Adam harrison levy (35 resultados)

hardcover. Condición: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Hardcover. Condición: Fine. 1st. Cloth, 55 pages, illustrations (chiefly colour); 26 cm. Catalogue of an exhibition held at Pace Gallery, New York, USA, October 26 to December 21, 2018. Firm binding, clean inside copy. *** "Encompassing works on paper, early films, sculptures, laser projections, and mixed-media and video installations, the exhibition spans over six decades of Whitman's innovative career, which has consistently pushed the boundaries of contemporary art. Since his emergence as part of New York's downtown art scene in the late 1950s alongside artists such as Lucas Samaras, Allan Kaprow, Claes Oldenburg, and Jim Dine, Whitman has continually engaged new technologies and challenged traditional genre conventions. Drawing together over 30 works from 1957 through 2018, the survey exhibition highlights a range of pivotal moments throughout Whitman's career and underscores his ever-evolving and experimental approach to art-making. Beginning with a selection of the artist's earliest works on paper from the late 1950s, 61 also includes his first sculptural installation, Untitled (1957), an over 10-foot long thread hanging from the ceiling, and continues through to selections from his most recent series Soundies (2015), audiovisual works that feature a sonically evocative still image, such as a burning match or a diving board, complemented with an audio recording of the associative sound." - Publisher. Size: 4to. Collectible.…

Hardcover without dustjacket as issued, 56 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Hardback. Condición: New. For seven years Cara Galowitz (b. 1964, lives and works in New York) walked the streets of Corona, Queens every day during her lunch break from her nearby museum job, where she worked as an art director. These photographs, which she calls "an exercise in seeing", capture the vivid juxtapositions of one of the most ethnically diverse neighbourhoods in the world.Through layers of irony, humour, and visual sophistication, these photographs evoke a place that is a continual work-in-progress, where the past, be it faded lettering or crumbling architecture, collides with the present in the form of spontaneous street decorations, signage, graffiti, and religious iconography. The images evoke the struggle and resilience of the people of Corona, as well as capturing the quirky beauty of the streets.Cara Galowitz is a graduate of the Cooper Union School of Art where she focused on graphic design, photography, and fine art. She has pursued a long career as a museum art director and has shown work at the Newark Museum, the Museum of the City of New York, and the Grey Art Gallery.…

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. For seven years Cara Galowitz (b. 1964, lives and works in New York) walked the streets of Corona, Queens every day during her lunch break from her nearby museum job, where she worked as an art director. These photographs, which she calls "an exercise in seeing", capture the vivid juxtapositions of one of the most ethnically diverse neighbourhoods in the world.Through layers of irony, humour, and visual sophistication, these photographs evoke a place that is a continual work-in-progress, where the past, be it faded lettering or crumbling architecture, collides with the present in the form of spontaneous street decorations, signage, graffiti, and religious iconography. The images evoke the struggle and resilience of the people of Corona, as well as capturing the quirky beauty of the streets.Cara Galowitz is a graduate of the Cooper Union School of Art where she focused on graphic design, photography, and fine art. She has pursued a long career as a museum art director and has shown work at the Newark Museum, the Museum of the City of New York, and the Grey Art Gallery.…

Hardcover. Condición: Fine. Qto., 56 pages, colour illustrated. Unused, a Fine copy.

Condición: New.

Condición: New.

Hardcover. 4to. pp 55, [1]. Original publisher's colour illustrated cloth with debossed black lettering at front and spine. Illustrated throughout in colour. Exhibition catalogue. ISBN: 9781948701099 Fine.

Condición: New.

Hardcover. Condición: As New. Fine Condition. Very Clean. No writing or tears. Solid Binding.

HARDCOVER. Condición: NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. 4to in black embossed and red printed black cloth covered boards, 55pp on stiff art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Condición: As New. Unread book in perfect condition.

HARDCOVER. Condición: New. 1st Edition. 4to in black embossed and red printed black cloth covered boards, 55pp on stiff art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Condición: New.

Paperback. First edition. As New paperback with French flaps in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Images of Hiroshima, made by military photographers days after the detonation of the atomic bomb; the catalogue for an exhibition held at the International Center of Photography, NYC, May 20 - August 28, 2011. Essays by John W. Dower, Adam Harrison Levy, and David Monteyne; edited by Erin Barnett and Philomena Mariani. 248 pages; 300 duo-toned b&w illustrations; 10 x 12 inches. Reference materials, index.…

Hardcover. Condición: Brand New. Hardcover.Width: 24 cm. Height: 26cm. 56 pages. English text.

Condición: New.

Condición: very_good. Crisp copy with a sturdy binding and light shelf wear. Used copies may not include access codes or CDs.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. For seven years Cara Galowitz (b. 1964, lives and works in New York) walked the streets of Corona, Queens every day during her lunch break from her nearby museum job, where she worked as an art director. These photographs, which she calls "an exercise in seeing", capture the vivid juxtapositions of one of the most ethnically diverse neighbourhoods in the world.Through layers of irony, humour, and visual sophistication, these photographs evoke a place that is a continual work-in-progress, where the past, be it faded lettering or crumbling architecture, collides with the present in the form of spontaneous street decorations, signage, graffiti, and religious iconography. The images evoke the struggle and resilience of the people of Corona, as well as capturing the quirky beauty of the streets.Cara Galowitz is a graduate of the Cooper Union School of Art where she focused on graphic design, photography, and fine art. She has pursued a long career as a museum art director and has shown work at the Newark Museum, the Museum of the City of New York, and the Grey Art Gallery.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. For seven years Cara Galowitz (b. 1964, lives and works in New York) walked the streets of Corona, Queens every day during her lunch break from her nearby museum job, where she worked as an art director. These photographs, which she calls "an exercise in seeing", capture the vivid juxtapositions of one of the most ethnically diverse neighbourhoods in the world.Through layers of irony, humour, and visual sophistication, these photographs evoke a place that is a continual work-in-progress, where the past, be it faded lettering or crumbling architecture, collides with the present in the form of spontaneous street decorations, signage, graffiti, and religious iconography. The images evoke the struggle and resilience of the people of Corona, as well as capturing the quirky beauty of the streets.Cara Galowitz is a graduate of the Cooper Union School of Art where she focused on graphic design, photography, and fine art. She has pursued a long career as a museum art director and has shown work at the Newark Museum, the Museum of the City of New York, and the Grey Art Gallery.…

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Wraps. Condición: Very good. 1st Edition. 248 pages. Erin Barnett is an art historian, curator, editor, and writer who played a dual role as both the catalog's co-editor and the exhibition's primary curator. Role at ICP: She spent nearly two decades at the International Center of Photography (ICP) in New York, eventually serving as the Director of Exhibitions and Collections from 2016 to 2020. Curatorial Contribution: For the Hiroshima project, Barnett spent extensive time working in the National Archives. She meticulously decoded historical notations and plotted blast locations to organize the photos based on geographical "zones of impact"-ultimately driving the "Ground Zero" thematic framing of the project. Background: She holds a degree from Oberlin College, where she first shifted her focus to how photography can simultaneously document and manipulate truth. She frequently serves as a jurist and writer across global photography competitions. Philomena Mariani is a veteran editor and cultural critic specializing in the intersection of politics, literature, and visual arts. Role at ICP: She served as the Director of Publications at the International Center of Photography, steering the museum's complex, high-profile catalog collaborations with international art publishers like Steidl. Other Work: Beyond photography, Mariani has a background in literary editing. She is recognized as the editor of Critical Fictions: The Politics of Imaginative Writing, a prominent collection of essays examining identity, culture, and political discourse featuring major writers like Margaret Atwood and James Baldwin. She co-edited The Weegee Guide to New York. On 6 August 1945, the US government dropped an atomic bomb on Hiroshima. This was the first wartime use of a nuclear weapon, and along with the bombing of Nagasaki three days later, heralded the surrender of Japan and the end of World War II. After the dust had settled, President Truman dispatched military personnel and civilians to photograph the destruction. Nearly seventy years later, Hiroshima: Ground Zero 1945 presents a selection of these once confidential images alongside critical texts. 1,100 photographs were taken, and 865 of them published in the classified report The Effects of the Atomic Bomb on Hiroshima, Japan (1947). Today, 700 of these images are part of the permanent collection at the International Center of Photography. Hiroshima: Ground Zero 1945 is testament to this shameful, haunting episode of the twentieth century and the role of documentary photography within it, and is the latest phase in ICP's ongoing investigation of the unacknowledged histories of photography. The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974. It is located at 84 Ludlow Street, within the Lower East Side. ICP is the host of the Infinity Awards, inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries." Since its founding in 1974 by Cornell Capa with help from Micha Bar-Am in Willard Straight House, on Fifth Avenue's Museum Mile, ICP has presented over 500 exhibitions, bringing the work of more than 3,000 photographers and other artists to the public in one-person and group exhibitions and provided various classes and workshops for students. ICP was founded to keep the legacy of "Concerned Photography" alive. After the untimely deaths of his brother Robert Capa and his colleagues Werner Bischof, Chim (David Seymour), and Dan Weiner in the 1950s, Capa saw the need to keep their humanitarian documentary work in the public eye. In 1966 he founded the International Fund for Concerned Photography. By 1974 the Fund needed a home, and the International Center of Photography was created. First Edition [stated] Presumed first printing. …

Condición: New. pp. 300 Illus.

Paperback. Condición: New. On 6 August 1945, the US government dropped an atomic bomb on Hiroshima. This was the first wartime use of a nuclear weapon, and along with the bombing of Nagasaki three days later, heralded the surrender of Japan and the end of World War II. After the dust had settled, President Truman dispatched military personnel and civilians to photograph the destruction. Nearly seventy years later, Hiroshima: Ground Zero 1945 presents a selection of these once confidential images alongside critical texts. 1,100 photographs were taken, and 865 of them published in the classified report The Effects of the Atomic Bomb on Hiroshima, Japan (1947). Today, 700 of these images are part of the permanent collection at the International Center of Photography. Hiroshima: Ground Zero 1945 is testament to this shameful, haunting episode of the twentieth century and the role of documentary photography within it, and is the latest phase in ICP's ongoing investigation of the unacknowledged histories of photography. …