Adrian chamberlain (16 resultados)

Paperback. Condición: Good. Struggling at home and at school, Duncan decides to try out for a local rock band. He plays the bass in the school orchestra, but it is a long way from band camp to rock star. Joining a heavy-metal band, he tries to fit in, dumping his old friends and trying to walk the walk. When his dad's new girlfriend starts to teach him about real rock music and introduces him to her musician brother, Duncan discovers that there is more to being a guitar hero than playing in a heavy-metal band.…

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Struggling at home and at school, Duncan decides to try out for a local rock band. He plays the bass in the school orchestra, but it is a long way from band camp to rock star. Joining a heavy-metal band, he tries to fit in, dumping his old friends and trying to walk the walk. When his dad's new girlfriend starts to teach him about real rock music and introduces him to her musician brother, Duncan discovers that there is more to being a guitar hero than playing in a heavy-metal band.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Novel - Softcover. Condición: Fine. Wildside Press Fantasy Novels (Wildside Press) Weirdbook #31 (EX) Manufacturer: Wildside Press Product Line: Fantasy Novels (Wildside Press) Type: Novel - Softcover Copyright Date: 2015 Page Count: 160 Please review the condition and any condition notes for the exact condition of this item. All pictures are stock photos. The condition of the item you will receive is EX. Our grading system is explained in the terms of sale section of our bookseller page. Please feel free to contact us with any questions. Product Description: Weirdbook returns after a nearly 20-year hiatus under the editorship of Douglas Draa! Here are great fantasy and horror tales by current and upcoming masters of the genre. Chivaine, by John R. Fultz Give Me the Daggers, by Adrian Cole The Music of Bleak Entrainment, by Gary A. Braunbeck Into The Mountains with Mother Old Growth, by Christian Riley The Grimlorn Under the Mountain, by James Aquilone Dolls, by Paul Dale Anderson Gut Punch, by Jason A. Wyckoff Educational Upgrade, by Bret McCormick Boxes of Dead Children, by Darrell Schweitzer The Forgotten, by D.C. Lozar Coffee with Dadâs Ghost, Jessica Amanda Salmonson Missed It By That Much, by Gregg Chamberlain A Clockwork Muse, by Erica Ruppert The Rookery, by Kurt Newton Wolf of Hunger, Wolf of Shame, by J. T. Glover Zucchini Season, by Janet Harriett The Jewels That Were Their Eyes, by Llanwyre Laish The Twins, by Kevin Strange Princess or Warrior?, by S.W. Lauden.…

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. Weirdbook 31 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. First Edition.

Hardcover. Condición: Very Good. First Edition.

263 pp.; 20.9 x 13.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Volume of texts published in conjunction with a symposium on the work of John Chamberlain hosted by The Chinati Foundation, Marfa, Texas, April 22 - 23, 2006. Introduction by Marianne Stockebrand and Richard Shiff, moderator. Transcriptions of lectures by Steven Nash, Klaus Kertess, Dieter Schwarz, Adrian Kohn, Donna De Salvo, Francesca Esmay, David J, Getsy and William C. Agee. Includes contributor biographies. Good. Overall soiling of covers with rubbing of cover edges and light dust soiling of text block edge. Bumping of right side edge of title page with light soiling, contents otherwise clean and unmarked.…

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condición: New. John Chamberlain rose to prominence in the late 1950s with energetic, vibrant sculptures hewn from disused car parts, achieving a three-dimensional form of Abstract Expressionism that astounded critics and captured the imaginations of fellow artists. For a seven-year period in the mid-1960s, the artist abandoned automotive metal and turned to other materials. Motivated by scientific curiosity, Chamberlain produced sculptures in unorthodox media, such as urethene foam, galvanized steel, paper bags, mineral-coated Plexiglas and aluminum foil. Since returning in 1972 to metal as his primary material, Chamberlain limited himself to specific parts of the automobile, adding color to found car parts, dripping, spraying and patterning on top of existing hues to an often wild effect. In recent years, the artist has embarked on the production of a new body of work that demonstrates a decided return to earlier themes. John Chamberlain: Choices accompanies the Guggenheim Museum exhibition, which comprises 95 works, from the artist's earliest monochromatic iron sculptures to the outsized foil creations he is working on today, encompassing shifts in scale, material and methods informed by the collage process that has been central to Chamberlain's working method. This fully illustrated exhibition catalogue includes essays by Susan Davidson, Donna De Salvo, Dave Hickey, Adrian Kohn and Charles Ray with an extensive chronology by Helen Hsu and a lexicon by Don Quaintance.…