aichele porter (18 resultados)

Soft Cover/Pamphlet. Condición: Very Good. Sept. 1986, Vol. LXVIII, No. 3. 16 + pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Relevant material included from previous owner.

Softcover. Off-white stapled wraps. Unpaginated, 32 pp. 26 bw photos. Accompanied an exhibition held at the Comfort Gallery at Haverford College. Includes a short introduction by K. Porter Aichele, as well as biographical information about Williams. Most of the photos feature partygoers in Philadelphia, though some in New York City as well. VG- (Some scuffing to wraps. Indentation from a paper clip at front cover.).

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover with dustjacket, 252 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. First scholarly monograph devoted to Klee's poetry illuminates the reciprocity of poetry and painting in Klee's creative world and in early modernism.It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was alsoa poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of art." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical imagery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the spectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. Kathryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro.

Condición: New. 2006. Illustrated. Hardcover. . . . . .

Hardback. Condición: New. First scholarly monograph devoted to Klee's poetry illuminates the reciprocity of poetry and painting in Klee's creative world and in early modernism.It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was alsoa poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of art." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical imagery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the spectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. Kathryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro.

Hardcover. Condición: Brand New. 225 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. 2006. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condición: New. First scholarly monograph devoted to Klee's poetry illuminates the reciprocity of poetry and painting in Klee's creative world and in early modernism.It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was alsoa poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of art." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical imagery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the spectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. Kathryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro.

Hardback. Condición: New. First scholarly monograph devoted to Klee's poetry illuminates the reciprocity of poetry and painting in Klee's creative world and in early modernism.It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was alsoa poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of art." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical imagery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the spectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. Kathryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro.

Suffolk, Camden House, 2006. 225 pp, ills in b/w, 8vo, hardcover with d-j.

Cambridge, University Press, 2012. 252 pp, 8vo, hardcover with d-j.