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  • Idioma: Inglés

    Editorial: McGraw-Hill Book Company, Inc., 1953

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    Librería: Grey Matter Books, Hadley, MA, Estados Unidos de AmericaGrey Matter Books

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    Miembro de asociación: SNEAB

    Condición: Usado - Bueno

    EUR 140,18

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    Hardcover. Condición: Very Good. No Jacket. Three volume set. Text is unmarked in all three; pages are bright, though the page edges are age toned. Bindings are sturdy. Covers are all edge worn; the corners of the covers are bumped. The spine of Volume 1 is faded. No dust jackets. International/Priority shipping at cost. …

  • Idioma: Inglés

    Editorial: Brepols Publishers, 1999

    2503508499 / 9782503508498

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    Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer

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    Condición: Usado - Bueno

    EUR 179,95

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    Cantidad disponible: 1 disponible

    Condición: gut. Contextualizing the Renaissance. Returns to History Selected Proceedings from the 28th Annual CEMERS Conference In deutscher Sprache. pages.

  • Editorial: Turnhout, Brepols, 1996, 1996

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    Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgicaBOOKSELLER - ERIK TONEN BOOKS

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    Miembro de asociación: CLAMILAB

    Condición: Usado

    EUR 49,50

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    Hardback, VIII+230 p., 160 x 240 mm. ISBN 9782503508498. The essays in this volume challenge the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, yet they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The 28th Annual Conference of the Center for Medieval and Renaissance Studies, held on 21-22 October 1994 at Binghamton University, featured 33 panel sessions and approximately 150 presentations. The ten essays in this volume consist of the five plenary speakers - leaders in their field - and five panel essays, each of which was reviewed for this volume. The volume comprises a body of work organised around a governing theme - modes of historicisation. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicised criticism. By 'historicised' as contrasted with 'historical' criticism, it is meant that these essays problematicise, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history'. Contributions include: Albert H. Tricomi, 'Introduction: trends in historicizing Early Modern literature, history, and the visual arts'. Part 1: Literature and History as Critical Practices Jean E. Howard, 'Writing the history of the present: contextualizing Early Modern literature'; Sarah Hanley, 'Mapping theory in history: conceptual cites and social cites in the French monarchic state'; David Quint, 'Dueling and civility in sixteenth-century Italy'; Margaret Mikesell, 'The place of Vives's Instruction of a Christen Woman in Early Modern English domestic book literature'. Part 2: Rehistoricizing through the Visual Arts Keith Moxey, 'Motivating history'; Laura MacCaskey, ' Languages : English. 0 g.…