1916 paris (30 resultados)

Rústica. Condición: Lomera Rozada. 288pp/ Cisne, nº 13/ A-211.

Condición: Good. 8 p.; 33 cm. Stapled. Text is in French and English. Contains three groups of measures adopted by the conference: for the war period; for the period of commercial, industrial, agricultural, and maritime reconstruction of the Allied countries; and for mutual assistance and collaboration. In Good Condition: title page and final page are lightly soiled; staples are rusting; "ABH" written at head of title page; creased; otherwise, clean and solid.

1892 [2me éd revue & augmentée] 471 pages relié abimé par l'eau mais lisible (poor).

Rústica con solapas. Condición: Muy Buena. 123 pp/ Calambur Narrativa, nº 7/ Prólogo de Fernando Pessoa. Traducción y noticia de Ángel Campos Pámpano/ R30-5 Size: 14.5x21. Libro.

Condición: (fair). 1887 412 pages relié.

Hardcover. Condición: New. 15x22 cm, 2005, 1a. ed. en esta edi. Libros del Tiempo 200. 83p., Sprache: Spanisch, NUEVO / NEU / NEW. Tapa dura. Después del volumen El trapecio del destino y otros cuentos (2004), Siruela publica esta estremecedora novela corta de Unica Zürn (Berlín 1916-París 1970), de fuerte carácter autobiográfico. No se trata tan sólo de una lucha contra la esquizofrenia sino más bien de la confrontación, desde la infancia y la adolescencia, con un mundo externo hiriente y hostil y con los abismos e infiernos interiores de la propia personalidad, con el sombrío envés de la conciencia. (Texto cubierta) ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 16,20 (original price 18,00) **.

Encuadernación editorial. Condición: Normal. 14x20/1100pp/Ilustrado/Guaflex/Con cinta de registro/Fiesta Nacional, La segunda Oportunidad, Los sacrificados del Danubio, Contrata de Héroes/1ª edición/R48/4. Libro.

fester Einband. 8.Auflage, 2 Bll., 366 Seiten; O.Papp. mit RT., 8° (ohne Schutzumschlag / Kopfschnitt fleckig; sonst sauber) ISBN 3-921695-43-0.

Brossura. Condición: Molto buono (Very Good). Catalogo di mostra, aprile 1970. Testo di Alberto Sartoris. Estratti di Michel Seuphor, Henri Chopin, Eduardo Westerdahl, Jaak Fontier, Herta Wescher, Richard Hirsch, et al. Numerose ill. in nero. Attività espositiva, bibliografia . 8vo. pp. 50. . Molto buono (Very Good). . . . Book.

Soft cover. Condición: Very Good. No Jacket. In Yiddish. 267 pages. 207 x 142 mm. Lili Berger was born to an observant Jewish family in Malken, near Bialystok. Her traditional Jewish education included 3 years at a Hebrew school, after which she attended the Polish-Jewish Gymnasium in Warsaw. After graduating she studied pedagogy in Brussels. In 1936 she settled in Paris, taught at a Jewish school and became involved with the Jewish left. She married Louis Gronowski (Lulke Grojnowski), a leader of the Jewish Communists in charge of the Jewish section of the MOI (Main-d'oeuvre immigrée), a network created to mobilize immigrant workers. During the war, they both assumed key roles in the French Resistance in German-occupied Paris. As head of the MNCR (Mouvement national contre le racisme), Lili Berger was active in rescuing Jewish children from deportation. At the end of 1949, when Poland came under Communist rule, Berger and her husband returned to Warsaw. Like other Jewish intellectuals, they saw an opportunity to create a "progressive" Yiddish cultural life in the land of their ancestors. In Poland Lily Berger began publishing articles and stories in both Yiddish and Polish. In 1953 her first book appeared, a Yiddish translation entitled Briv fun toytn-hoyz (Letters from Death Row), the letters of Ethel and Julius Rosenberg. It was followed by a collection of literary criticism, a novel and a collection of short stories. Berger also published two books in Polish, one about the Jewish resistance movement in France and the other a collection of essays and sketches entitled The Vietnamese People in Struggle. Post-war Poland quickly proved to be a dangerous place for writers and especially Jews, who in 1967, following the Six Day War in Israel, were again seen as a fifth column. Along with thousands of other Jews, Berger was forced to leave Poland in 1968 during the great exodus which she bitterly refers to in her writing as the trikener pogrom, the bloodless pogrom. Settling in Paris again, she resumed her literary activity, writing for the Naye Prese and, later, for the monthly journal Ofsnay and the weekly Di Vokh. Her work appeared in various Yiddish publications in Israel, South Africa, Mexico and the United States. She also published books of selected essays and stories and a historical novel about Esther Frumkin for which she received a prize from the Jewish P.E.N. club in New York. Printed by Yiddish publishing houses in Paris, Tel Aviv and Buenos Aires, her books received awards internationally. The subjects of Berger's numerous articles and essays were often writers and artists. The list includes Franz Kafka, Janusz Korczak, Simone de Beauvoir, Chaim Soutine, Chana Orloff, Vasili Grossman and scores of Polish Jewish writers who wrote in Polish or in Yiddish. She considered it her duty to write about the creative and courageous people whom she had known personally, who had experienced the horrors of the Holocaust or the Soviet Gulag and faced further ordeals in post-war Communist Poland. These pen portraits are not exhaustive treatments, but painted in broad strokes interwoven with personal recollections, information and ideas. Her work is full of valuable historical detail. On the other hand, while providing fresh insights, Berger, as a true artist, often leaves her readers with unanswered questions to reflect upon and ponder. One certainty, however, emerges from her work written after her disillusionment with the new Poland: the centrality of the State of Israel in Jewish life. Similarly, her fiction deals with the various aspects of the Polish Jewish experience in the twentieth century. Her stories are peopled by characters scarred by the Holocaust: a middle-aged Parisian couple who had met in a DP camp; a 15 year old Polish Catholic girl who discovers that she was born a Jew; an elderly Jew married to the French woman who had risked her life to save his; a young man who rejects his parents for hiding their Jewish identity in Post war Poland.

Albuminabzüge. Kabinettkarten. Beide Karten geblichen und etwas stockfleckig, eine Aufnahme mit sichtbarem Plattenfehler des Glasnegativs. Mounet-Sully war der führende französische Tragöde seiner Zeit und seit 1872 an der Comedié Française. Seine größten Erfolge feierte er in den Rollen des Hamlet, Oedipus und Orest. 1909 war er in dem frühen französischen Film "Der Kuss des Judas" als Jesus zu sehen. Portraits aus der zwei namhaften Pariser Ateliers der Zeit. Chalot (um 1846-1893) war 1879-1894 Mitglied der "Société française de Photographie". Van Bosch (18?-1895) war ein deutscher Photograph mit Atelier in Frankfurt a.M. (ca. 1880-90) und Filiale in Paris (1880-1887), die 1888 von Paul Boyer übernommen wurde.

Brossura editoriale a stampa, cm 23 x 14, pp 188 (2). Testo in francese. Piccola orecchia alla base del piatto anteriore, peraltro buon esemplare a fogli chiusi. Scelta, pubblicata inizialmente nel 1961, di note sull'arte e gli artisti suoi contemporanei tratte dal diario del pittore simbolista Odilon Redon. Piccola orecchia alla base del piatto anteriore, peraltro buon esemplare a fogli chiusi.

Condición: Good. Silver print. French text on verso. Photographer's stamp verso. 18 x 13 cm.Shows John leaving a taxi in Paris after causing the following contetemps in Cannes. . Time Magazine: Monday, Aug. 30, 1937.This took place at Cannes, France, whose Mayor Pierre Nouveau almost created an international incident by his description of the conduct of 21-year-old John Roosevelt, the President's youngest son, at Cannes' "Battle of Flowers.".Mayor Nouveau, spying John Roosevelt?or his spitting image?going past in an open carriage, hurried down from his reviewing stand to give the city's distinguished guest a handsome bouquet, and an eloquent French welcome. The lad picked up a bottle of champagne from the carriage floor, squirted it full in his beaming face. While the gushing stream coursed down over the mayor's best suit of clothes, the gay youngster, taking the Battle of Flowers in too literal a sense, seized the proffered bouquet and brought it down vigorously on the donor's head. M. Nouveau's emotions were inexpressible.Only notable misdemeanors of John Roosevelt have been arrests for speeding, breaking photographers' cameras. In Paris, where he went the evening after the Battle of Flowers, Son John sought the diplomatic advice of his father's friend, Ambassador William C. Bullitt, then explained to the press that he had indeed attended the Cannes fete in a carriage put at his disposal by the proprietor of his hotel, but had not attacked the mayor, remembered nothing of the incident. Said he: ''I never met the mayor of Cannes. There were no speeches. I don't know anything about it. . . . It certainly must have been somebody else. . . .".Meanwhile, in Cannes Mayor Nouveau reiterated his story: ". . . I regret to say I am certain now it was Mr. Roosevelt." Upshot of the Cannes Battle of Flowers was a deluge of French editorials, night-club skits and radio songs; in the U. S. a comment by John Roosevelt's mother:"I am sure John told the truth about it when he said he didn't do it. because I have never known him to tell anything but the truth. He is one of the most dignified of my children. He never did any such thing at home and I can't imagine him doing any such thing abroad. If it happened. I am sure he didn't know the identity of the mayor. It is a perfectly understandable thing for any youngster to do, in such a fete, where everyone was throwing flowers and celebrating, if he didn't know who the mayor was.".

In-16° (cm. 18,5x12), pp. 169, (3) + 16 di cat. Bross. edit. Ombre e firma coeva in cop., strappetto a 1 cern., ma solido. La mémoire comme fait biologique. Les amnésies générales, les amnésies partielles, les exaltations de la mémoire, rapports des souvenirs avec la nutrition, la circulation du sang, principe physiologique et psychologique. RIBOT, grande pioniere della psicofisiologia, fondò il 1° laboratorio francese di psicologia sperimentale, e, con Taine, il movimento degli psicologi patologi francesi. Bibliothèque de philosophie contemporaine. Fondamentale, meritò recenti riedizioni.

GROSSFOTO (Orig.-Farbfoto mit Werbung), EIGENHÄNDIG SIGNIERT.

FOTO, EIGENHÄNDIG SIGNIERT ,mit eigenhändiger Empfehlung (dito : Autogrammkarte mit Datum, Unterschrift signiert für Euro 48,-; tolles vintage GF,4° mit Widmung,Empfehlung, Unterschrift für Euro 125,-).

P., Cabinet de l'historiographe 1896 - Edition Originale - In-8 - Broché - Armoiries en couleurs & Blasons NB en texte - 128 pp. - bon exemplaire - Réf: 49197 Livres 286555845238.

2. Paris, Galeries d'Art International, 1983, square in-8°, (32) nnpp, 21 bl/wh. and colour plates. Publisher's printed stiff cover, stapled. Text in French and English.

Condición: 1900-1930. Noël de Paris d'après un manuscrit de l'abbé Pellegrintranscription de Michel Dupuis Musique de Lucien Collin pour Chant et Piano Partition manuscrite par Lucien CollinTampon de la Sacem 30 Octobre 1916 XXe siècle 1916 3 pages 32.0 x 24.0 cm Très bon état 036604 Nouveau.

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 410. A perfect gift for your loved ones. Reprinted from 1916 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 410.

124pp.

23pp.

LeatheBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 794. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume v.2 (1916) Language: French Pages: 794 Volume v.2 (1916).

LeatheBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 788. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume v.1 (1916) Language: French Pages: 788 Volume v.1 (1916).

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 792. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 2 (1916) Language: French Pages: 792 Volume 2 (1916).

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 780. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 1 (1916) Language: French Pages: 780 Volume 1 (1916).

Großes Szenefoto (kl. 4°) , eigenhändig signiert - mit James Cagney, in SCHÖNSTE DER STADT (dito zum gleichen Preis : frühes Porträt-Großfoto (8°, um 1950) mit eigenhändiger Empfehlung, Unterschrift signiert).

Eigenhändige Unterschrift in Tinte signiert - mit Repro-Porträtfoto (Selbstbildnis) unter dunkelrotes Passepartout (4 to) gerahmt.

Maße: ca. 43 cm x 28,5 cm, unten rechts signiert, bezeichnet no 43, im Passepartout, in schlichter Holzleiste, hinter Glas gerahmt--- 3220 Gramm.

Auf papier de hollande 42,2 : 30 cm. 2 Bl. Titel u. Text von Hans Arp und 10 Blatt in Orig.-Kartonmappe mit Druckvermerk auf der hinteren Deckelklappe. Eines von 60 numerierten und von beiden Künstlern in Tinte signierten und datierten Exemplaren auf papier de hollande. Ferner wurden 10 röm. num. Ex. auf papier japon en soie abgezogen. Druck durch Jean Pons, Paris, im Mai 1949. Das Gedichte von Arp in 4 Strophen mit gedruckter Datierung und Widmung: "2.5.1949 paris / à mes amis bozzolini et righetti". Vordere Umschlagklappe mit Widmung von Bozzolini in grüner Tinte an "caro Oskar" (Dalvit), datiert: Parigi Giugno 1949. Die Mappe papierbedingt gebräunt und mit kleinen Einrissen am Rücken oben u. unten, sonst in tadelloser Erhaltung. Sprache: fr.