1986 artist (12 resultados)

Softcover. Quarto, 161 pages. In Good plus condition. Spine is white with grey and red print. Cover is white, grey and red print; light blemishes. Illustrated: color plates. Catalog of an exhibition held at the Museo Nacional de Arte de Lima, and other venues. Preliminary essays in Spanish and English. Text of the catalog in Spanish. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in quarto column. 1412694. FP New Rockville Stock.…

Condición: Good. Hard back binding in publisher's original colour illustrated paper covered boards, olive cloth spine. Landscape. 8½'' x 11''. Contains 14 full-page colour plates with story line opposite. Spine ends and corners rubbed and in Good condition, no dust wrapper. From the private library and estate of Edward Ardizzone and INSCRIBED by Astrid Lindgren or Harald Wiberg? to the Ardizzone family to the front free end paper 'With the best Christmas wishes to ''my summerchildren'' of Rodmersham (where Edward Ardizzone resided) Joanna, Sarah, Tim, Beccy and little Jessica. A story from the cold and snowy country where the Tomten and Gudrid lives.' Member of the P.B.F.A. ARDIZZONE, Edward (1900-1979).…

Condición: Good. 4to, 24 x 30 cm. 2 vols. with illustrated covers.Burin engravings by C. P. Josso.Edition of 550 copies (+ 40 hc); n°469 of 450 on Lana vellum. Minor spots on covers and edges.

Condición: Good. 4to, 19.5 x 29cm. Original wraps, rebacked, Custom clamshell slipcase. Frontispiece is an original lithograph, signed in ink by Rouault. This is copy G for the collaborators. Ownership autograph "g. Rouault" on a frbnt endpaper with a drawing of a cat with the manuscript inscription: "pour g/M.".Wofsy no. 7; Chapon /Rouault.359.Atelier Darantiere Dijon for the text, Paul Haasen for the etchings and Desjobert for the lithograph. -OCLC Number / Unique Identifier:10928978: Copy G from: 216 copies printed. "Trois exemplaires sur japon supernacré . numérotés de I à III; quatorze exemplaires sur japon impérial . numérotés de IV à XIII et marqués de A á D pour les exemplaires hors commerce; dix neuf exemplaires sur vélin de hollande Van Gelder . dont quinze exemplaires numérotés de XIV à XXVIII et quatre exemplaires hors-commerce marqués de E à H; et cent quatre-vingts exemplaires sur vélin d'Arches dont cent cinquante exemplaires numérotés de 1 à 150 et trente exemplaires hors commerce numérotés de 151 à 180." .Illustré par Georges Rouault d'un frontispice lithographié en noir et blanc et signé dans la planche, de 5 gravures en taille-douce à pleine page dont 4 en couleurs et une tirée en sépia, et de 3 vignettes dans le texte en noir et blanc dont la vignette de titre.…

SELF-FULFILLING PROPHECY Galerie Judin Berlin, 1. Auflage 2018, ERSTAUSGABE, 104 SS. gebunden (Hardcover, farbiges Oln. gr. 4 to), mit vielen Farbreproduktionen der Gemälde, schön erhalten - von Hortensia Mi-Kafchin eigenhändig signiert.

100 : 150 mm. Signed art postcard of one of Moore's graphic works. Signed by Moore on the lower white border. Mounted to larger sized cardboard.

°°° FIRST EDITION OF THIS 'SPECIAL EDITION', BOTH DVDs BOLDLY INSCRIBED WITH RED FELTPEN to former German erotic-movie actress Katja Bienert ''To Katti! [Heart-Drawing] John - Joyful to see you in NY'' / ''Katti [Heart-Drawing] John''. - CONTAINS THE MAIN FILM ''In October of 1979, Joseph Beuys mounted one of the most vivid and exhilirating Art Exhibitions of the 20th Century, at the Solomon R. Guggenheim Museum in New York. Beuys led Film Director, John Halpern through a maze of Artworks, as Beuys personnally installed and narrated the most complete and intricate assembly of his works to date before Halpern's cameras. The result is one of the most in depth and vital experience of Beuys and his Art that exist in Film or Video today.'' AND THE [EXTRA] ARCHIVES FILM ''Includes Ronald Feldman - Beuys NY Art Dealer. Caroline Tisdal - Exhibition Curator, Heiner Bastian - Installation Head, Thomas Messer - Guggenheim Director, Franz Dahlem - Early Beuys Gallerist and Willoughy Sharp - Video Curator, George Levantis - Free International University Assoc., Christof Karlhoffer - Early Beuys Student, Robert MacDowell - FIU Co-Founder and more; with additional Interviews by Barbara Dickenberger. . .''(rear cover). - CD 1 somewhat-, CD 2 slightly used, without negative audio-video effects; A VERY GOOD SET. --- ''Joseph Beuys is extensively interviewed by Halpern and others and describes in detail his working practices and artistic preoccupations, particularly his characteristic fascination with the elemental materials of fat and fur which saved his life after a plane crash. The tape is a vivid illustration of Beuy's life and work and is the only comprehensive record of his New York Guggenheim exhibition, the most ambitious of his installations.''(lux-org on the main DVD); ''His 1988 film, Transformer/Joseph Beuys is an >influential portrait< of Beuys preparing for the only retrospective done in his lifetime, in 1979 at the Guggenheim Museum in Manhattan. Billed as a Joseph Beuys and John Halpern Collaboration, Beuys led Halpern through the exhibition as he personally narrated and installed his artwork. Produced by I.T.A.P. Pictures and Ronald Feldman Fine Arts Gallery, the film is in many collections.''(Wikipedia).…

8vo. 2 pp. To Barry Hart: "Dear Barry, Here are [the BASE] measurements for the Madonna & child sculpture I'm doing for Claydon Church [.] & a very poor photograph of my studio which might just give you a faint idea of the Madonna & child, it's half hidden by the white plaster Family group in front [.]". - Slight abrasion with loss of a few words.…

8vo. 1 p. To his friend and former teacher Barry Heart: "I've had this reply from the Hanton Stone people - & I've just written back to them agreeing with their suggestion of two 11 ½" pieces instead of one 1 ft 11 piece & have asked them to get on with the work as quickly as possible [.]". - With printed address.…

8vo. 2 pp., closely typed on two sheets with letterhead. With the original typed envelope. Stored in a folding half morocco clamshell case. A fine letter from the artist, addressed "Dear Miss [Irene] Rosen", in response to her enthusiastic letter written after a viewing of his sculptures at the Art Institute of Chicago (a carbon of her letter is present). In a substantially better than ordinary response by the sculptor to his public, and after apologizing for the delay in his response, Moore writes: "[.] As to your touching the pieces of sculpture at Chicago, you were right and the guards were wrong. If you can get a better idea of the volume of the mass, of the depth of the space and of the hardness of the material by touching a sculpture as well as looking at it, you must do so. I much enjoyed seeing a work of mine which had been in a museum in a mining town in England for many years and which had become dirtied in places where the miners, dropping into the museum on the way home for work, had run their hands over it". In response to her query about the possibility of reproductions of his sculptures, he writes "As to reproductions, I don't think they are worth making unless they're good; it's the same thing with pictures [.] reproductions of sculptures [.] can't be any good unless each cast is worked on by the artist - and no artist has time to do that to a large edition of reproductions [.]". He details how his editions of bronzes are produced, comments on their availability and price ("which is, I imagine, more than you can afford to pay"), and responds to her complaints about the inadequacy of the reproductions of photographs in J.J. Sweeney's book: "In feeling the limitations of photographs you are certainly on the right lines [.] a reproduction in a book can never have the same beauty or fidelity as an actual photographic print [.]". He concludes in appreciation of her "genuine and intelligent interest" and notes that he his sending her separately a photograph (not present) of his latest carving. Signed in ink, "Henry Moore". - Folded for mailing, otherwise very good.…

Pas de couverture. Condición: Bon. Rare - Authentic card signed in 1982. + Photo 17.5x17.5 cm (recent print). Size : 7.5x12.5 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

The card, with the printed header 'From Henry Moore, Hoglands .', is a friendly reply to a request to visit his studio. 'I am afraid now that by the time you get this letter it will be too late for you to come to see my studio. For although you may get this by Saturday night I have some very important work to do on Sunday morning, the time you suggest coming .'. The message extends over both sides of the card, with the signature large and clear. The card is in fine condition; the envelope is in very good condition, albeit repaired with clear tape where torn open near the top. [2 items]. Signed by Author(s).…