abele john (31 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Used-Very Good. 1st, First Printing. Cloth, dj. Minor shelf wear.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 432 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. First American Edition. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Provides a year-by-year description of major films by the Hollywood studio, and includes cast, credits, synopsis, and a list of the studio's Academy awards and nominations." - Publisher. Size: 4to. Collectible.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 2nd Edition.

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. 2002 B00k: As New/, Ilustrador. 1st Edition. B00k: As New/, $90.00 074323832X THE PARAMOUNT STORY EAMES, JOHN DOUGLAS; ABELE, ROBERT SIMON & SCHUSTER 2002 1st Edition, 1st Printing Black Spine With Title In Off White, Red And Grey Letters, Dust Jacket: Fine/Very Good/, Slight Shelf, Edge And Corner Wear. Tall, Wide And Thick Hard Cover B00k: As New/, 432 Numbered Pages That Were Lightly Read And Are Clean And Are Tight To The Spine, Slightest Shelf, Edge And Corner Wear. "American film production and distribution company, located at 5555 Melrose Avenue in Hollywood. Founded in 1912 and currently owned by media conglomerate Viacom, it is America's oldest existing film studio; it is also the last major film studio still headquartered in the Hollywood district of Los Angeles. Paramount is consistently ranked as one of the top-grossing movie studios". Might Require Extra Shipping And Handling To Your Destination, Due To Large Size And Weight. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make Them, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = WORLD WIDE Shipping AVAILABLE =.

Condición: New.

Paperback. Condición: New. This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using "postfeminist" as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on-as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate "the possible" screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. In.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. hardback book and dust jacket in fine condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. Revised Edition. Hardcover. As new in slightly used very good dust jacket. Jacket has no chips or tears, just light scuffing. This edition appears to have been produced for in-house promotional distribution by the Paramount Pictures studio to celebrate the 80th anniversary of the studio. It updates the listings of the original edition to the year 2000.

Paperback. Condición: Brand New. 209 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Condición: New. This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using "postfeminist" as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on-as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate "the possible" screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.

Hardcover. Condición: Very Good. First edition. Octavo. xxii, 85pp. Small abrasion on rear pastedown, moderate foxing on the cover with a small tear along the joint, very good, lacking the unprinted glassine dust jacket. Contains the first book appearance of five poems by Louis Simpson (as Louis Marantz Simpson) [1923-2012], who eventually earned a Ph.D. at Columbia University and was awarded the Medal for Excellence from Columbia University; his first collection of poems was The Arrivistes: Poems, 19401949 (published in 1949 by Fine Editions Press).

Hardcover. Condición: Very Good. First edition. Octavo. xxii, 85pp. Spine and edges sunned, very good being poet Daniel Hoffman's copy with his name penned on the front fly, lacking the unprinted glassine dust jacket. Contains the first book appearance of five poems by Louis Simpson (as Louis Marantz Simpson) [1923-2012], who eventually earned a Ph.D. at Columbia University and was awarded the Medal for Excellence from Columbia University; his first collection of poems was The Arrivistes: Poems, 19401949 (published in 1949 by Fine Editions Press).

Hardcover. Condición: Near Fine. 1st. 1st ed. 169p. Photos. Maps. Printed boards with green cloth spine. Oversize. Signed by the unit commander under his photo.Near Fine Copy.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using postfeminist as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s onas a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate the possible screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake. The relationship between U.S. masculinity and American feminist movements of the twentieth century is complex. This collection engages with prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism, acknowledging the limits of their negotiations and self-actualization. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Paperback. This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using postfeminist as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s onas a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate the possible screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake. The relationship between U.S. masculinity and American feminist movements of the twentieth century is complex. This collection engages with prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism, acknowledging the limits of their negotiations and self-actualization. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The relationship between U.S. masculinity and American feminist movements of the twentieth century is complex. This collection engages with prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since sec.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using 'postfeminist' as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on-as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today.Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate 'the possible' screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.