Aaron martinet (21 resultados)

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: As New. Estado de la sobrecubierta: Near Fine. 1st Edition. With color illustrations. Trivial wear only to dust jacket.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1854093479. A green cloth Hardcover, in a Dust Jacket which has very light corner wear. Not ex. library. 256 pages, extensive appendices, illustrated with fine full page colour plates. Contents clean, tight and bright. Aaron Martinet (ilustrador). Book.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: DJ Fine. 1st Edition.

Loose Leaf. Condición: New. Reproduction. Original title: L'Indiscreet, 1823, No. 46: Modes Françaises: Robe en étoff (.) German: L'Indiscreet, 1823, Nr. 46: Modes Françaises: Robe en étoff (.) French: L'Indiscret, 1823, n° 46: Modes Français: Robe en étoff (.) Spanish: L'Indiscreet, 1823, No 46: Modes Françaises: Robe en étoff (.) High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1823). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condición: New. Reproduction. Original title: Observator des Modes, 1823, No. 297: Modes Parisiennes: Chapeau en crep (.) German: Observator des Modes, 1823, Nr. 297: Modes Parisiennes: Chapeau en crep (.) French: Observateur des Modes, 1823, n° 297 : Modes Parisiennes : Chapeau en crep (.) Spanish: Observator des Modes, 1823, No. 297: Modes Parisiennes: Chapeau en crep (.) High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1823). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Observator des Modes, 1822, No. 293 : Modes Parisiennes : Paille blanche orné (.) German: Beobachter des Modes, 1822, Nr. 293 : Modes Parisiennes : Paille blanche orné (.) French: Observateur des Modes, 1822, No. 293 : Modes Parisiennes : Paille blanche (.) Spanish: Observator des Modes, 1822, No. 293 : Modes Parisiennes : Paille blanche orné (.) High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1822). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

hardcover. Condición: As New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Acceptable. Acceptable .Ships From Multiple Locations. book.

Dimension extérieur : 21,4 x 26,7 et image : 16,2 x 23,8 cm. Gravure faisant partie des Incroyables et Merveilleuses, en bon état malgré certaines epidermures et rousseurs. On peut observer une trace de scotch au verso. Les couleurs restent vives et agréables. Cette lithographie peut, au souhait du client, être nettoyée par un professionnel collaborateur, pour un prix vairant de 20 à 30 euros. Les Incroyables et Merveilleuses sont un courant de mode de la France du Directoire caractérisé par son extravagance en réacton à la période sombre de la Terreur. Français Nous possédons également une seconde gravure de la collection Incroyables et Merveilleuses à cette référence : EST23B1, ou encore : Le suprême bon ton.…

Dimension extérieur : 21,4 x 26,7 et image 17 x 23,8. Gravure en bon état malgré certaines epidermures et rousseurs. On peut observer une trace de scotch au verso. Les couleurs restent vives et agréables. Cette lithographie peut, au souhait du client, être nettoyée par un collaborateur professionnel, pour un prix variant de 20 à 30 euros. Les Incroyables et Merveilleuses sont un courant de mode de la France du Directoire caractérisé par son extravagance en réacton à la période sombre de la Terreur. Français.…

Pas de couverture. Condición: Bon. Lithographie couleurs du 18è siècle tirée à quelques exemplaires. Le Goût du jour. Restaurant du Boeuf à la Mode, 1792.Édition originale. Chez Martinet, 8 rue de Valois, 1792.Litho : Format in-4°(34x27). Expédition par la poste sans cadre ni verre ou enlèvement à Sèvres avec cadre et verre de l'époque. Format in-plano(48x38) pour le cadre. Quelques piqures.La gravure est exposée au musée Carnavalet.Un restaurant parisien élégant, Le Boeuf à la mode. Les clients sont assis à des tables individuelles, le décor et le mobilier sont à la mode du jour, simples mais de bon goût. La « dame du comptoir » converse avec un client qui vient peut-être de payer sa note. L'étage supérieur, comme cela est indiqué sur l'escalier, est réservé aux salons et cabinets privés. Edition originale.…

No binding. Condición: Very Good. Françoise Marie Antoinette Saucerotte, called Mademoiselle Raucourt (1756-1815) [subject]; Aaron Martinet (1762-1841) [artist]. [The crowd demands that the funeral of Mademoiselle Raucourt, a lesbian actress, be held at Saint-Roch Church in Paris, 17 January 1815]. Paris, ca. 1815-1841. Drawing in pen and brown wash, with white gouache on paper, 8 × 12 cm. The immensely popular Parisian actress Mademoiselle Raucourt was widely known during her lifetime for her relationships with women. Contemporary pamphlets associated her with the supposed Secte des Anandrynes, a reputed circle of Parisian lesbians, and her name became closely linked with female same-sex desire in public discourse. When she died in January 1815, an great crowd accompanied her coffin to the Church of Saint-Roch in Paris. The parish priest initially refused to admit the body, judging her life immoral and unworthy of a religious funeral. Outraged, the crowd compelled the authorities to allow the funeral ceremony to proceed. In this drawing, Aaron Martinet depicts the confrontation outside Saint-Roch. It is the preparatory study for an illustration published posthumously in Jacques-Antoine Dulaure's Histoire des cent-jours de la Restauration et de la Révolution de 1830 (Paris: Poirée, 1845). The episode has subsequently been interpreted as an early and remarkable public defense of a woman whose relationships with other women were widely known. Condition: slight foxing, one spot in the top right corner. An oval cut on verso that does not penetrate the sheet. Otherwise in very good condition. Further reading: Haggerty, Sarah. "Mademoiselle Raucourt, Priestess of Lesbos." Historical Homos, 20 Sept. 2020, Historical Homos article. Accessed 2 June 2026. …

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1842 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 208 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 208 Language: French.…

Paris, Martinet, n.d.[=1815]. Etching handcoloured. 25 x 32 cm .Some minor imperfactions. Numbered No. 15. Print made by: Pierre Alexandre Wille (attributed). Satire: A scene in a steert, with young woman watching a card sharper while another man picks her pocket; [162111].