adlmann jan (57 resultados)

Exhibit catalog, Feb 23 to March 8, 1996. 28pp, oblong (10 x 8.5 inches), 20 color illustrations. Very Good in wrappers (soft cover). White covers a litttle soiled (dusty looking), corners rubbed. A label with gallery information inside front cover, otherwise clean, tight, no tears or creases, no markings. But no plastic baggy in the back.

Stapled Wraps. Condición: Near Fine. Square 12mo, pages unnumbered. Thirty b&w portraits. Wrappers very lightly handled, with one tiny speck on front. Inscribed and signed by the photographer. Inscribed by Artist.

Condición: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Very Good. 96 pages.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Large hardcover in fine condition with fine dust jacket.

hardcover. Condición: near fine. Estado de la sobrecubierta: near fine. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper.

1996. Art. Jan A. Adlmann, The Munson Gallery, 20 color plates, very good paperback sith small bag pasted on back.

hardcover. Condición: Good.

Hardcover. Condición: Used - Very Good.

Original Wraps. Condición: Fine. Mild coverwear. Clean, crisp and tight pages, very nice color photo illustratins of paintings. Staple binding. Forward in english and german. Essay by Jan Ernst Adlmann.

paperback. Condición: Used-Very Good. First Edition. Pap. Slight shelf wear. Else a bright, clean copy.

Soft cover. Condición: Good. No jacket. Ex library stamp on inside front cover, otherwise clean inside. Patch of adhesive residue on front cover, covers lightly rubbed.

4to, 226pp, black and white and colour illustrations. A very good copy in like dust jacket.

Condición: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday sale item)* 96 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Fair. 1st Edition. Work of Richard Segalman. Bottom right corner of bindings, front and back, damaged. Signed by author. Signed by Author(s).

Hardcover. Condición: Used - Very Good.

Stapled Pamphlet. Condición: Good. No Jacket. Sandby, Thomas Ilustrador. Cover is in good condition, save for rubbing/blue discoloration with age and slight edge wear. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" Tall.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Poor. Estado de la sobrecubierta: Poor. 2 This is a reading or reference copy only. Previous owner's child got to this copy. About ten pages have child doodling on them, which is not so bad. However, those pages also have some closed edge tears. One page in particular has a large open tear in the middle of the page. The dustjacket also has a few edge tears. Not an attractive copy. Not for collectors. ; 12.20 X 10.30 X 1.30 inch.

Hardcover. Condición: VG. Inscribed and SIGNED by author on front end paper. Corners lightly bumped else Fine in Fine jacket.

Condición: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday sale item)* Paperback, minor library markings, text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Wrappers. Condición: Near Fine. 96 pp., many illustrations 23 in color. Published on the occasion of the exhibition from the Cooper-Hewitt Museum, The Smithsonian Institution's National Museum of Design, New York NY November 27, 1978-February 4, 1979, Sarah Campbell Blaffer Gallery, University of Houston, Houston TX March 2-April 29, 1979, Portland Art Museum, Portland OR June 4-July 11, 1979 and The Art Institute of Chicago, Chicago IL September-November 1979. Book.

Softcover. White & illus. wraps. 96 pp. Numerous bw & color plates throughout. Accompanied a 1978-1979 traveling exhibition. Defines the style of Vienna Moderne, and profiles some of the designers who fit the bill. With an illustrated essay, a chronology, brief artist bios, and many nice illustrations. VG. Some light wear to wraps. May have owner's name written on first page.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. 226 pages, illustrations (some colour); 30 cm. SIGNED. Boldly signed by the author Jan Adlmann on the title page, no dedication. Lower right corner lightly bumped. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Includes: Ron Adams - David Anderson - Donald Anderson - Carol Anthony - Stuart Arends - Thomas Barrow - Steve Barry - Larry Bell - Tom Berg - James Lee Byars - Kevin Cannon - Walter Chappell - Dirk De Bruycker - Constance De Jong - Eddie Dominguez - John Dunn - John Fincher - Darren Vigil Gray - Woody Gwyn - Betty Hahn - Patrick Harris - Robert Harrison - Delmas Howe - Luis Jimenez - Robert Kelly - Carlos Quinto Kemm - Herbert Lotz - Agnes Martin - Patrick Mehaffy - Wes Mills - Jesus Bautista Moroles - Forrest Moses - Bruce Nauman - Eugene Newmann - Tasha Ostrander - Florence Pierce - Ken Price - Gail and Zachariah Rieke - Charles Ross - Susan Rothenberg - Meridel Rubenstein - Elmer Schooley - Luis Eligio Tapia - Richard Tuttle - Steina and Woody Vasulka - Tom Waldron - Emmi Whitehorse - Melissa Zink. Size: 4to. SIGNED. Collectible.

Condición: Very Good. Color plates, clean and unmarked, perfect-bound. With empty platic baggy glued on back. Catalogs; Oblong Quarto.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. HEAVY. 226pp, artist biographies, num bw & col ills. Boards in jacket. Light foxing to prelims. Features artists from Ron Adams to Melissa Zink. Size: 4to.

Hardcover. Matte color boards. There is a dust jacket with the title in white down a multi-colored spine. Pages: (10), 11-235, (1). Profusely illustrated with color images. John Fincher has created art that celebrates what the artist terms modestly "the trappings of the American West." These "trappings" encapsulate references that are both familiar and totemic of the Great American Frontier and its mythic role as a reservoir of pride, strength, individualism and renewal. Distinguished by a singular blend of sensuality and authentic realism, his art explores diverse art historical and personal references to offer new understandings of America's natural and cultural landscapes. His images of towering poplars, pine limbs set against crystalline skies, richly hued desert hillsides, the array of colors within canopies of aspens turning, and aggressively cropped prickly pears unravel the manifold cultural meanings inscribed within representations of the mythic American West. Elsewhere, as in an enigmatic painting of a lone padlock and a suite of serially repeated images of shaving brushes, the artist transmutes commonplace objects into powerful expressions that compound the equivocal with the intensely diaristic. With essays by James Moore, William Peterson and Mila Pajes Merriman, as well as an extensive interview with the artist, this is the first comprehensive volume dedicated to John Fincher's 40 year career. - from the publisher's web site. VG+/VG+: Exlibrary book. Stamp on front free end page.

Cloth with dustwr. Gr 8vo. 226 pp. With written dedication by the author a t titlepage ISBN 9789768097712.

Hardcover. Condición: NF/NF. Bw-illustrated boards; brown lettering on spine. Color-illus. dj with French folds. 192 pages, 128 color illustrations. A bit oversized at 13 x 10 inches, and 6 pounds, so will require extra postage. John Fincher has created art that celebrates what the artist terms modestly "the trappings of the American West." These "trappings" encapsulate references that are both familiar and totemic of the Great American Frontier and its mythic role as a reservoir of pride, strength, individualism and renewal. Distinguished by a singular blend of sensuality and authentic realism, his art explores diverse art historical and personal references to offer new understandings of America's natural and cultural landscapes. His images of towering poplars, pine limbs set against crystalline skies, richly hued desert hillsides, the array of colors within canopies of aspens turning, and aggressively cropped prickly pears unravel the manifold cultural meanings inscribed within representations of the mythic American West. Elsewhere, as in an enigmatic painting of a lone padlock and a suite of serially repeated images of shaving brushes, the artist transmutes commonplace objects into powerful expressions that compound the equivocal with the intensely diaristic. With essays by James Moore, William Peterson and Mila Pajes Merriman, as well as an extensive interview with the artist, this is the first comprehensive volume dedicated to John Fincher's 40 year career. - from the publisher's web site.