After bernard picart (22 resultados)

Leather Bound. Condición: Good. Quarto. 956 pages, indexed (the last 8 pages are the Index). Hardcover rebound or re-covered in modern full black leather. Light to moderate wear to the contemporary leather. (It appears as though black leather was wrapped around the earlier binding). New endpapers. The text block is sound, and the text is foxed. The book is illustrated with 30 full page plates, including a frontis and an engraved title page. A number of the full page plates actually have 4 images per page. Of the plates, 28 of the 30 are hand-colored (including the frontis and engraved title page). Two plates are not colored. The text also contains 12 smaller text illustrations in black and white. THE PLATES ARE DIFFERENT THAN THOSE THAT APPEAR IN THE PICART WORK. This work appears to collate complete. A scarce work. Currently we find no other copies online. We have found no published auction records for this work, and the earliest edition we find on Worldcat is 1828, listing the authors as Robert L. Huish, Bernard Picart, and Colin Mackenzie. The 1828 edition (with the same pagination) is listed as an abridgment of the Picart work. …

Condición: Good. Engraving. 22 x 27 cm (sheet). Very Good, some light foxing in the margins, sheet corners creases, small tear at bottom sheet edge.

Condición: Good. Engraving. 16 x 20.5 cm (sheet). Very Good, print affixed to another support sheet.

Condición: Good. Etching, 7.7 x 6.2 cm. Oblong. Very Good. French text on verso.From the Collection of Hon. Gerald Henry Brabazon Ponsonby (1829 - 1908), Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough.

Condición: Good. Oblong 4to. 25.5 x 18.8cm. Contemporary marbled calf and gilt spine.[2], 6pp. Engraved title page followed by 42 engravings on 36 plates. Very good with unfoxed plates.OCLC Number / Unique Identifier:469747697; Nissen ZBI 3167; Brunet IV, 630; Nagler XII, 414, 123.

Condición: Good. Folio. . Contemporary roan with gilt spine, worn along edges of spine, but tight Pages fresh and crisp. Very good. Bookplates and old ink inscription of previous private owners on inside front cover. 30 x 48.5 cm. Text in French and Latin. . See collation below.OCLC only lists the English language edtion of the same year.References : Brunet III: 599; Cohen de Ricci: 768. .In -folio relié pleine basane brune, dos à nerfs orné et doré (Reliure de l'époque). [5] ff., 247 pp., [1] f., (249 254) pp., [2] ff. Orné d'un frontispice, une vignette armoriée de dédicace et de 130 figures in texte à mi-page d'après Lebrun, Leclere, Maas, Picard, Punt, J. Romain, Tosca, de Wit and Vandelaar par divers sculpteurs. Edition bilingue francol-atine imprimée sur 2 colonnes. Bon état, oxydation des ff. et rousseurs, usures à la reliure.…

A dungeon with a clergyman seated at the right, watching various methods of torture being carried out, including strappado. torture methods employed by the inquisitionSigned below: 'B. Picard inv.'; 'C. Philips Jz fecit'.Title below: 'Verscheiden wijzen van pijniginge bij de inquisitie gebruikelijk'.[NL] Kerker waarin leden van de Inquisitie gevangenen op diverse wijzen martelen. Rechts een kardinaal die toekijkt.  Etching on laid paper, cut within the margins; total: 214 x 269 mm; two vertical folds, tape on verso and in upper left corner, some small smudges.…

First edition of a complete set of six series of lion prints (30 full-page, 12 half-page, on 36 inserted leaves) engraved by Bernard Picart (1673-1733), including at least 8 from his own drawings from life and others after drawings by various masters, including 18 after Rembrandt. Series A begins with a print showing 12 detail figures of paws and claws and continues with prints showing 2 lions each (except 1 showing 1 lion). Series B shows lion heads (1 to 3 per print), all after Le Brun. The rest show one lion each (except 1 showing 2 lions). They depict male and female lions standing, reclining and eating.Picart, a celebrated French artist-engraver, studied with his father and worked in Paris together with François Chéreau, who sold the present print series there. He came to Holland in 1710, living and working in Amsterdam from 1711 to his death in 1733.One print (B3) is sophisticated, coming from another early edition. With small stains in the corners at the head of the leaves, and with an occasional minor marginal defect, but still in good condition. The binding is rebacked as noted, but is otherwise good.l Cat. Rijksmuseum I, p. 160 (title-page: www.rijksmuseum.nl/nl/zoeken?q=%22recueil%20de%20lions%22&v=&s=&ii=0&p=1; STCN (7 copies, incl. 1 lacking title-page, plus 1 set of the engravings alone); for Picart: Thieme & Becker XXVI, pp. 572-573. Late 19th-century pimpled red cloth with the spine at the head of the pages, sewn on 3 recessed cords, each board with a blind frame of thick-thin rules, the spine with gold fillets and lettering. Rebacked in red cloth with a small piece of the original backstrip laid down. With a letterpress title-page in red and black with Picart's engraved "Inter omnes" device (with stars and attributes of bookselling and art), 1 title-print and 42 lion prints in 6 series, on 37 leaves, the title labelled A[0] and the lion prints A1-6, B1-6, C1-6, D1-6, E1-6 & F1-12 (plate size A-E 12 x 17.5 cm; F 7 x 11.5 cm, the F series with 2 prints per page), all engraved by Bernard Picart after drawings made by himself (8, all from life), Rembrandt (18), Charles le Brun (6), Albrecht Dürer (1), Paulus Potter (1) and unattributed (8). Further with 1 woodcut decorated initial. Set in roman types with incidental italic. Pages: [1], [1 blank], 6 pp. plus 37 engraved plates with title-print & 42 lion prints.…

'De inquisitie-zaal' anonieme gravure, tonende een rechtsprekend geestelijke, een griffier en een beklaagde. [EN] The room of the inquisition where a suspect is questioned by the judge. l Engraving on paper; total: 213 x 254 mm.

An elegant company in a bedroom. Two men attack each other with a sword. Another man lifts a chair over his head. Two ladies and a chamberlain look on in amazement.Titled at bottom: Het spookend weeuwtje.Signed at bottom: Picart inv. / Pool sc.Frontispiece to the comedy by Antoine Le Métel d'Ouville, published in Amsterdam in 1712.[NL] Een elegant gezelschap in een slaapvertrek. Twee mannen gaan elkaar te lijf met een degen. Een andere man tilt een stoel boven zijn hoofd. Twee dames en een kamerheer kijken verschrikt toe.  Etching and engraving on paper; total: 144 x 100 mm; state II/2, traces of previous mounting on verso, otherwise in great condition.…

Plate belonging to part A of the series 'Recueil de lions', showing a landscape with a lion standing, turned to the right. Carries Dürer's monogram AD at the top right. At the bottom inscribed: 'Albert Duur del. B. Picart sculp.'Lettered at the bottom left: 'A.' Numbered at the bottom right: '2.'Printed in Amsterdam, 1729; Print also used as a book illustration in Recueil de lions, dessinez d'après nature par divers maitres. Amsterdam: Bernard Picart, 1729. Etching on paper with small margins; platemark: 121 x 177 mm, total: 131 x 187 mm; traces of previous mounting on the verso, light foxing at the paper's edges, very nice impression. Les peintres français du XVIIIe siècle : histoire des vies et catalogue, Louis Dimier, vol. 1, p. 393, cat.nr. 903-946. …

Allegorical composition with Louis XIV (? or a Marshal of France) standing before Religion, who points at a shining triangle, symbol of the Trinity; at left, a fox, and a female figure looking into a mirror and holding a snake (Prudence?); at right, a lion and a female figure leaning on a pedestal.Signed at bottom: A. Coypel jnue. B. Picart Sculp. 1709. Etching on paper with some margin; plate mark: 72 x 120 mm, total: 90 x 140 mm; despite some light rubbing in very good condition. Corners slighly folded.…

Beautiful emblematic title print to the: 'OEUVRES DIVERSES DE MR BERNARD DE FONTENELLE' with a portrait of the poet by Rigaud, in an oval held by flying putti. On the bottom right Apollo with his lyre is looking towards the portrait, while the muses are seated in front of him. On the background Pegasus.Signed on the bottom left:'H. Rigaud Effig. pinxit.', to the right: 'B Picart invenit et fecit 1727' .Above within cartouche:'OEUVRES DIVERSES / DE M.R BERNARD DE FONTENELLE / de l'Academie Françoise, de celle des Sciences, / et de celle des inscriptions.' Inscription, Fontenelle, Illus. 1728 //.[NL] Landschap met de vrouwelijke personificaties van de zeven vrije kunsten. Boven hen vliegen putti die het portret van de schrijver Bernard de Fontenelle dragen. Op de achtergrond een putto op de rug van Pegasus. De voorstelling is gevat in een omlijsting die wordt bekroond door een cartouche waarin de titel in het Frans.  Etching and engraving on paper with some margin; plate mark: 303 x 201 mm, total: 330 x 222 mm; slightly cooked paper, repaired tear above; otherwise in very good condition.…

Ornament with deer, hunting dogs and leaf vines.Print originally intended for: Figures de la Bible. Amsterdam, Bernard Picart, 1720.Print also used in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (.) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (.) en met beschrijvingen uitgebreid. The Hague: Pieter de Hondt, 1728. Print may also have been used in other bibles. Etching and engraving on paper, letterpress on verso; total: 96 x 202 mm; in great condition. …

Engraving about being buried alive. Two Indian women are buried alive.Print used in "Hurd, Geschiedenis van alle godsdiensten'. In good condition.  Engraving on laid paper, bottom cut not straight. Total size 175 x 215 mm.

In an interior the Virgin is announced by the angel. Inscribed at the bottom in six different languages: Greek, English, German, Latin, French and Dutch.Possibly from Picart's illustrated Bible.Signed at the bottom: 'Picart delin. / Surugue sculp.' Etching and engraving on paper; plate mark: 353 x 223 mm, total: 414 x 255 mm; damaged on the bottom left, on the Greek inscription, soiled especially along the margin, stain within the plate, tear on the margin above; traces of previous mounting on the verso.…

'CHRIST'S RIDING IN TRIUMPH INTO JERUSALEM (.).'Original antique print illustrating a biblical scene from the New Testament, Matthew 21; Jesus rides into Jerusalem on a donkey as a humble king. This fulfills a prophecy. The crowd joyfully lays cloaks and branches on the road, shouting "Hosanna".Made by Frans van Bleyswyck after Bernard Picart after Le Brun.Medium: Engraving/etching on hand laid (verge) paper.Sheet size: 47.5 x 40.3 cm (18.7 x 15.87 inch). Image size: 42.6 x 35 cm. (16.77 x 13.78 inch).BIBLE-MATTHEW-JESUS RIDES INTO JERUSALEM-DONKEY | DE HONDT-BOX 4BACKGROUND INFORMATIONFrom De Hondt's 'Taferelen der voornaamste geschiedenissen van het Nieuwe Testament', published in 1728 in The Hague by Pieter de Hondt, The Netherlands.Text pages included.Biography engraver: Frans van Bleyswyck (May 1671 - October 1746) was an engraver from Leiden, The Netherlands.Biography artist: Bernard Picart (1673-1733) was a French painter and engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained honors at the Academy of Paris. His prints in the 'French' taste were very popular. His way of working was also very influential for the book illustration in the Netherlands. Pieter de Hondt, Dutch publisher and bookseller (16961764). Condition: very good, given age. Original folds as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Bernard Picart after Le Brun (ilustrador).…

Meleager bringing the head of the Calydonian boar to Atalanta; in ornate frame, with flowers and other animals, from a different plate. Outer plate missing. [Complete print 66962]Meleager - Atalanta - everzwijn - mythologie - Artemis Etching and engraving on paper; total: 263 x 185 mm; on the top margin two small binding holes, otherwise in great condition.…

Meleager bringing the head of the Calydonian boar to Atalanta; in ornate frame, with flowers and other animals, from a different plate. Outer plate signed: 'C. le Brun pinx. / B. Picart excudit Amstelodami'. Signed also within the internal plate: 'C. le Brun pinxit B. Picart del.'Meleager - Atalanta - everzwijn - mythologie - Artemis Etching and engraving on paper; internal plate: 283 x 271 mm, total: 408 x 395 mm; despite some light yellowing in great condition. Traces of previous mounting on verso, top margin.…

Seven etchings of lions after Rembrandt, of a set of eight, making up part F of the series 'Recueil de lions'.The frontispiece of the series of lions shows a lion resting on the ground, carrying the title of the series: 'RECEUÏL de LIONS Dessinés d'apres nature par REMBRANDT et B. Picart qui les a gravés en 1728.' At the bottom inscribed: 'B. Picart ad Vivum del, et sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '1.' Etching on paper with small margins; platemark: 70 x 113 mm, total: 78 x 120 mm; traces of previous mounting on the verso.A lion standing. At the bottom inscribed: 'B. Picart ad Vivum del. et sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '2.' Etching on paper with small margins; platemark: 69 x 113 mm, total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying on its side. At the bottom inscribed: 'B. Picart ad Vivum del. et sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '3.' Etching on paper with small margins; platemark: 70 x 113 mm, total: 77 x 122 mm; traces of glue and previous mounting on the verso.A lion resting on the ground. At the bottom inscribed: 'B. Picart ad Vivum del. et sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '4.' Etching on paper with small margins; platemark: 70 x 113 mm, total: 80 x 122 mm; traces previous mounting on the verso.A chained lion resting on the ground. At the bottom inscribed: 'Rembrand del. B. Picart sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '5.' Etching on paper with small margins; platemark: 71 x 107 mm, total: 82 x 119 mm; light foxing, traces of previous mounting on the verso.A lion sitting on the ground, seen from the back. At the bottom inscribed: 'Rembrand del. B. Picart sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '7.' Etching on paper with small margins; platemark: 70 x 113 mm, total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying down feeding from a bowl, seen from the back. At the bottom inscribed: 'Rembrand del. B. Picart sculp.' Lettered at the bottom left: 'F.' Numbered at the bottom right: '8.' Etching on paper with small margins; platemark: 70 x 114 mm, total: 80 x 124 mm; light stain in the middle-left, light foxing, traces of previous mounting on the verso. Literature: Les peintres français du XVIIIe siècle : histoire des vies et catalogue, Louis Dimier, dl. 1, p. 393, cat.nr. 903-946.…

Hand coloured prints after Picart. Four plates in two sheets; 1) three personnages with caption below:'; Boerin van den Helder, over Texel. / Visboer vande kleene Vismarkt by de Beurs tot Amsterdam / Amsterdam Viswijf'; above other pesonnages dancing, playing musical instruments and playing cards. 2) below four upper class personnages without caption; above other personnages dancing and playing instruments on a garden; 3) two ladies standing showing their pieces of clothing, titled below: 'Les Manteaux', sheet decorated with trees and other personnages, signed below on the right:'Y. Greve Excudit.'4) Two gentlemen showing their own clothing, titled below:'Habits Ordinaires'. signed below on the left: 'C. amsterdam by Ysack Greve' l Hand coloured engravings with broad margins; two plates per sheet; platemark: ca. 144 x 203 mm; total: 410 x 319 mm. Waller p. 448 Architecture & Design, Costume. …

No Binding. Condición: Very Good. Image size: 186 x 134 mm. Sheet size: 337 x 264 mm. An original colored print. This is not a reproduction. FIrst published in the Amsterdam between 1723 and 1743 in Picart's Ceremonies et coutumes religieuses de tous les peuples du monde, this is apparently an 1820 print. The synagogue depicted is probably the Spanish Portuguese one in Amsterdam. Engraved by W. Forrest; from WORLD RELIGION by Bernard Picart (After) (1673-1733) (ilustrador).…