Abbott carol (29 resultados)

Paperback. Condición: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

paperback. Condición: Good.

Hardcover. Condición: good. Used items may not include media like access codes or CDs. Fast shipping! Expedited orders take 1-3 business days! Media mail may take up to 5 business days.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Wraps. Condición: Good. Third Edition/1st Printing. One dog-eared page, light crease to bottom corners, else textblock is clean and tight. Covers spine-sunned; Front cover very dog-eared, with scuffed and worn edges and corners; 454p., including credits and index. Size: 8vo - over 7¾" - 9¾" tall. Photographs/Maps (ilustrador). Paperback. …

Soft cover. Condición: Very Good. First Edition. (xx) 474 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; previous owner's name inside. This anthology contains: City Life by Mary Gordon; The Falls by George Saunders; The Talk Talked Between Worms by Lee K. Abbott; On with the Story by John Barth; The Love of a Good Woman by Alice Munro; The Twa Corbies by Carolyn Cooke; Catface by Arthur Bradford; Dancing After Hours by Andre Dubus; The Royal Palms by Matthew Klam; The Lipstick Tree by Kiana Davenport; The Red House by Ian MacMillan; Comfort by Mary Gaitskill; The Balm of Gilead Tree by Robert Morgan; The Final Inning by Thomas Glave; Mermaids by Deborah Eisenberg; The Old Farmhouse and the Dog Wife by Susan Fromberg Schaeffer; The Taxi Ride by Patricia Elam Ruff; Mirrors by Carol Shields; His Chorus by Christine Schutt; and Demonology by Rick Moody. Size: 8vo. Book. …

Wraps. Condición: Good. Glossy wraps. 64 pp. Single issue of this little magazine devoted to new poetry from American and Canadian poets. This issue features work by Robert Sward and Keith Abbott, among others. Also included is a book review by Carol Berge and an excerpt from a book by Margaret Atwood. GOOD condition. Moderate browning and foxing to the covers, with minor soiling and staining. Extremities bumped and scuffed.…

paperback. Condición: Good. clean used paperback copy, some markings on the pages, no stains or stickers, fast shipping with tracking number.

Trade Paperback Periodical. Condición: Very Good +. First edition thus. A unique item, an issue of the Georgia Review, featuring a selection of correpondence between the Review and many literary figures and artists. Of special note is a facsimile letter of Eudora Welty and a multi-page fold out facsimile letter of Gendron Jensen. Slight edgewear to cover, else a clean, unmarked copy.…

Hardcover. Condición: very good. Used items may not include media like access codes or CDs. Fast shipping! Expedited orders take 1-3 business days! Media mail may take up to 5 business days.

Softcover. Condición: Very Good. Magazine. Small octavo. 279pp. Perfectbound in wrappers. Offsetting from an old newspaper clipping on the first two pages, hint of sunning to the spine, and light creases and bumps at the edges. This issue includes contributions from Joyce Carol Oates, Michael Lally, David Posner, Keith Abbott, A.R. Ammons, Alexander Pushkin, Clayton Eshleman, and Carlos Fuentes, among others. …

Wraps. Condición: Near Fine. 145 pp. Wrapper has one small closed edge tear at rear.

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: New.

Rustica (tapa blanda). Condición: New. Estado de la sobrecubierta: Nuevo. 01. Aunque se suele creer que el origen del Body Horror como subgénero de terror se remonta a la década de 1970, Joyce Carol Oates sugiere que Medusa, la gorgona de la mitología griega, es el emblema por excelencia del horror corporal femenino . En Perversas. Nuevas historias de Body Horror escritas por mujeres, Oates ha reunido a un elenco espectacular de autoras para explorar este subgénero centrado en la transgresión de los límites del cuerpo humano de formas terribles e insólitas. . . Aunque no conociéramos nada de los monstruos femeninos de la antigüedad , escribe Oates en su introducción al volumen, sabríamos que, en sus innumerables manifestaciones, el horror corporal se dirige con más fuerza a las mujeres y a las niñas. Ser mujer es habitar un cuerpo que por naturaleza es vulnerable a la invasión forzosa, susceptible a la penetración y al embarazo, y condenado a sufrir el parto y sus secuelas, que en épocas pasadas conllevaba, además, un importante riesgo de muerte. LIBRO.…

Condición: Nuevo.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Tapa blanda. Condición: New. Aunque se suele creer que el origen del Body Horror como subgénero de terror se remonta a la década de 1970, Joyce Carol Oates sugiere que Medusa, la gorgona de la mitología griega, es el «emblema por excelencia del horror corporal femenino». En Perversas. Nuevas historias de Body Horror escritas por mujeres, Oates ha reunido a un elenco espectacular de autoras para explorar este subgénero centrado en la transgresión de los límites del cuerpo humano de formas terribles e insólitas. «Aunque no conociéramos nada de los monstruos femeninos de la antigüedad», escribe Oates en su introducción al volumen, «sabríamos que, en sus innumerables manifestaciones, el horror corporal se dirige con más fuerza a las mujeres y a las niñas. Ser mujer es habitar un cuerpo que por naturaleza es vulnerable a la invasión forzosa, susceptible a la penetración y al embarazo, y condenado a sufrir el parto y sus secuelas, que en épocas pasadas conllevaba, además, un importante riesgo de muerte.».…

Hardcover. Condición: like new. Used items may not include media like access codes or CDs. Fast shipping! Expedited orders take 1-3 business days! Media mail may take up to 5 business days.

No Binding. Condición: Near Fine. A NF Warner Brothers synopsis sheet. 8" x 11". Scarce and collectible. Size: 8" x 11". Poster.

Hardcover. Condición: new. Used items may not include media like access codes or CDs. Fast shipping! Expedited orders take 1-3 business days! Media mail may take up to 5 business days.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condición: Very Good. An excellent copy of this scarce catalog co-published with Participant Inc. during the 2009/10 exhibition curated by Jonathan Berger. Broken up into two sections, dos a dos bound with one orientation on Stuart Sherman and his work and the other focusing on works in the exhibition. Softcover, staple bound,159pgs. Staples intact and sturdy. Interior clean and unmarked. Light rubbing, scuffing, and a couple of very minor marks to paper covers. Text and images by Stuart Sherman, Jonathan Berger, Babette Mangolte, Berenice Abbott, John Matturri, Mark Bradford, KIOSK, Carol Bove, Molly McGarry, and Lia Gangitano.…

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Aunque se suele creer que el origen del Body Horror como subgénero de terror se remonta a la década de 1970, Joyce Carol Oates sugiere que Medusa, la gorgona de la mitología griega, es el emblema por excelencia del horror corporal femenino . En Perversas. Nuevas historias de Body Horror escritas por mujeres, Oates ha reunido a un elenco espectacular de autoras para explorar este subgénero centrado en la transgresión de los límites del cuerpo humano de formas terribles e insólitas. Aunque no conociéramos nada de los monstruos femeninos de la antigüedad , escribe Oates en su introducción al volumen, sabríamos que, en sus innumerables manifestaciones, el horror corporal se dirige con más fuerza a las mujeres y a las niñas. Ser mujer es habitar un cuerpo que por naturaleza es vulnerable a la invasión forzosa, susceptible a la penetración y al embarazo, y condenado a sufrir el parto y sus secuelas, que en épocas pasadas conllevaba, además, un importante riesgo de muerte. LIBRO.…

Vintage publicity photograph from the 1941 film, showing Dorothy Darrell, Carol Bruce, Martha Raye, and Elaine Morley dancing in line. Annotation in manuscript pencil on the verso. Abbott and Costello's third service comedy of 1941, following "Buck Privates" and "In the Navy." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot in Ontario, California. 10 x 8 inches. About Near Fine.…

Vintage keybook reference photograph from the 1941 film, showing Lou Costello and Bud Abbott in a baseball scene. Printed mimeo snipe affixed to the verso. Abbott and Costello's third service comedy of 1941, following "Buck Privates" and "In the Navy." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot in Ontario, California. 10 x 8 inches. Near Fine.…

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders. …