915 study remains a landmark of musicology, offering not only a text on performance practices of the baroque but also glimpses of what music meant, both as an art and a science, to musicians of the period. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning and fingering, and musical instruments of the era." ; G. Book.…
