Abu eldahab mai ed (2 resultados)
Idioma: Inglés
Editorial: Rotterdam, Piet Zwart Institute - Master Fine Art Willem de Kooning Academy Rotterdam University,, 2010
Librería: Antiquariat Ulrich Heider, Köln, AlemaniaAntiquariat Ulrich Heider
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 20,00
Envío por EUR 18,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponible
Añadir al carritoGr.8°. Orig.-Klappbroschur. 158 S., 1 Bl. mit zahlreichen Abbildungen. Katalog zur Ausstellung von Abu ElDahab und Studenten. 500 Exemplare mit beiliegender Einladungskarte (sehr gut erhalten). Sprache: Englisch Gewicht in Gramm: 800.
Más imágenesIdioma: Inglés
Editorial: Brussels: Mophradat, and Berlin: Sternberg Press. Printed in Belgium, 2015
- Tapa blanda
- Primera edición
Librería: James Payne, Books and Prints, New York City, NY, Estados Unidos de AmericaJames Payne, Books and Prints
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 68,65
Envío por EUR 4,89Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Softcover. Condición: Good Minus. First Edition. [CRITICISM]. Ed. Mai Abu ElDahab. Contributors: Federica Bueti, Malak Helmy, Francis McKee, Haytham El-Wardany, Brian Kuan Wood, et al. "Final Vocabulary: On Searching for New Languages [Arabic, English]." Brussels: Mophradat, and Berlin: Sternberg Press. Printed in Belgium, 2015. First edition. Arabic and English languages. Softcover with gray wrappers printed pink Nonfiction bilingual collection of six critical essays. 8 1/4 x 4 3/4 inches. 5 oz. 120 pp. Shelf-wear. Staining to wrappers. Front wrapper creased. Text clean. Good Minus. ISBN: 9783956791765. "Five essays that take an intimate look at what language's role is in moments of dramatic change, and how to find meaning for artistic practices in these transformative conditions. Taking its cue from the aftermath of the events of the Egyptian Revolution in 2011, 'Final Vocabulary' doesn't provide answers as much as it captures the spirit of the moment of searching in which the writers find themselves. The book was developed out of a live conversation at an event called The Informal Meeting that took place in Leuven in January 2015, where participants were asked: Our histories and references are often in a different language (abstract or actual) than we use ourselves, what tools do you think are or might be useful to help you trust your own memories and narratives? What, if anything, do you think we might borrow from art to experiment with language in different situations? In English and Arabic.".…