27 paris (49 resultados)

Rústica. Condición: Normal. 476 pp/ Libro Amigo, nº 1035/ S.

Encuadernación de tapa dura. Condición: Normal. 245 pp/ La Hoja Perenne/ R31-3.

Rústica. Condición: Nuevo. 256 pp/ Akal Básica, nº 121/ Al editar este clásico del romanticismo, hemos querido realizar una edición popular y erudita a la vez, siguiendo el texto definitivamente establecido por Alexandre Dumas, pero incluyendo en nota las variantes contenidas en la primera versión publicada por el autor. El traductor, Mauro Armiño, ha querido, además, incluir -junto con el texto- el prólogo de Jules Janin redactó para la edición de 1851, en el que se describe la figura real de Marie Duplessis, la mujer de carne y hueso sobre la que Dumas elaboró en un acto de creación duradero a su inmortal Margarita Gautier. Completa nuestra versión un cuadro cronológico sobre el autor y la biografía de su obra/ R29-3.

Cartoné. Condición: Normal. G & LGE Ilustrador. Ilustrada. 388 pp/ Clásicos Jovenes Gaviota, nº 29/ R25-1.

Condición: Fair. Sans date. Fair.

Softcover. Condición: VG. White wraps. [85] pp. 1 bw, 37 color plates. Includes an introduction by Francois Daulte, the beautiful color plates (the reverse side is blank), an index of the works, a brief chronology, and collections (in French and English). His work is notable for its sincerity, authenticity, and variety; his oils and watercolors cover all genre and subjects. This exhibition showcases his later works from France and the beaches of California.

Rústica. Condición: A estrenar. 896 pp/ Akal Básica de Bolsillo, nº 299. Clásicos de la Litertura Francesa/ Traductor: M.ª Pilar Ruiz Ortega/ Sinopsis: Una noche de febrero de 1578, Louis de Clermont, señor de Bussy, es emboscado en un callejón de París por los favoritos del rey Enrique III. Diana de Meridor, que está retenida por el señor de Monsoreau, le acoge en su casa y el señor de Bussy, en medio del delirio por las heridas recibidas, cree tener una visión y se enamora perdidamente de ella. En medio de las intrigas políticas y los enfrentamientos de la nobleza cortesana que marcaron el devenir histórico de Francia durante la segunda mitad del siglo xvi, la historia de amor de estos personajes se va desgranando en un relato lleno de aventuras y acción que traza un sorprendente fresco del violento reinado del último de los Valois. La dama de Monsoreau constituye el segundo volumen de la trilogía de Alexandre Dumas centrada en las guerras de religión, al que precede La reina Margot y sigue Los Cuarenta y Cinco/ R29-3.

Holandesa. Condición: Normal. 10X15.5/384pp/Holandesa muda, piel-cartoné/Adheridas en contracubiertas dos recortes de periódico con las caras de dos damas, posiblemente áctrices de la época/Rastros de óxido/R20-/.

Encuadernación de tapa blanda. . Ilustrador. Barcelona. Edit. Maucci. s/f. (años 1910). 18x12 cm. 254 págs. 1 h. índice. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Soft cover. Condición: Very Good. No Jacket. In Yiddish. 267 pages. 207 x 142 mm. Lili Berger was born to an observant Jewish family in Malken, near Bialystok. Her traditional Jewish education included 3 years at a Hebrew school, after which she attended the Polish-Jewish Gymnasium in Warsaw. After graduating she studied pedagogy in Brussels. In 1936 she settled in Paris, taught at a Jewish school and became involved with the Jewish left. She married Louis Gronowski (Lulke Grojnowski), a leader of the Jewish Communists in charge of the Jewish section of the MOI (Main-d'oeuvre immigrée), a network created to mobilize immigrant workers. During the war, they both assumed key roles in the French Resistance in German-occupied Paris. As head of the MNCR (Mouvement national contre le racisme), Lili Berger was active in rescuing Jewish children from deportation. At the end of 1949, when Poland came under Communist rule, Berger and her husband returned to Warsaw. Like other Jewish intellectuals, they saw an opportunity to create a "progressive" Yiddish cultural life in the land of their ancestors. In Poland Lily Berger began publishing articles and stories in both Yiddish and Polish. In 1953 her first book appeared, a Yiddish translation entitled Briv fun toytn-hoyz (Letters from Death Row), the letters of Ethel and Julius Rosenberg. It was followed by a collection of literary criticism, a novel and a collection of short stories. Berger also published two books in Polish, one about the Jewish resistance movement in France and the other a collection of essays and sketches entitled The Vietnamese People in Struggle. Post-war Poland quickly proved to be a dangerous place for writers and especially Jews, who in 1967, following the Six Day War in Israel, were again seen as a fifth column. Along with thousands of other Jews, Berger was forced to leave Poland in 1968 during the great exodus which she bitterly refers to in her writing as the trikener pogrom, the bloodless pogrom. Settling in Paris again, she resumed her literary activity, writing for the Naye Prese and, later, for the monthly journal Ofsnay and the weekly Di Vokh. Her work appeared in various Yiddish publications in Israel, South Africa, Mexico and the United States. She also published books of selected essays and stories and a historical novel about Esther Frumkin for which she received a prize from the Jewish P.E.N. club in New York. Printed by Yiddish publishing houses in Paris, Tel Aviv and Buenos Aires, her books received awards internationally. The subjects of Berger's numerous articles and essays were often writers and artists. The list includes Franz Kafka, Janusz Korczak, Simone de Beauvoir, Chaim Soutine, Chana Orloff, Vasili Grossman and scores of Polish Jewish writers who wrote in Polish or in Yiddish. She considered it her duty to write about the creative and courageous people whom she had known personally, who had experienced the horrors of the Holocaust or the Soviet Gulag and faced further ordeals in post-war Communist Poland. These pen portraits are not exhaustive treatments, but painted in broad strokes interwoven with personal recollections, information and ideas. Her work is full of valuable historical detail. On the other hand, while providing fresh insights, Berger, as a true artist, often leaves her readers with unanswered questions to reflect upon and ponder. One certainty, however, emerges from her work written after her disillusionment with the new Poland: the centrality of the State of Israel in Jewish life. Similarly, her fiction deals with the various aspects of the Polish Jewish experience in the twentieth century. Her stories are peopled by characters scarred by the Holocaust: a middle-aged Parisian couple who had met in a DP camp; a 15 year old Polish Catholic girl who discovers that she was born a Jew; an elderly Jew married to the French woman who had risked her life to save his; a young man who rejects his parents for hiding their Jewish identity in Post war Poland.

Encuadernación de tapa blanda. . Ilustrador. Prólogo de Jacinto Octavio Picón. Paris. Casa Edit. Garnier Hermanos. Tip. de los editores. 1913. 1ª edic. 18x12 cm. 342 págs. 1 h. índice. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Rústica con solapas. Condición: A estrenar. Primera edición. 278 pp/ Trayectos, nº 16/ Traducción: Alejandro Palomas/ R36-3 Size: 15x21.5. Libro.

20pp. illustrations. A very nice copy of the first edition in the publisher's wrappers. We have been selling antiquarian books on Africa, Oceania, archaeology, anthropology, travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail, or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested.[L].

Encuadernación de tapa dura. Condición: Aceptable. . Ilustrador. Madrid. Lib. e Imp. Suc. de Hernando. 1916. 1ª edic. 18x12 cm. 289 págs. 1 h. índice. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Encuadernación de tapa blanda. . Ilustrador. Paris. Garnier Hermanos, Edit. Imp. L. Rochy. s/f. (años 1910) 1ª edic. 18x12 cm. 224 págs. 1 h. índice. Ilust. de Núñez Millón. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Encuadernación de tapa dura. Condición: Regular. . Ilustrador. Madrid. Lib. e Imp. Suc. de Hernando. 1915. 1ª edic. 18x12 cm. 296 págs. 1 h. índice. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Encuadernación de tapa dura. Condición: Aceptable. . Ilustrador. Semblanza del autor por El Caballero Audaz. Madrid. Imp. Rivadeneyra. Col. Mercurio. s/f. (años 1910) 18x12 cm. 285 págs. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Encuadernación de tapa dura. Condición: Aceptable. . Ilustrador. # Madrid. Bernardo Rodríguez. Edit. Imp. A. Marzo. 1899. 1ª edic. 18x12 cm. 197 págs. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Condición: Fine. First edition hard back binding in publisher's original black cloth covers, gilt lettering to spine. Folio 12½'' x 10'' 260 pages. ISBN 1856691500. Monochrome photographic illustrations throughout. Fine condition book in Fine condition dust wrapper with tiny rubs to top corners, not price clipped. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. ART [Surrealism].

Condición: Good. 21 x 27 cm. Signed hand-written receipt on Ch. Subran letterhead. Good with losses,marginal tears, creasing, toning. En Francais.

Encuadernación de tapa blanda. . Ilustrador. Paris. Edit. Garnier Hermanos. Tip. Garnier. s/f. (años 1910) 1ª edic. 18x12 cm. 275 págs. 1 h. índice. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

PARIS, Hachette 1957 - In-8 - Broché, 252 pages -Cartes in-texte -Très solide étude, l'auteur étant un éminent spécialiste de stratégie. militaire - bon exemplaire Livres 123973366377).

Encuadernación de tapa blanda. . Ilustrador. Madrid. Lib. Vda. de Pueyo. Bibl. Hispano-Americana. 1910. 1ª edic. 18x12 cm. 274 págs. 1 h. índice, 3 h. de catálogo. Encuadernado en tela, Ex libris en el lomo, antiguo casino. Buenos márgenes y muy limpio. # literatura.

Softcover. Color wraps, off-white slipcase. 323 pp. Numerous plates, appx 12 color (including 2 color woodcuts by Jean Arp) and 250 bw. Text in French (Abstract Art: Its Origins, Its Premier Masters). New Edition, printed shortly after the exhibitions. VG condition in original glassine.

Condición: Fine. First edition hard back binding in publisher's original black cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [xix] 412 printed pages of text. Alexander Vovin was a world renowned linguist, well known for his research on East Asian languages. Fine condition book in Fine condition dust wrapper, unused and unopened new book. We carry this book in stock for immediate dispatch. Member of the P.B.F.A. ISBN 1901903141 JAPAN (History & Culture).

Condición: Fine. First edition hard back binding in publisher's original black cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [xix] 412 printed pages of text. Alexander Vovin was a world renowned linguist, well known for his research on East Asian languages. Fine condition book in Fine condition dust wrapper, unused and unopened new book. We carry this book in stock for immediate dispatch. Member of the P.B.F.A. ISBN 1901903141 JAPAN (History & Culture).

Condición: Fine. First edition hard back binding in publisher's original black cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [xix] 412 printed pages of text. Alexander Vovin was a world renowned linguist, well known for his research on East Asian languages. Fine condition book in Fine condition dust wrapper, unused and unopened new book. We carry this book in stock for immediate dispatch. Member of the P.B.F.A. ISBN 1901903141 JAPAN (History & Culture).

Softcover. Color wraps, off-white slipcase. 323 pp. Numerous color and bw plates. Text in French (Abstract Art: Its Origins, Its Premier Masters). VG condition in original glassine & slipcase, but spine glue has dried and slipcase is splitting at edges. Rubbing and smudging to slipcase, with small stains. Tanning to the edges. Clean body pages. There is a red sticker on the spine of the glassine jacket.

Paris: 1939 Wrpps, 4to. 19pp. 2 plates. One plate shows Dahomeian bronzes, the other shows Khmer and Siamese sculptures, with some neat marginalia in black pen and in pencil. With 403 lots, a very nice copy of the first edition in the publisher's orange wrappers. We have been selling antiquarian books on Africa, Oceania, archaeology, anthropology, travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail, or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested.[L].

Couverture rigide. Condición: Trà s bon. Ãdition spà ciale. in-4 (31x24 cm), reliure d'à diteur cartonnage blanc, 50 pp., premier plat ornà d'un sculpture de l'artiste en à lastomà re reprà sentant un "Bonhomme de neige" (reliure d'à diteur). Philippe Berry est le frà re de l'acteur Richard Berry. Envoi autographe de l'auteur. Bel à tat. Dà dicacà par l'auteur.