Aaron rose alfred corn (10 resultados)

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Condición: Near Fine. Near Fine. First Edition. Contains 100 photographs in full color by this highly respected contemporary photographer with an essay and interview by Alfred Corn. This is an excerpt from the jacket: He is "a magician who builds his own cameras and mixes complex developing emulsions incorporating exotic metals, Rose spent virtually every working day for thirty years taking and printing more than 25000 photographs." Original black cloth publisher's cover with silverspine lettering.There is a bit of light sunning to the bottom edge of the front cover, else this is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket is in similarly nice condition with no chips, tears, or markings.; Color Photographs; 4to 11" - 13" tall; 132 pages. Illustrated by Aaron Rose (ilustrador).…

Hardcover. Condición: Sehr gut. Sauberes und wohlerhaltenes Exemplar. Ganzleineneinband mit Schutzumschlag. 131 Seiten. 1037 Gramm. 26x26cm. Englisch. Überwiegend mit ganzseitigen oftmals farbigen Fotografien.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First Edition (NAP) (Harry N. Abrams=NAP). 'With 100 photographs in full color.' Once listed, it appears this will be the Only signed copy for sale anywhere on the Internet. The book is flat-signed off the top edge of the front end paper. Both the book and the dust jacket are in excellent condition. I'll get to describing them in a moment. Here are some bits and pieces I have lifted out from an article about Mr. Rose in the New York Times after he had died in 2021, an article that quoted in part from another article that was written in the Times in 1997. 'Mr. Rose was that rarest of artists: one who doesn't chase after gallery shows or sales to deep-pocketed collectors. In a 1997 interview with The New York Times in advance of his Whitney Biennial debut, he explained that his low profile had been by choice. Paul Goldberger, the Pulitzer Prize-winning critic, wrote that 1997 Times article about Mr. Rose.'He lived a quiet, private life of creative brilliance, in seclusion in the center of the maelstrom of New York.' Aaron Rosenweig was born in 1936, in Manhattan. His wife said that his father, William, had never acknowledged him as his son and that his mother, Rose, was institutionalized at the time of his birth. Aaron was raised in foster homes. He adopted Rose as his last name when he became a professional photographer. His introduction to photography came when a portrait photographer he had met at one of those foster homes hired him as an assistant to hold lights and reflectors. Only in 1997, after some of his photographs were included in the Whitney Biennial did the broader world begin to appreciate his extraordinary body of work. Even after that, though, he didn't exhibit often. His photographs in Coney Island didn't see the light of day until 2014, when the Museum of the City of New York exhibited 70 of the pictures in a show called 'In a World of Their Own: Coney Island Photographs 1961-1963. He said 'All around me I saw people who became cynical and bitter when they didn't get the recognition they thought they deserved, and I wanted to be free of that. I wanted only to do my work, for myself, without any commercial influences.' That work consisted not only of taking photographs of the demolition of the old Penn Station in Manhattan, of rooftop scenes in New York, of seashells, of underbrush-- but also of printing his own images, using aged paper and chemicals that he mixed himself. Often the pictures were shot with cameras and lenses that he had made.' You can Google the full article by typing his name and the word photographer. The book begins with a essay by Alfred Corn titled 'The perpetuity of light.' The seven subjects (each with its own section) are Shells, New York City, Milky Way, Reflections, Unterholz, Sun and Clouds, and Sky. That's followed by 'A discussion with Aaron Rose' and then a Chronology. The black covers are exceptionally clean, the white lettering on the spine nicely bright. The cover edges and corners look terrific, no rubbing. The page edges look very clean, no soiling. The book is very solidly bound from cover to cover with nicely tight pages throughout. At the juncture between the rear inside cover and rear end paper you can see some white surface rubbing showing, but the rear cover is tightly bound. The front cover is tightly bound as well. The pages are exceptionally clean. I don't see any soiling. I'm not seeing any creasing. There are no markings. No attachments. And Mr. Rose's signature is the only writing. I've always had the jacket in a fitted protective cover. The jacket looks very clean. I don't see any conspicuous wear, no tears. The flaps are in excellent shape, very clean, no wear. The jacket is NOT price-clipped ($49.50), not clipped at all. Aaron Rose (ilustrador). Signed by Author(s).…

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. 132pp, chronology, num bw & col ills. Black cloth in jacket. 2 tiny scuffs at flap folds, slight thumb soiling to bottom corner- otherwise near new. The first presentation of Rose's work. His images are completely original visions of trees and plants; sun, stars and clouds; shells; the New York skyline. "A magician who builds his own cameras and mixes complex developing emulsions incorporating exotic metals, Rose has spent virtually every working day for thirty years taking and printing more than 25000 photographs". Size: 4to. Rose, Aaron. (ilustrador).…

First Edition. First edition. Hardcover. First printing. 131 pages. Features an essay by Alfred Corn and with the text of his interview of Aaron Rose. Includes 100 quadratone illustrations. A clean near fine copy with some very slight sunning to the top front corner in a very near fine dust jacket with the same slight sunning to the top corner. The best book on this underappreciated photographer who died recently. Surprisingly uncommon.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. 131 pp. 4to. Clean, crisp copy with dust jacket in mylar cover. An increasingly scarce book on the early work of the photographer, filmmaker, and artist, Aaron Rose. Rose, Aaron (ilustrador).

Condición: Very Good.

Hardcover. SIGNED. First edition, first printing. Fine/As New clothbound hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Images of the natural world and cityscapes, shot with home-made cameras and with film and prints developed using arcane formulas with exotic metals. The artist's first book. Photographs by Aaron Rose; essay and interview with the artist conducted by Alfred Corn. SIGNED BY ROSE on the ffep; no inscription. 144 pages; 100 color plates; 10 x 10 inches. Chronology.…

Hardcover. Condición: New. âHis images invariably give the viewer the sense that he is seeing something as never beforeâ"that he is seeing the world not merely reinterpreted but as profoundly rethought.â â"Paul Goldberger, New York Times Aaron Rose has created one of the most remarkable bodies of work of any photographer living today, and for most of his career he did this in isolation, in a single-minded quest for visual enlightenment. He was virtually unknown to the photography world until five of his prints were exhibited at the 1997 Whitney Biennial, when he was in his late fifties. Roseâs imagesâ"completely original visions of trees and plants; sun, stars, and clouds; shells; the New York City skylineâ"are miracles of light and chemistry. A magician who builds his own cameras and mixes complex developing solutions incorporating exotic metals, Rose has spent the last 35 years taking and superbly printing more than 25,000 photographs, most of them from negatives that he printed once or twice and then put away forever. This book offers the first-ever presentation of Roseâs work, which has been quietly collected by major museums over the past few years, as well as a vivid portrait of the man himself, speaking to author Alfred Corn about photography, science, art, and commitment.…